SO! Reads: Book Review Index

06/10/19     Rebecca Tuhus-Dubrow’s Personal Stereo

05/20/19     Steph Ceraso’s Sounding Composition: Multimodal Pedagogies for Embodied Listening

03/25/19     Hiromu Nagahara’s Tokyo Boogie-Woogie: Japan’s Pop Era and Its Discontents

03/18/19     Nicole Brittingham Furlonge’s Race Sounds: The Art of Listening in African American Literature

10/15/18     Kirstie Dorr’s On Site, In Sound: Performance Geographies in América Latina

05/27/18     Melissa Mora Hidalgo’s Mozlandia: Morrissey Fans in the Borderlands

05/14/18     Janet Borgerson and Jonathan Schroeder’s Designed For Hi Fi Living

10/10/17     Licia Fiol-Matta’s The Great Woman Singer: Gender and Voice in Puerto Rican Music

06/19/17     Damon Krukowski’s The New Analog

01/23/17   Jace Clayton’s Uproot

09/12/16   Roshanak Khesti’s Modernity’s Ear

10/12/15   Dolores Inés Casillas’s ¡Sounds of Belonging!

05/18/15   Daniela Cascella’s F.M.R.L. (Finding Materials for Remembering and Listening)

01/26/15   Shana Redmond’s Anthem: Social Movements and the Sound of Solidarity in the African Diaspora

01/23/15     Deborah R. Vargas’s Dissonant Divas in Chicana Music: The Limits of La Onda

05/19/14     Susan Schmidt Horning’s Chasing Sound: Technology, Culture and the Art of Studio Recording from Edison to the LP

04/28/14   Isaac Weiner’s Religion Out Loud: Religious Sound, Public Space, and American Pluralism

03/03/14   David Novak’s Japanoise: Music at the Edge of Circulation

11/05/12     Jonathan Sterne’s MP3: The Meaning of a Format