Owen Marshall is a PhD candidate in Science and Technology Studies at Cornell University. His dissertation research focuses on the articulation of embodied perceptual skills, technological systems, and economies of affect in the recording studio. He is particularly interested in the history and politics of pitch-time correction, cybernetics, and ideas and practices about sensory-technological attunement in general.
- “I Dreamed and Loved and Wandered and Sang”: Sounding Blackness in W.E.B. Du Bois’s Dark Princess
- “Most pleasant to the ear”: W. E. B. Du Bois’s Itinerant Intellectual Soundscapes
- Canonization and the Color of Sound Studies
- Sound the Alarm: Blog-O-Versary 9.0
- Sounding Out! Podcast #69: Sound The Alarm
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- RT @yao_christine: Check out @kristin_moriah’s post on sounding Blackness and Du Bois! #poc19 #litpoc #soundstudied #citeblackwomen #citeWO… 3 hours ago
- RT @soundingoutblog: New Post up in our "Amplifying Du Bois at 150" series by @Kristin_Moriah! soundstudiesblog.com/2018/08/20/i-d… 3 hours ago
- RT @soundsculptures: Pleased to have an article included in this. It discusses some of the thinking behind my sound art - first step towa… 3 hours ago