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ISSN 2333-0309

*Indexed by the Modern Language Association Bibliography

Recent Posts

Sonic Contact Zones: An Interview with DJs MALT and Eat Paint in Koreatown, Los Angeles
SO! Podcast #74: Bonus Track for Spanish Rap & Sound Studies Forum
Cardi B: Bringing the Cold and Sexy to Hip Hop
SO! Podcast #73: NYC Highline Soundwalk
Ghosts in the Machine: Sampling Dr. King

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Authors Sounding Out!

202smike
- Mixtapes v. Playlists: Medium, Message, Materiality
Tahmahkera
- Becoming Sound: Tubitsinakukuru from Mt. Scott to Standing Rock
aalbin2014
- Desiring Medieval Sound
abradschwartz
- From Mercury to Mars: The Shadow of the Great Detective: Orson Welles and Sherlock Holmes on the Air
abronfman
- Radio de Acción: Violent Circuits, Contentious Voices: Caribbean Radio Histories
acajc3
- Playing with the Past in the Imagined Middle Ages: Music and Soundscape in Video Game
Adam Craig
- SO! Amplifies: Think About Sound App and Map
admiller99
- Quiet on the Set? : The Artist and the Sound of a Silent Resurgence
afamsound
- The Sounds of Anti-Anti-Essentialism: Listening to Black Consciousness in the Classroom
airekb
- Introduction to Sound, Ability, and Emergence Forum
- Live Through This: Sonic Affect, Queerness, and the Trembling Body
Andy Kelleher Stuhl
- SO! Reads: Damon Krukowski’s The New Analog
Wanda Alarcon
- “Oh how so East L.A.”: The Sound of 80s Flashbacks in Chicana Literature
- SO! Reads: Deborah R. Vargas’s Dissonant Divas in Chicana Music: The Limits of La Onda
Alexander Russo
- The Sound of Radiolab: Exploring the “Corwinesque” in 21st Century Public Radio
allisonoyoung1
- SO! Podcast #72: Not Your Muse (Episode 1 feat. Hailey Niswanger)
alyxvesey
- Sound at SCMS 2015
amandakeeler35
- Only the Sound Itself?: Early Radio, Education, and Archives of “No-Sound”
andré m. carrington Ph.D.
- Afrofuturism, Public Enemy, and Fear of a Black Planet at 25
Tara Rodgers
- Into the Woods: A Brief History of Wood Paneling on Synthesizers*
Andreas Duus Pape
- Further Experiments in Agent-based Musical Composition
- Experiments in Agent-based Sonic Composition
Aaron Trammell
- Sounding Out! Podcast #69: Sound The Alarm
- SO! Podcast #68: Listening In with Sounding Out! (feat. Pavitra Sundar)
annafriz
- Someplaces: Radio Art, Transmission Ecology and Chicago’s Radius
Andrew J. Salvati
- SO! Podcast #73: NYC Highline Soundwalk
- Sounding Out! Podcast #57: The Reykjavik Sound Walk
aramsinnreich
- Remixing Girl Talk: The Poetics and Aesthetics of Mashups
arenaboy14
- “How Many Latinos are in this Motherfucking House?”: DJ Irene, Sonic Interpellations of Dissent and Queer Latinidad in ’90s Los Angeles
ashoncrawley
- SO! Reads: Shana Redmond’s Anthem: Social Movements and the Sound of Solidarity in the African Diaspora
- Pentecostal Song, Sound, and Authentic Voices
atau20
- SO! Amplifies: Allison Smartt, Sound Designer of MOM BABY GOD and Mixed-Race Mixtape
aureliomezavaldez
- Surf, Sun, and Smog: Audio-Visual Imagery + Performance in Mexico City’s Neo-Surf Music Scene
austinthomasrichey
- Doubled Double Consciousness and the Sound of New Afrikan Expression
awrasmussen
- El Caracol: A Stroll through Space and Time in Mexico City
badcoverversion
- An Evening with Three Legendary Rebel Women at Le Poisson Rouge, January 27, 2017: Margot Olavarria, Bibbe Hansen, and Alice Bag
Bridget Hoida
- SO! L.A.: Sounding the California Story
Benjamin Gold
- Hold This Thread: A Partial History of a Rock n’Roll Relationship
