Tara Rodgers is an Assistant Professor of Women’s Studies and a faculty fellow in the Digital Cultures & Creativity program at the University of Maryland. As Analog Tara, she has released electronic music on compilations such as the Le Tigre 12″ and Source Records/Germany, and exhibited sound art at venues including Eyebeam (NYC) and the Museum of Contemporary Canadian Art (Toronto). Her collection of interviews, Pink Noises: Women on Electronic Music and Sound, was published by Duke University Press in 2010. She is currently writing a feminist history of synthesized sound that examines productions of identity and difference in audio-technical language and representation. More info at Pinknoises.com; more lush photos of synthesizers on her blog analogtara.
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