<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
		>
<channel>
	<title>Comments on: The Noise of SB 1070: or Do I Sound Illegal to You?</title>
	<atom:link href="http://soundstudiesblog.com/2010/08/19/the-noise-of-sb-1070/feed/" rel="self" type="application/rss+xml" />
	<link>http://soundstudiesblog.com/2010/08/19/the-noise-of-sb-1070/</link>
	<description>a blog pushing sound studies into the red since 2009</description>
	<lastBuildDate>Mon, 20 Feb 2012 20:47:03 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
	<item>
		<title>By: Play it Again (and Again), Sam: The Tape Recorder in Film (Part One) &#171; Sounding Out!</title>
		<link>http://soundstudiesblog.com/2010/08/19/the-noise-of-sb-1070/#comment-962</link>
		<dc:creator><![CDATA[Play it Again (and Again), Sam: The Tape Recorder in Film (Part One) &#171; Sounding Out!]]></dc:creator>
		<pubDate>Mon, 20 Jun 2011 13:03:22 +0000</pubDate>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=528#comment-962</guid>
		<description><![CDATA[[...] in the class to make a recording: Puerto Rican Student Pete Morales.  As I have discussed on this blog and in print, the concept of “noise” has a racialized edge, particularly in the 1950s, when [...]]]></description>
		<content:encoded><![CDATA[<p>[...] in the class to make a recording: Puerto Rican Student Pete Morales.  As I have discussed on this blog and in print, the concept of “noise” has a racialized edge, particularly in the 1950s, when [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: &#8230;back to bashing the ACLU &#171; Docp226-The Voice of Reason</title>
		<link>http://soundstudiesblog.com/2010/08/19/the-noise-of-sb-1070/#comment-484</link>
		<dc:creator><![CDATA[&#8230;back to bashing the ACLU &#171; Docp226-The Voice of Reason]]></dc:creator>
		<pubDate>Sat, 25 Dec 2010 04:34:35 +0000</pubDate>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=528#comment-484</guid>
		<description><![CDATA[[...] ﻿﻿http://soundstudiesblog.com/2010/08/19/the-noise-of-SB-1070/ [...]]]></description>
		<content:encoded><![CDATA[<p>[...] ﻿﻿http://soundstudiesblog.com/2010/08/19/the-noise-of-SB-1070/ [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: President Obama: All Over But the Shouting? &#171; Sounding Out!</title>
		<link>http://soundstudiesblog.com/2010/08/19/the-noise-of-sb-1070/#comment-476</link>
		<dc:creator><![CDATA[President Obama: All Over But the Shouting? &#171; Sounding Out!]]></dc:creator>
		<pubDate>Tue, 21 Dec 2010 00:14:22 +0000</pubDate>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=528#comment-476</guid>
		<description><![CDATA[[...] superseding—visual codes of race, exposing the seeming comfort Americans have developed with this “sonic color-line,” as I have termed it.  Inspired by and indebted to W. E. B. Du Bois’s concept of the visual [...]]]></description>
		<content:encoded><![CDATA[<p>[...] superseding—visual codes of race, exposing the seeming comfort Americans have developed with this “sonic color-line,” as I have termed it.  Inspired by and indebted to W. E. B. Du Bois’s concept of the visual [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Glenn Weyant</title>
		<link>http://soundstudiesblog.com/2010/08/19/the-noise-of-sb-1070/#comment-89</link>
		<dc:creator><![CDATA[Glenn Weyant]]></dc:creator>
		<pubDate>Tue, 24 Aug 2010 15:42:29 +0000</pubDate>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=528#comment-89</guid>
		<description><![CDATA[regarding these sound ideas  ... for nearly five years in the sonoran desert ... where the arizona/mexico borderlands blend ... the walls of babylon are regularly  transformed with sound ...  symbols of fear and loathing built by droneland insecurity systematically d-constructed and reimagined via performance with a cello bow and implements of mass percussion ... from sea to shining sea ... a 2,000 mile long instrument .... what you hear is what you get ... 

-gw-

http://www.youtube.com/user/glennweyant

http://www.sonicanta.com]]></description>
		<content:encoded><![CDATA[<p>regarding these sound ideas  &#8230; for nearly five years in the sonoran desert &#8230; where the arizona/mexico borderlands blend &#8230; the walls of babylon are regularly  transformed with sound &#8230;  symbols of fear and loathing built by droneland insecurity systematically d-constructed and reimagined via performance with a cello bow and implements of mass percussion &#8230; from sea to shining sea &#8230; a 2,000 mile long instrument &#8230;. what you hear is what you get &#8230; </p>
<p>-gw-</p>
<p><a href="http://www.youtube.com/user/glennweyant" rel="nofollow">http://www.youtube.com/user/glennweyant</a></p>
<p><a href="http://www.sonicanta.com" rel="nofollow">http://www.sonicanta.com</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Harold Schellinx</title>
		<link>http://soundstudiesblog.com/2010/08/19/the-noise-of-sb-1070/#comment-81</link>
		<dc:creator><![CDATA[Harold Schellinx]]></dc:creator>
		<pubDate>Fri, 20 Aug 2010 06:07:00 +0000</pubDate>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=528#comment-81</guid>
		<description><![CDATA[Excellent! I&#039;ll pass this on as &#039;essential reading&#039;. An interesting angle also for me to use in a forthcoming writing/analysis of my long-running collection of &#039;found tapes&#039;, major chunks of which - of course - represent the sounds/musics of the &#039;other&#039; in our cities and culture ... 
( http://foundtapes.soundblog.net )]]></description>
		<content:encoded><![CDATA[<p>Excellent! I&#8217;ll pass this on as &#8216;essential reading&#8217;. An interesting angle also for me to use in a forthcoming writing/analysis of my long-running collection of &#8216;found tapes&#8217;, major chunks of which &#8211; of course &#8211; represent the sounds/musics of the &#8216;other&#8217; in our cities and culture &#8230;<br />
( <a href="http://foundtapes.soundblog.net" rel="nofollow">http://foundtapes.soundblog.net</a> )</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ben</title>
		<link>http://soundstudiesblog.com/2010/08/19/the-noise-of-sb-1070/#comment-80</link>
		<dc:creator><![CDATA[Ben]]></dc:creator>
		<pubDate>Fri, 20 Aug 2010 02:38:42 +0000</pubDate>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=528#comment-80</guid>
		<description><![CDATA[Great post and analysis. Thank you.]]></description>
		<content:encoded><![CDATA[<p>Great post and analysis. Thank you.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

