CFP: Sound and Pleasure, 4/15/14
“Everything is Awesome!”: Sound and Pleasure Summer Series
CFP: Due 4/15/14, Earliest post deadline will be June 1
Rich purrs. Roaring crowds. Breathy whispers. Giggles, moans, squeals, exhortations of delight. Singing along at the top of your lungs. Good Vibrations. Sweet sensations (I see you, Marky Mark and the Funky Bunch!). The first breath of quiet in the early morning. A coffee grinder’s siren’s song. The snap of your best pair of shoes hitting the pavement. Say it again. More please. YES.
This summer, Sounding Out! wants to talk sound and pleasure until the goosebumps rise on our skins and the DJ has saved all of our lives. Far from frivolous, pleasure is quite a serious–and often highly profitable–business, and sound seems to be one of the finest mediums through which to give, receive, and amplify it.
At least SO! thinks so.
So tell us, What is it exactly that makes certain sounds pleasurable? Who finds those sounds pleasurable? Is sonic pleasure largely an individual experience or a social one? Is it both? How might pleasure and its attendant listening practices conjoin the individual and the social in new ways?
More importantly, what are the politics of pleasurable sounds? Can/should pleasurable sounds be apolitical? Do they lull us into submission? Inspire us through the lulls? Or perhaps they submit us to something else altogether–new inspirations, ways of being, organizing, and listening?
You tell us. Because it feels frivolous. Because it is critical, vital even. Because it might be fun. Because you may like it. Or just because.
We welcome research-based posts and posts examining aural experience through a first-person narrative style; many of our posts mix both. We also welcome ideas for podcasts as well as artistic posts that use the blog format to create an original audio-visual experience.
Please pitch your idea to us in 250 (or less) of your best words by April 15th. Send inquiries and submissions to Jennifer Stoever-Ackerman, SO!’s Editor-in-Chief, at jsa@soundingoutblog.com. Don’t forget to read our submission guidelines before sending us your stuff. Laissez-les bon temps roulez!
Some topics to consider:
- travel, vacations, and “new” sounds
- earworms, repetition, “earcandy”
- sex and the erotic
- love
- erotics of listening
- conversation, voices, grains of voice
- “fun” and play
- Religious ecstasy
- Dance and movement
- retail and commodification of sound
- entertainment
- games, gaming, and sports
- therapy
- apps, crowds, chants, group songs
- Karaoke
- Theories of Affect and Sound Studies
- Volume!!
- rhythm, cadence, beats
- holidays, rituals, parades
- physical properties and manifestations of sound
- privilege (or lack thereof)
- issues of age and changing pleasures
- guilty pleasures, guiltless pleasures
- television and sound
- music, festivals, audiophilia
- headphones and private pleasures
- speakers and public pleasures
- psychedelia, synasthesia, and sound in concert with other senses
Share this:
ISSN 2333-0309
Recent Posts
- “It’s Time to End the Publishing Gatekeeping!”: SO! stands with RaceB4Race
- Listen to yourself!: Spotify, Ancestry DNA, and the Fortunes of Race Science in the Twenty-First Century
- Black Excellence on the Airwaves: Nora Holt and the American Negro Artist Program
- Blank Space and “Asymmetries of Childhood Innocence”
- Youth, Reverberations, and Detroit’s Most Charismatic Rapper
Archives
Categories
Search for topics. . .
Tweet! Tweet! Tweet!
- RT @Joanthevoice: @sxsw is back with digital vengeance, online 2021. I'm looking forward to speaking on the challenges of Breaking the Soni… 4 hours ago
- RT @sweetiyaggi: ALSO ericka huggins is such a light🥺we're really excited to speak w/ her about self-care & revolutionary action this Thurs… 4 hours ago
- cpbwrites.wordpress.com/2020/12/19/son… 17 hours ago
Like us on Facebook!
RSS Feeds
Authors Sounding Out!
-
202smike
-
Tahmahkera
-
aalbin2014
-
abradschwartz
-
abronfman
-
acajc3
-
Adam Craig
-
admiller99
-
afamsound
-
airekb
-
Andy Kelleher Stuhl
-
Wanda Alarcon
-
Alexandrine Lacelle
-
Alexander W. Cowan
-
Alexis Deighton MacIntyre
-
Alexander Russo
-
allisonoyoung1
-
alyxvesey
-
amandakeeler35
-
andré m. carrington Ph.D.
