Writers

Authors Sounding Out!

• LMS
  • “Once the word ‘sound’ was in the title, it opened up a kind of door”: A Conversation with Eric Weisbard
• Aaron Trammell
  • Sounding Out! Podcast Episode #6: Spaces of Listening / The Record Shop
• mattlaferty
  • On Hand-Made Music
• j. stoever-ackerman
  • Sound at SCMS 2012
• charlesweiselberg
  • Autolux and the Appeal of Noise-Rock
• mr. oyola
  • “Everyone I listen to, fake patois. . .”
• Andreas Duus Pape
  • Experiments in Agent-based Sonic Composition
• Benjamin Gold
  • Hold This Thread: A Partial History of a Rock n’Roll Relationship
• mbrantner
  • Sound and Sanity: Rallying Against “The Voice”
• nse
  • “Sensing Voice”*
• Dr. O'C
  • Classical Singing: Cradle for Sorrow and Healing
• priscilla peña ovalle
  • Aurally Other: Rita Moreno and the Articulation of “Latina-ness”
• Wanda Alarcon
  • New Wave Saved My Life*
• Christie Zwahlen
  • From Illegitimate to Illmatic: On Tiger Mothers, Ethnoburbs, and Playing the Violin While Dreaming of Nas
• D. Ines Casillas
  • Listening to the Border: “’2487’: Giving Voice in Diaspora” and the Sound Art of Luz María Sánchez
• Peter DiCola
  • What We Talk About When We Talk Girl Talk
• Maile Colbert
  • Within a Grain of Sand: Our Sonic Environment and Some of Its Shapers
• aramsinnreich
  • Remixing Girl Talk: The Poetics and Aesthetics of Mashups
• Karen Tongson
  • Hearing Queerly: NBC’s “The Voice”
• Tara Rodgers
  • Into the Woods: A Brief History of Wood Paneling on Synthesizers*
• rnbradley
  • Death Wish Mixtape: Sounding Trayvon Martin’s Death
• ashoncrawley
  • Pentecostal Song, Sound, and Authentic Voices
• Jeb Middlebrook
  • Prison Music: Containment, Escape, and the Sound of America
• Gus Stadler
  • Pushing Play: What Makes the Portable Cassette Recorder Interesting?
• gaylewald1
  • How Svengali Lost His Jewish Accent
• amandakeeler35
  • Only the Sound Itself?: Early Radio, Education, and Archives of “No-Sound”
• sceraso
  • The Plasticity of Listening: Deafness and Sound Studies
• ginaarnold
  • The Sound of Hippiesomething, or Drum Circles at #OccupyWallStreet
• billtron
  • Sound at SEM/CORD 2011
• tedsammons
  • “I didn’t say look; I said listen”: The People’s Microphone, #OWS, and Beyond
• Robert Ford
  • Closing Time, or What’s In a Song?
• drdawkins
  • The Victoria’s Secret Fashion Show and the Soundtrack of Desire
• c. l. cardinale
  • my mother’s voice, my father’s eye, and my other body: the sound of deaf photographs
• jdowdell
  • The Specialty Record Shop
• hystericalblackness
  • Hearing the Tenor of the Vendler/Dove Conversation: Race, Listening, and the “Noise” of Texts
• davidbgreenberg
  • Sounding Out! Podcast Episode #5: Sound and Spirit on the Highway
• ddkeane
  • Sounds Difficult: James Joyce and Modernism’s Recorded Legacy
• primusluta
  • On Donuts, Sandwiches and Beattapes: Listening for J Dilla Six Years On
• mcenaney
  • DIANE… The Personal Voice Recorder in Twin Peaks
• admiller99
  • Quiet on the Set? : The Artist and the Sound of a Silent Resurgence
• nocoates
  • “The Happiest Day of the Year”: A Reparative (I Hope) Approach to Record Store Day
• ecopoetics
  • Animal Renderings: The Library of Natural Sounds
• santaperversa
  • Sound and Curation; or, Cruisin’ through the galleries, posing as an audiophiliac
• jeajou
  • Beat-ification: British Muslim Hip Hop and Ethical Listening Practices
• ewl4p
  • Sound + Vision: Andy’s Mick
• timm750
  • Listening to the A. D. White House: Cornell’s Society for the Humanities’ Year in Review