bentausig
- This is What It Sounds Like . . . . . . . . On Prince (1958-2016) and Interpretive Freedom
- Twitchy Ears: A Document of Protest Sound at a Distance
bighapa75
- Straight Outta Compton . . .Via New York
Bill Bahng Boyer
- Sound at AMS/SEM/SMT 2012
- Sound at SEM/CORD 2011
bonniesmillar
- St Erkenwald: The Spectacle of Noise
brianedgarhanrahan
- Reproducing Traces of War: Listening to Gas Shell Bombardment, 1918
unibcarlson
- Sounding Out! Podcast #13: Sounding Shakespeare in S(e)oul
brownellcassie
- (Re)Locating Soundscapes of Schooling: Learning to Listen to Children’s Lifeworlds
caleblazaromoreno
- Technological Interventions, or Between AUMI and Afrocuban Timba
lcardoso
- Sound-politics in São Paulo, Brazil
- Sounding Out! Podcast Episode #9: Listening to São Paulo, Brazil
D. Ines Casillas
- Listening (Loudly) to Spanish-language Radio
- Speaking “Mexican” and the use of “Mock Spanish” in Children’s Books (or Do Not Read Skippyjon Jones)
cbudhaditya
- Canonization and the Color of Sound Studies
charlesweiselberg
- Autolux and the Appeal of Noise-Rock
chrischienblog
- G.L.O.S.S., Hardcore, and the Righteous White Voice
- Tape Hiss, Compression, and the Stubborn Materiality of Sonic Diaspora
clairescooley
- Gender and the First Sound Films in 1930s Bombay
camscott
- The Idea (of an Idea) of North (Of the North): Glenn Gould’s Piece at 50
Colin Black
- A Brief Review of Australian Radio Art
cooksterkc
- Beyond the Grave: The “Dies Irae” in Video Game Music
cpastdaboxsoundwordwaves
- Enacting Queer Listening, or When Anzaldúa Laughs
croman2
- Mouthing the Passion: Richard Rolle’s Soundscapes
Craig Shank
- “We wanted to tell stories about sound”: Opening Ears Through the “Everything Sounds” Podcast
Caitlin Marshall
- The Acoustics of Passing: Harriet Beecher Stowe’s Uncle Tom’s Cabin as Supremacist Remix
Shawn Higgins
- Sonic Contact Zones: An Interview with DJs MALT and Eat Paint in Koreatown, Los Angeles
cyndaminthia
- Sounding Out! Podcast #46: Ruptures in the Soundscape of Disneyland
Christie Zwahlen
- Listening to and through “Need”: Sound Studies and Civic Engagement
- Look Who’s Talking, Y’all: Dr. Phil, Vocal Accent and the Politics of Sounding White
danielcavicchi
- Musical Encounters and Acts of Audiencing: Listening Cultures in the American Antebellum
Danijela Kulezic-Wilson
- The Musical Flow of Shane Carruth’s Upstream Color
davidbgreenberg
- Sounding Out! Podcast Episode #5: Sound and Spirit on the Highway
davidfontnavarrete
- The Amplification of Muted Voices: Notes on a Recitation of the Adhan
davidhendy
- Cauldrons of Noise: Stadium Cheers and Boos at the 2012 London Olympics
ddkeane
- Sounds Difficult: James Joyce and Modernism’s Recorded Legacy
debraraecohen
- Sound Bites: Vampire Media in Orson Welles’s Dracula
deniseelifgill
- The Listening Body in Death
derekvaillant
- Lazarus.FM: Can the Endangered Sounds of Detroit Be Saved?
dhad21
- “All their ioynts & properties”: Orthography and Sound in Early English Poetry
Monica De La Torre
- SO! Reads: Dolores Inés Casillas’s ¡Sounds of Belonging!
- Chicana Radio Activists and the Sounds of Chicana Feminisms
dorothyk98
- “Playing the Medieval Lyric”: Remixing, Sampling and Remediating “Head Like a Hole” and “Call Me Maybe”
dpettman
- The Screech Within Speech
drdawkins
- Sonic Spirituality: Meditations on Eminem’s “Beautiful” and “My Darling”
- The Victoria’s Secret Fashion Show and the Soundtrack of Desire
J. Stoever
- The Top Ten Sounding Out! Posts of 2016!