-
Tara Rodgers
-
Andreas Duus Pape
-
Aaron Trammell
-
annafriz
-
Andrew J. Salvati
-
aramsinnreich
-
arenaboy14
-
asamendelsohn
-
ashoncrawley
-
atau20
-
aureliomezavaldez
-
austinthomasrichey
-
awrasmussen
-
badcoverversion
-
Bridget Hoida
-
Benjamin Gold
-
bentausig
-
bighapa75
-
Bill Bahng Boyer
-
bonniesmillar
-
brianedgarhanrahan
-
@unibcarlson
-
brownellcassie
-
caleblazaromoreno
-
lcardoso
-
D. Ines Casillas
-
cbudhaditya
-
celestedaymoore
-
charlesweiselberg
-
chrischienblog
-
clairescooley
-
camscott
-
Colin Black
-
cooksterkc
-
cpastdaboxsoundwordwaves
-
croman2
-
Craig Shank
-
Caitlin Marshall
-
Shawn Higgins
-
cyndaminthia
-
Christie Zwahlen
-
Dan DiPiero
-
danielcavicchi
-
Danijela Kulezic-Wilson
-
davdlee
-
davidbgreenberg
-
davidfontnavarrete
-
davidhendy
-
ddkeane
-
debraraecohen
-
Denise Gill
-
derekvaillant
-
dhad21
-
Monica De La Torre
-
Brittnay Proctor
-
dorothyk98
-
dpettman
-
drdawkins
-
J. Stoever
-
Osvaldo Oyola
-
drtonieshaltaylor
-
Meghan Drury
-
dtraversscott
-
Daniel A. Walzer
-
earlbrooksumbc
-
ecopoetics
-
ehrick2014
-
eleanorkr
-
eleona
-
Elizabeth Newton
-
empetch
-
Emma Leigh
-
encaramarla
-
Enongo Lumumba-Kasongo
-
ericweisbard
-
erikgranly
-
erupton
-
Emmanuelle Sonntag
-
estherbourdages
-
ewl4p
-
fallingmountaineering
-
fbridges
-
Feminatronic
-
flipsin77
-
fugikawa
-
gameaudioschool
-
gaylewald1
-
gcornish
-
ghostyblog
-
ginaarnold
-
Gretchen Jude
-
Gus Stadler
-
guestlistener
-
Holger Schulze
-
hystericalblackness
-
iandunham920
-
ianrawes
-
iancoss
-
imanikaijohnson
-
irisviverosavendao
-
jacobsmith1970
-
James Hodges
-
jaymloomis
-
jbraddoc
-
jdowdell
-
jeajou
-
Jeb Middlebrook
-
jeckstein
-
Jentery Sayers
-
jeteague
-
jgabrielaj
-
jhyland0
-
jlzweck
-
jmartinvest
-
Josh Garrett-Davis
-
jnmusser
-
Jonathan Sterne
-
Josh Ottum
-
Joshua Hudelson
-
jstasiowska
-
jtlsty1
-
Juan Sebastian Ferrada
-
juntinghuang
-
justinadamsburton
-
jwernimont
-
Kaj Ahlsved
-
kaitlynliu
-
katbat67
-
kellyhiser
-
Kelly J. Baker
-
kemiadeyemi
-
kevin13allred
-
knw8433
-
kristinmoriah
-
kstedman
-
kswinehart
-
kwjager
-
laorale
-
priscilla peña ovalle
-
liam665
-
Lilian Radovac
-
lindaokeeffe
-
Yun Emily Wang
-
lucrecciaquintanilla4010
-
Mack Hagood
-
madisonianmoore
-
magz hall
-
Maile Colbert
-
maramills
-
marcus3001
-
Maria Sonevytsky
-
maritjmac
-
markadavidson5
-
marlenriosh
-
marycaton
-
mattlaferty
-
mbrantner
-
mcenaney
-
mcmahonmr
-
John Melillo
-
Melle Kromhout
-
mhabellp
-
mhelquist
-
michellecommander
-
mikederrico
-
Milena
-
mlevine24
-
mseth2
-
kgoldschmitt
-
nabeelzuberi
-
napolinjb
-
Michelle M. Sauer
-
Nichole Rustin-Paschal
-
nicolefurlonge
-
nse
-
nkhverma
-
zeitkunst
-
nocoates
-
norieguthrie
-
Nick Mizer
-
obrienmurga
-
Erika
-
Owen Marshall
-
palmerlandon
-
Steven Hammer
-
pavitrasundar
-
Peter DiCola
-
Parker Fishel
-
pinkstoncb
-
pjaikumar
-
Lewis
-
primusluta
-
j.l. stoever
-
qiushixu
-
Robert Ford
-
rajnaswaminathan
