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Sounding Out Podcast #36: Anne Zeitz and David Boureau’s “Retention”

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It’s an all too familiar movie trope. A bug hidden in a flower jar. A figure in shadows crouched listening at a door. The tape recording that no one knew existed, revealed at the most decisive of moments. Even the abrupt disconnection of a phone call manages to arouse the suspicion that we are never as alone as we may think. And although surveillance derives its meaning the latin “vigilare” (to watch) and French “sur-“ (over), its deep connotations of listening have all but obliterated that distinction.

In the final entry to our series on Sound and Surveillance, sound artist Anne Zeitz dissects the theory behind her installation Retention. What are the sounds of capture, and how do the sounds produced in and around spaces of capture affect our bodies? Listen in to find out. -AT

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This podcast presents Retention, a quadriphonic sound installation made with David Boureau. It considers the sounds of surveillance, detention and migration. Retention concentrates on the “soundscape” of the Mesnil Amelot 2+3 detention center for illegal immigrants situated to the North of Paris just beside the Charles de Gaulle airport. This center constitutes the largest complex for detaining “illegal immigrants” in France, with 240 places for individuals and families. Approximately 350 airplanes pass closely above the center over a 24 hours time span, creating intervals of very high sound levels that regularly drown out all other ambient sounds. Retention uses quadrophonic recording technology to capture and diffuse a live transmission of communication between pilots and the Charles de Gaulle control tower. The work also integrates recordings from inside the center made by communications via mobile phones. In the short intervals of silence (always implying sounds of some sort), the atmosphere seems suspended. This suspension is paradigmatic for the clash between the local and the global, between those who are trapped in a state of detention before being expulsed by the engines moving over their heads and those who circulate freely (nonetheless under surveillance) in our global society. Retention exhibits a changing sonic space in order to consider how “waiting zones” and processes of mobility meet.

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Featured Image (c) Anne Zeitz and David Boureau, Retention, 2012.

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Anne Zeitz is a researcher and artist working with photography, video, and sound media. Born in Berlin in 1980, she lives and works in Paris. Her research focuses on mechanisms of surveillance and mass media, theories of observation and attention, and practices of counter-observation in contemporary art. Her doctoral thesis (University Paris 8/ Esthétique, Sciences et Technologies des Arts, dissertation defence November 2014) is entitled (Counter-)observations, Relations of Observation and Surveillance in Contemporary Art, Literature and Cinema. Anne Zeitz was responsible for organizing the project Movement-Observation-Control (2007/2008) for the Goethe-Institut Paris and collaborated on the exhibition and conference Armed Response (2008) at the Goethe-Institut Johannesburg. She is a former member of the Observatoire des nouveaux médias (Paris 8/Ensad) and of the research project Média Médiums (Université Paris 8, ENSAPC, EnsadLAB, Archives Nationales, 2013/2014). Her most recent research concentrates on the work of the American artist Max Neuhaus with the publication of De Max-Feed a Radio Net (2014), part of the Média Médiums book series. She is the artist of this year’s Urban Photo Fest and participated at the Urban Encounters / Tate Britain in October 2014.

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Sounding Out! Podcast #34: Sonia Li’s “Whale”-Sonia Li

Playing with Bits, Pieces, and Lightning Bolts: An Interview with Sound Artist Andrea Parkins – Maile Colbert

Sounding Out! Podcast #35: Sonic Beyoncé Roundtable

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This September, Sounding Out! challenged a #flawless group of scholars and critics to give Beyoncé Knowles-Carter a close listen, re-examining the complex relationship between her audio and visuals and amplifying what goes unheard, even as her every move–whether on MTV or in that damn elevator–faces intense scrutiny.   In addition to the great posts we have scheduled every Monday the month of September, please join us for today’s podcast as Sounding Out!‘s Managing Editor Liana Silva-Ford ( Editor, Women in Higher Educationhosts a roundtable discussion with series guest writers Priscilla Peña Ovalle (English, University of Oregon) and Kevin Allred (Women and Gender Studies, Rutgers) and special guest Courtney Marshall (English, University of New Hampshire).

