Owen Marshall is a PhD candidate in Science and Technology Studies at Cornell University. His dissertation research focuses on the articulation of embodied perceptual skills, technological systems, and economies of affect in the recording studio. He is particularly interested in the history and politics of pitch-time correction, cybernetics, and ideas and practices about sensory-technological attunement in general.
- “Happy Homes Have Gramophones” –Gender, Technology, and the Sonic Restaging of Community Before and After the Partition of Bengal
- Out of Sync: Gendered Location Sound Work in Bollywood
- The Queer Sound of the Dandiya Queen, Falguni Pathak
- Gendered Soundscapes of India, an Introduction
- Gender and the First Sound Films in 1930s Bombay
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- Rediscovering Hip-Hop’s Early Years: An Interview with Joseph Ewoodzie – AAIHS fb.me/79ocw5qrx 6 hours ago
- The Year in Protest Music 2017 pitchfork.com/features/lists… via @pitchfork 17 hours ago
- RT @Klangable: silent reading emboldened the reader because it placed the source of his curiosity completely under personal control https:/… 19 hours ago