Sonic Borders Virtual Panel: Theo Cateforis’s “No Control, or: How I Learned to Start Worrying about Sound” from IASPM-US

In high school I was that guy. The one who spent every spare penny at the local record stores. The one who would make you a mixtape or tape a whole album to cassette for you. The one who would host listening parties around the stereo in his parents’ living room. Listening to music was a social activity, but it was also, I now recognize, a form of control. It was important, for instance, that I held those listening parties at my house because I was familiar with my records and stereo system, and I knew exactly how the music would sound. There would be no surprises. Likewise, to make a mixtape meant not only arranging a selection of songs, but ensuring that the recording levels and overall sound flowed from one song to the next. A good mixtape revealed not only an intimate knowledge of one’s record collection, but also the mastery of one’s tape deck. . . .  [Reblogged from IASPM-US.net]

Click here to continue reading today’s installment at IASPM-US.

Sonic Borders Schedule

1/21 - Liana Silva, Sounding Out! - “I’m on My New York Sh*t”: Jean Grae’s Sonic Claims on the City

1/28 - Regina Bradley, Sounding Out! - I Like the Way You Rhyme, Boy: Hip Hop Sensibility and Racial Trauma in Django Unchained

2/4 - Marcus Boon, Sounding Out! - One Nation Under a Groove?: Music, Sonic Borders, and the Politics of Vibration

2/6 - Barry Shank, IASPM-US - “On Popular Music Studies”

2/11 - Tavia Nyong’o, Sounding Out! – “Freedom Back: Sounding Black Feminist History, Courtesy the Artists”

2/13 - Theo Cateforis, IASPM-US – “No Control, or: How I Learned to Start Worrying About Sound”

2/18 – Tara Betts, Sounding Out!

2/20 - Shana L. Redmond, IASPM-US

2/25 - Art Jones, Sounding Out!

2/27 - Devon Powers, IASPM-US