Aside from fanning themselves over Queen Bey’s style, the five of them talk about what drew them to Bey’s work, Beyoncé’s feminism, her status as a pop icon, the interplay between the visual and aural aspects of her work,how students react when they know Beyoncé’s on the syllabus, and more (yes, you will find out what their favorite Bey tracks are)!

Driver, roll up the partition please, today we’re having an intimate discussion about all things Sonic Beyoncé!

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Managing Editor Liana Silva-Ford is a editor, writer, and independent scholar located in Houston, Texas. She is also the editor of the newsletter Women in Higher Education. She obtained her PhD from the English department at SUNY Binghamton. Her dissertation, Acts of Home-making, is a study of how African-Americans and Puerto Ricans represent New York City as a home. She is also a regular contributor for the Inside Higher Ed blog University of Venus.  In the past she worked as a Graduate Writing Specialist at the University of Kansas Writing Center and as a graduate writing instructor at the University of Texas Health Sciences Center. Liana is currently working on a book about postcards, stemming from her geeky obsession with quirky postcards. When she’s not talking about writing, tweeting, and thinking deep thoughts, she is busy defending pop culture on an intellectual level, recording her daughter’s latest babbles on her iPhone, listening to baseball on the radio, and asking people where “home” is. You can find out more about what Liana is up to at her website www.lianamsilvaford.com or on Twitter: @lianamsilvaford

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Sounding Out! Podcast #32: The World Listening Update – 2014 Edition – Eric Leonardson

Sounding Out! Podcast #24: The Raitt Street Chronicles: A Survivor’s History – Manny Escamilla, Sharon Sekhon

Sounding Out! Podcast #1: Peter DiCola at River Read Books – Peter DiCola

Sounding Out! Podcast #34: Sonia Li’s “Whale”

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Reflecting on Whale, an interactive, multichannel sound installation, this sound art piece documents how the installation came about. When designing Whale, Sonia Li used sound to communicate the often visceral emotions underlying her personal narrative.

Whale creates an environment where one experiences oneself. By laying in darkness on a subsonic vibrating bed, users openly confess their thoughts and feelings into a sonic field, which then translates their words into correlating amplitudes of whale sounds. This process of transduction prompts listeners to consider how sound works to shape a perception of themselves as they hear a distant and alien rendering of their own voice. By experiencing Whale we can consider how sound challenges our physiological and psychological perceptions of self.

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Sonia Li is a Brooklyn based artist, designer, and creative technologist. She holds a Masters in Interactive Design from ITP/NYU, 2014, and a BFA in Interdisciplinary Sculpture/Papermaking from SUNY Purchase, 2005.

Sonia has performed with musicians, exhibited in various group shows, and has been featured on various websites such as Prosoundnetwork.com, create-hub.com, modcloth.com blog, and fashionista.com. She produced soundscapes for the Poison exhibition/iPad app at the American Museum of Natural History, worked in Art Direction for film, architectural lighting, and Art Studio Manager positions.

Sonia is currently working on designing private art storage facilities and personal projects. To find out more about her work, go to www.soniali.org/artandtech

tape reelREWIND! . . .If you liked this post, you may also dig:

Toward a Civically Engaged Sound Studies, or ReSounding Binghamton – Jennifer Stoever

Sounding Out! Podcast #21: Jonathan Skinner at the Rutgers University Center for Cultural Analysis – Jonathan Skinner

Playing with Bits, Pieces, and Lightning Bolts: An Interview with Sound Artist Andrea Parkins – Maile Colbert

Sounding Out! Podcast #33: Flawless

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We woke up like this!

#Flawless:

“Baddygirl” – M.I.A.
“The Walker” – Fitz and the Tantrums
“Watch Us Work It” – DEVO
“Summertime” – DJ Jazzy Jeff
“Givin’ Them What They Love” – Janelle Monae
“Mt. Olympus” – Big K.R.I.T.
“Inner City Breathin’ feat. Tammi Terrell” – Amerigo Gazaway
“MakeMoney” – Knxwledge.
“Corre, Corre Erê” – Karol Conká
“Magic” – Olivia Newton John
“Bongo Bong” – Manu Chao
“Datsun Spot” – Van Dyke Parks
“‘Pretty Girls” – Little Dragons
“Baby’s Coming Back to Me” – Jarvis Cocker
“I Don’t Wanna Go to Work” – Lizzie

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