Osvaldo Oyola
- Sound Off! // Comment Klatsch #11: The Sounds of Family
- Calling Out To (Anti)Liveness: Recording and the Question of Presence
drtonieshaltaylor
- Saving Sound, Sounding Black, Voicing America: John Lomax and the Creation of the “American Voice”
Meghan Drury
- Sound at ASA 2014
- An Ear-splitting Cry: Gender, Performance, and Representations of Zaghareet in the U.S.
dtraversscott
- Listening to #Occupy in the Classroom
Daniel A. Walzer
- Sounding Out! Podcast #52: Listening to the New England Soundscape Project
- Reflective Sound Gathering via the New England Soundscape Project
ecopoetics
- Sounding Out! Podcast #21: Jonathan Skinner at the Rutgers University Center for Cultural Analysis
- Sounding Out! Podcast #12: Animal Transcriptions: Listening to the Lab of Ornithology
ehrick2014
- Vocal Gender and the Gendered Soundscape: At the Intersection of Gender Studies and Sound Studies
eleanorkr
- Sounding Out! Podcast #42: Listening in on Noisy Ghost ‘Our Madonnas Our Nobodies’
eleona
- Sounding Out! Podcast #32: The World Listening Update – 2014 Edition
- SO! Amplifies: Eric Leonardson and World Listening Day 18 July 2014
Elizabeth Newton
- In Search of Politics Itself, or What We Mean When We Say Music (and Music Writing) is “Too Political”
- SO! Reads: Jace Clayton’s Uproot
Emma Leigh
- Mediated Sexuality in ASMR Videos
encaramarla
- A Medieval Music Box: the Cantigas de Santa María as Sound Technology in the Age of Alfonso X
Enongo Lumumba-Kasongo
- SO! Amplifies: Mega Ran and Sammus, The Rappers With Arm Cannons Tour
- SO! Reads: Susan Schmidt Horning’s Chasing Sound: Technology, Culture and the Art of Studio Recording from Edison to the LP
ericweisbard
- Top 40 Democracy: Taylor Swift’s Election Day Victory
erikgranly
- Functional Sound (Studies): The First European Sound Studies Association Meeting
erupton
- Coconut Clops and Motorcycle Fanfare: What Sounds Medieval?
Emmanuelle Sonntag
- From “listening” to “filling in”: where “La Soeur Écoute” Teaches Us to Listen
- Deejaying her Listening: Learning through Life Stories of Human Rights Violations
estherbourdages
- “This Liquid Dream”: An Interview with Aquaphoneia Composer Navid Navab
ewl4p
- Sound + Vision: Andy’s Mick
fallingmountaineering
- Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition
fbridges
- Sounding Out! Podcast #55: The New Brunswick Music Scene Symposium
- Sounding Out! Podcast #37: The Edison Soundwalk
Feminatronic
- SO! Amplifies: Feminatronic
flipsin77
- “Most pleasant to the ear”: W. E. B. Du Bois’s Itinerant Intellectual Soundscapes
fugikawa
- Sonic Connections: Listening for Indigenous Landscapes in Kent Mackenzie’s The Exiles
gameaudioschool
- Sounding Out! Podcast #31: Game Audio Notes III: The Nature of Sound in Vessel
- Sounding Out! Podcast #30: Game Audio Notes II: Hand Made Music in Retro City Rampage
gaylewald1
- How Svengali Lost His Jewish Accent
gcornish
- Listening to the Beautiful Game: The Sounds of the 2018 World Cup
ghostyblog
- Culture Jamming and Game Sound: An Interview with foci + loci
- Improvisation and Play in New Media, Games and Experimental Sound Practices
ginaarnold
- SO! Reads: Janet Borgerson and Jonathan Schroeder’s Designed For Hi Fi Living
- The Sound of Hippiesomething, or Drum Circles at #OccupyWallStreet
Gretchen Jude
- Feeling Through the Keen and Grind: Team Dresch’s Personal Best
- Sounding Out! Podcast #50: Yoshiwara Soundwalk: Taking the Underground to the Floating World
Gus Stadler
- On Whiteness and Sound Studies
- Pushing Play: What Makes the Portable Cassette Recorder Interesting?