-
Ronit Ghosh
-
rkheshti
-
rmjames
-
Regina N. Bradley
-
robertcryan
-
Roger Moseley
-
rsl318
-
ruichaves01
-
ruigomescosta
-
santaperversa
-
Sarah Kessler
-
sbahssin
-
sceraso
-
schedel
-
schizophone
-
sege22
-
shakiraholt
-
shannonkmooney
-
Shantam Goyal
-
shaynamsilverstein
-
Liana M. Silva
-
smayberryscott
-
snpinto
-
sonialidesigns
-
Sphinxy
-
ssepulve588
-
sshorowitz
-
ssmithsoundingout
-
Stuart
-
suhrhcmiamiohedu
-
svancour
-
svhinojos
-
Tara
-
tblake81
-
tedsammons
-
Benjamin Bean
-
theluisgarcia
-
Tim J. Anderson
-
timm750
-
travisgosa
-
trevorboffone
-
valdes23
-
Karen Tongson
-
vincentandrisani
-
Dr. O'C
-
Benjamin Wright
-
wsgershon
-
yessica07garcia
-
yhoward76
-
yvonbonenfant
-
zaf3
-
Carlo Patrão
Blogroll
- A Closer Listen
- A New Theater of Sound
- Acousmata
- Analog Tara
- Antenna
- Anthropology of Sound
- Aquarium Drunkard
- Aram Sinnreich's blog
- Audio Cookbook
- Binaural Diaries
- Binaural/Nodar
- Blackadelic Pop
- Blogging Ethnomusicologists
- Bodies|Sounds|Technologies
- British Library's Sound Recordings
- Bully Bloggers
- Captivating Sound
- Create Digital Music
- Cultural Organology
- Designing Sound
- Diary of a Bad Housewife (Alice Bag)
- Disquiet
- Dr. Guy's MusiQologY
- Ear Room
- Ear to the Ground
- Electra
- European Sound Studies Association
- Everyday Listening
- Fembot
- Feminist Music Geek
- Filmsound.org
- First Sounds
- Girrlsound
- Greg Goodale
- HASTAC Sound Forum
- Hear is Queer
- Her Beats
- Her Noise Archive
- I have synth
- IASPM-US
- Interference
- Journal of Sonic Studies
- Kathleen (Hanna)'s Blog
- Klangschreiber
- Land Recorder
- Listen Party
- Listening 440 (Josh kun)
- London Sound Survey
- Lubricity (Alex W. Rodriguez)
- Luz Maria Sanchez
- Mactrasound (Mack Hagood)
- Mediateletipos
- Mobile Sound
- Mudd Up! (DJ Rupture)
- Museum of Endangered Sounds
- New Black Man (Mark Anthony Neal)
- New York Society for Acoustic Ecology
- noise for airports
- Now Hear This
- Phonographies
- Phonozoic
- Pink Noises
- Preservation Sound
- Radiolab
- ROBOPROF.ORG (Kembrew McLeod)
- SAIC Department of Sound Blog
- Scoping UK Sound Studies
- Scott Topics (Scott Poulson Bryant)
- Sensate
- Sense and the City
- Sensory Studies
- Social Sound Design
- Sociosound
- Sonic Terrain
- Soul Sides
- Sound + Design
- Sound and Music
- Sound Art Text
- Sound Clash
- Sound Effects
- Sound in Media Culture
- Sound is Art
- Sound Studies Lab
- Sound/Unsound
- Soundcities
- Soundlandscapes
- Sounds Like Noise
- Sounds Like Staten Island
- Spooky and the Metronome
- sterneworks.org
- Super Bon! (Jonathan Sterne)
- Televisual
- The Ardent Audience
- The Big City
- The Field Reporter
- The Foley Diaries
- The Incredible Kaleidophone
- The Music of Sound
- The Soundscape
- The Theater of the Mind
- Turbulence
- Video Game Audio
- Wayne and Wax
- Weird Vibrations
- Women's Audio Mission
- World Listening Project
- Zsonics
Trackbacks / Pingbacks