guestlistener
- Cardi B: Bringing the Cold and Sexy to Hip Hop
- Ghosts in the Machine: Sampling Dr. King
Holger Schulze
- Singing The Resistance: January 2017’s Anti-Trump Music Videos
hystericalblackness
- Hearing the Tenor of the Vendler/Dove Conversation: Race, Listening, and the “Noise” of Texts
iandunham920
- From Kitschy to Classy: Reviving the TR-808
ianrawes
- SO! Amplifies: Ian Rawes and the London Sound Survey
iancoss
- Lokananta: Sounds of Crisis and Recovery from Indonesia’s National Record Company
imanikaijohnson
- Music Meant to Make You Move: Considering the Aural Kinesthetic
irisviverosavendao
- Sounding Out Tarima Temporalities: Decolonial Feminista Dance Disruption
jacobsmith1970
- This is Your Body on the Velvet Underground
- Devil’s Symphony: Orson Welles’s “Hell on Ice” as Eco-Sonic Critique
James Hodges
- Sounding Out! Podcast #43: Retail Soundscapes and the Ambience of Commerce
jaymloomis
- SO! Amplifies: Sounding Board Curated by Leonardo Cardoso
jbraddoc
- The Firesign Theatre’s Wax Poetics: Overdub, Dissonance, and Narrative in the Age of Nixon
jdowdell
- The Specialty Record Shop
jeajou
- Beat-ification: British Muslim Hip Hop and Ethical Listening Practices
News
- Prison Music: Containment, Escape, and the Sound of America
jeckstein
- Yellow Rain and The Sound of the Matter: Kalia Yang’s Sonorous Objection to Radiolab
- Easy Listening: Spreading and the Role of the Ear in Debating
Jentery Sayers
- Audio Culture Studies: Scaffolding a Sequence of Assignments
jgabrielaj
- Voices at Work: Listening to and for Elsewhere at Public Gatherings in Toronto, Canada (at So-called 150)
jhyland0
- “HOW YOU SOUND??”: The Poet’s Voice, Aura, and the Challenge of Listening to Poetry
jlzweck
- Make a Noise Joyful: Cirm in the Old English Exodus
jmartinvest
- Mr. and Mrs. Talking Machine: The Euphonia, the Phonograph, and the Gendering of Nineteenth Century Mechanical Speech
Josh Garrett-Davis
- The “Tribal Drum” of Radio: Gathering Together the Archive of American Indian Radio
jnmusser
- SO! Reads: Isaac Weiner’s Religion Out Loud: Religious Sound, Public Space, and American Pluralism
Jonathan Sterne
- Quebec’s #casseroles: on participation, percussion and protest
Josh Ottum
- Sounding Boards and Sonic Styles: The Music of the Skatepark
Joshua Hudelson
- Listening to Whisperers: Performance, ASMR Community and Fetish on YouTube
jstasiowska
- Ritual, Noise, and the Cut-up: The Art of Tara Transitory
- Pleasure Beats: Using Sound for Experience Enhancement
jtlsty1
- SO! Podcast #70: Listening In with Sounding Out! (Shauna Bahssin)
- SO! Podcast #67: Listening In with Sounding Out! (feat. Claire Cooley)
Juan Sebastian Ferrada
- SO! Reads: Norma Mendoza-Denton’s Homegirls
justinadamsburton
- They Can Hear Us: Surveillance and Race in “A Quiet Place”
- Teach Me How To Dougie Like A Mediocre White Man
jwernimont
- Hearing Eugenics
Kaj Ahlsved
- Heard Any Good Games Recently?: Listening to the Sportscape
katbat67
- The Sonic Roots of Surveillance Society: Intimacy, Mobility, and Radio
- “Welles,” Belles, and Fred Allen’s Sonic Pranks: Making a Radio Auteur Laugh at Himself
kellyhiser
- The Theremin’s Voice: Amplifying the Inaudibility of Whiteness through an Early Interracial Electronic Music Collaboration
Kelly J. Baker
- Listen to the Sound of My Voice
kemiadeyemi
- Straight Leanin’: Sounding Black Life at the Intersection of Hip-hop and Big Pharma
kevin13allred
- “You’re. . .#noangel. . . either”: Uneasy Politics and Dissonant Sonics in Beyoncé’s “No Angel”
knw8433
- Unlearning Black Sound in Black Artistry: Examining the Quiet in Solange’s A Seat At the Table
kristinmoriah
- “I Dreamed and Loved and Wandered and Sang”: Sounding Blackness in W.E.B. Du Bois’s Dark Princess
- Black Mourning, Black Movement(s): Savion Glover’s Dance for Amiri Baraka
kstedman
- SO! Reads: Daniela Cascella’s F.M.R.L. (Finding Materials for Remembering and Listening)
kswinehart
- Radio and the Voice of the Aymara People
kwjager
- ‘A Clateryng of Knokkes’: Multimodality and Performativity in “The Blacksmith’s Lament”
laorale
- Óyeme Voz: U.S. Latin@ & Immigrant Communities Re-Sound Citizenship and Belonging
priscilla peña ovalle
- Resounding Silence and Soundless Surveillance, From TMZ Elevator to Beyoncé and Back Again
- Aurally Other: Rita Moreno and the Articulation of “Latina-ness”
liam665
- Sound at SCMS 2014
- Regulating the Carceral Soundscape: Media Policy in Prison
Lilian Radovac
- À qui la rue?: On Mégaphone and Montreal’s Noisy Public Sphere
lindaokeeffe
- Workshopping the Derry Soundscape: Mobile technologies as Creative Tools for Third Age Adults
- (Sound)Walking Through Smithfield Square in Dublin
Yun Emily Wang
- Sound at SEM 2013
lucrecciaquintanilla4010
- SO! Podcast #74: Bonus Track for Spanish Rap & Sound Studies Forum
- Contra La Pared: Reggaetón and Dissonance in Naarm, Melbourne
Mack Hagood
- Listening to Tinnitus: Roles of Media When Hearing Breaks Down
madisonianmoore
- Beyoncé’s New Weave Swing, or How to Snatch Wigs With Hair Choreography
magz hall
- The New Wave: On Radio Arts in the UK
Maile Colbert
- Aural Guidings: The Scores of Ana Carvalho and Live Video’s Relation to Sound
- Sounding Our Utopia: An Interview With Mileece
maramills
- Optophones and Musical Print
marcus3001
- One Nation Under a Groove?: Music, Sonic Borders, and the Politics of Vibration
maritjmac
- Vocal Deformance and Performative Speech, or In Different Voices!
markadavidson5
- The Problem of Alan Lomax, or The Necessity of Talking Politics During the Lomax Year
marlenriosh
- “Don’t Be Afraid to Pogo!”: Chicana Hollywood Punks Negotiate ‘h/Home’ After Hardcore Takes L.A.
- If La Llorona Was a Punk Rocker: Detonguing The Off-Key Caos and Screams of Alice Bag
marycaton
- Fiddling With Freedom: Solomon Northup’s Musical Trade in 12 Years a Slave
- Sounding Out! Podcast #11: Recapping SoundBox Project #Tweetasound
mattlaferty
- On Hand-Made Music
mbrantner
- Sound and Sanity: Rallying Against “The Voice”
mcenaney
- Hello, Americans: Orson Welles, Latin America, and the Sounds of the “Good Neighbor”
- DIANE… The Personal Voice Recorder in Twin Peaks
mcmahonmr
- Soundscapes of Narco Silence
Melle Kromhout
- “Sound Studies: A Discipline?”: Sound Signatures Winter School, Amsterdam, January 2014
mhabellp
- Chicana Soundscapes: Introduction
mhelquist
- Goalball: Sport, Silence, and Spectatorship
michellecommander
- Troubling Silence: Sonic and Affective Dispossessions of the African Slave Trade
mikederrico
- Sound Off! // Comment Klatsch #14: Gendered Sounds?
- Going Hard: Bassweight, Sonic Warfare, & the “Brostep” Aesthetic
Milena
- Sounding Out! Podcast #49: Sound and Sexuality in Video Games
mlevine24
- Everyone’s Going to the Rumba: Trap Latino and the Cuban Internet
mseth2
- SO! Reads: David Novak’s Japanoise: Music at the Edge of Circulation
- Sound Off! // Comment Klatsch #10: Sonic Black- and Brown- Face
kgoldschmitt
- Brasil Ao Vivo!: The Sonic Pleasures of Liveness in Brazilian Popular Culture
- Sound at IASPM-US 2014
nabeelzuberi
- SO! READS: Melissa Mora Hidalgo’s Mozlandia: Morrissey Fans in the Borderlands
napolinjb
- Shoo bop shoo bop, my baby, ooooo: W.E.B. Du Bois, Sigmund Freud & Barry Jenkins’ Moonlight
- (T)racing Mother Listening: W.E.B. Du Bois & Sigmund Freud
Michelle M. Sauer
- Audiotactility & the Medieval Soundscape of Parchment
nicolefurlonge
- A Listening Mind: Sound Learning in a Literature Classroom
nse
- “Sensing Voice”*
nkhverma
- SO! Thursday Stream Year in Re-Hear
- From Mercury to Mars: Jennifer Hyland Wang’s “After the Martians” from Antenna
zeitkunst
- The Noises of Finance
nocoates
- “The Happiest Day of the Year”: A Reparative (I Hope) Approach to Record Store Day
norieguthrie
- SO! Amplifies: Indie Preserves
Nick Mizer
- Sounding Out! Podcast #45: Immersion and Synesthesia in Role-Playing Games
obrienmurga
- #MMLPQTP Politics: Soccer Chants, Viral Memes, and Argentina’s 2018 “Hit of the Summer”
Erika
- Making His Story Their Story: Teaching Hamilton at a Minority-serving Institution
Owen Marshall
- Learning to Listen Beyond Our Ears: Reflecting Upon World Listening Day
- A Brief History of Auto-Tune
palmerlandon
- Echoes of Ian Curtis: Film and the Punk Voice
Steven Hammer
- Sound as Art as Anti-environment
pavitrasundar
- The Queer Sound of the Dandiya Queen, Falguni Pathak
Peter DiCola
- What We Talk About When We Talk Girl Talk
Parker Fishel
- Alan Lomax’s Southern Journey and the Sound of Authenticity
pinkstoncb
- If You Can Hear My Voice: A Beginner’s Guide to Teaching
pjaikumar
- Out of Sync: Gendered Location Sound Work in Bollywood
primusluta
- Me & My Rhythm Box
- Heads: Reblurring The Lines
j.l. stoever
- SO! Amplifies: Phantom Power
- The Top Ten Sounding Out! Posts of 2018!
Robert Ford
- Oh Say Can You Hear?: Singing the National Anthem
- Closing Time, or What’s In a Song?
rajnaswaminathan
- becoming a sound artist: analytic and creative perspectives
Ronit Ghosh
- “Happy Homes Have Gramophones” –Gender, Technology, and the Sonic Restaging of Community Before and After the Partition of Bengal
rkheshti
- Rallying Cries as Suffering Sounds: “Allah-O-Akbar” and the Aurality of Feminized Iranian Suffering
rmjames
- “I Am Thinking Of Your Voice”: Gender, Audio Compression, and a Sonic Cyberfeminist Theory of Oppression
- Poptimism and Popular Feminism
Regina N. Bradley
- The Love Below (the Mason Dixon Line): OutKast’s Rejection at the 1995 Source Awards
- SANDRA BLAND: #SayHerName Loud or Not at All
robertcryan
- My Time in the Bush of Drones: or, 24 Hours at Basilica Hudson
Roger Moseley
- Digital Analogies: Techniques of Sonic Play
rsl318
- Sounds of Life: Fetal Heartbeat Bills and the Politics of Animacy
- Gendered Sonic Violence, from the Waiting Room to the Locker Room
ruichaves01
- Curatorial Dispatches from the Nendu Archives: The Journals of Rui Chaves and Tiago Costa
ruigomescosta
- Six Years in Nodar: Sound Art in a Rural Context
santaperversa
- Playin’ Native and Other Iterations of Sonic Brownface in Hollywood Representations of Dolores Del Río
- Afecto Caribeño / Caribbean Affect in Desi Arnaz’s “Babalú Aye”
Sarah Kessler
- On Ventriloquism, Dummies, and Trump’s Voice
- Karaoke and Ventriloquism: Echoes and Divergences
sbahssin
- SO! Amplifies: Basilica Hudson’s 24-HOUR DRONE
- SO! Amplifies: Anne Le Troter’s “Bulleted List”
sceraso
- Snap, Crackle, Pop: The Sonic Pleasures Of Food
- The Plasticity of Listening: Deafness and Sound Studies
schedel
- Sounds of Science: The Mystique of Sonification
schizophone
- Unsettling the World Soundscape Project: The Bell Tower of False Creek, Vancouver
- Unsettled Listening: Integrating Film and Place
sege22
- My Music and My Message is Powerful: It Shouldn’t be Florence Price or “Nothing”
shakiraholt
- Deep Listening as Philogynoir: Playlists, Black Girl Idiom, and Love
- “I Love to Praise His Name”: Shouting as Feminine Disruption, Public Ecstasy, and Audio-Visual Pleasure
shaynamsilverstein
- SO! Reads: Roshanak Khesti’s Modernity’s Ear
Liana M. Silva
- As Loud As I Want To Be: Gender, Loudness, and Respectability Politics
- Sounding Out! Podcast #35: Sonic Beyoncé Roundtable
smayberryscott
- Re-orienting Sound Studies’ Aural Fixation: Christine Sun Kim’s “Subjective Loudness”
snpinto
- Decolonizing the Radio: Africa Abroad in the Age of Independence
sonialidesigns
- Sounding Out! Podcast #34: Sonia Li’s “Whale”
Sphinxy
- Sounding Out! Podcast #24: The Raitt Street Chronicles: A Survivor’s History
ssepulve588
- Hardcore as “Home”: An Etymology of CORE through Chicana Punk Sound
sshorowitz
- The Better to Hear You With, My Dear: Size and the Acoustic World
ssmithsoundingout
- Tuning Into the “Happy Am I” Preacher: Researching the Radio Career of Elder Lightfoot Solomon Michaux
Stuart
- SO! Amplifies: Cities and Memory
suhrhcmiamiohedu
- Sounding Out! Podcast #53: H. Cecilia Suhr’s “From Ancient Soul to Ether”
svancour
- Norman Corwin: Radio at the Intersection of Art and Commerce
svhinojos
- “Don’t Be Self-Conchas”: Listening to Mexican Styled Phonetics in Popular Culture*
Tara
- Pretty, Fast, and Loud: The Audible Ali
- They Do Not All Sound Alike: Sampling Kathleen Cleaver, Assata Shakur, and Angela Davis
tblake81
- (Dis)orienting the Bell: Aural Assault from A Game of Thrones to Richard Coer de Lyon
tedsammons
- “I didn’t say look; I said listen”: The People’s Microphone, #OWS, and Beyond
Benjamin Bean
- SO! Reads: Kirstie Dorr’s On Site, In Sound: Performance Geographies in América Latina
theluisgarcia
- LMGM’s “Lost: Choirboy” & El Jefe’s “Muñoz & La Mission: A Sermon. . .” (in memoriam José Esteban Muñoz)
Tim J. Anderson
- Learning to Listen: The Velvet Underground’s “Once Lost” LPs
timm750
- Listening to the A. D. White House: Cornell’s Society for the Humanities’ Year in Review
travisgosa
- Love and Hip Hop: (Re)Gendering The Debate Over Hip Hop Studies
trevorboffone
- “Ich kann nicht”: Hearing Racialized Language in Josh Inocéncio’s Purple Eyes (Ojos Violetas)
- Deaf Latin@ Performance: Listening with the Third Ear
valdes23
- Black Joy: African Diasporic Religious Expression in Popular Culture
- Spaces of Sounds: The Peoples of the African Diaspora and Protest in the United States
Karen Tongson
- Hearing Queerly: NBC’s “The Voice”
vincentandrisani
- The Sweet Sounds of Havana: Space, Listening, and the Making of Sonic Citizenship
Dr. O'C
- Classical Singing: Cradle for Sorrow and Healing
Benjamin Wright
- Sculptural Dissonance: Hans Zimmer and the Composer as Engineer
wsgershon
- SO! Podcast #71: Everyday Sounds of Resilience and Being: Black Joy at School
yessica07garcia
- Femmes Fucking the Camera: Listening to the Sonics of Boudoir Photography
- Unapologetic Paisa Chingona-ness: Listening to Fans’ Sonic Identities
yhoward76
- Listening to Punk’s Spirit in its Pre-, Proto- and Post- Formations
yvonbonenfant
- On Sound and Pleasure: Meditations on the Human Voice
- SO! Amplifies: Yvon Bonenfant’s Voice Bubbles App
zaf3
- Hearing “Media-Capitalism” in Egypt
Carlo Patrão
- Botanical Rhythms: A Field Guide to Plant Music
- Listening to the City of Light: An interview with Sound Recordist Des Coulam

Blogroll

Countdown to our 8th Blog-o-Versary!

SO!'s 6th Blog-o-Versary!July 27th, 2017

A Word from the Sounding Out! Community

Top Posts

The Queer Sound of the Dandiya Queen, Falguni Pathak
Sonic Contact Zones: An Interview with DJs MALT and Eat Paint in Koreatown, Los Angeles
Botanical Rhythms: A Field Guide to Plant Music
Listening (Loudly) to Spanish-language Radio
An Ear-splitting Cry: Gender, Performance, and Representations of Zaghareet in the U.S.

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