Sound of the City
Editor’s Note: This month Sounding Out! is thrilled to bring you a collection of posts that will change the way you hear cities. The Sounds of the City series will prompt readers to think through ideas about urban space and sound. Are cities as noisy as we think they are? Why are cities described as “loud”? Who makes these decisions about nomenclature and why?
We kicked things off three weeks ago with my critical reading of sound in Lorraine Hansberry’s A Raisin in the Sun, a play about African Americans in Chicago that still rings/stings true today. Two weeks ago, guest writer Linda O’ Keeffe took readers on a soundwalk of Smithfield Square in Dublin, Ireland and specifically of the Smithfield Horse Fair, in order to illustrate how urban renewal disrupts city soundscapes and how sound reclaims those spaces. Last week, regular SO! writer Regina Bradley discussed the dichotomy of urban and suburban in the context of sound (noisy versus quiet) and hip hop.
Today’s post comes from CFP winner Lilian Radovac, who shares with us a critical photoessay on the sound installation Megaphóne in Montreal.–Managing Editor Liana M. Silva-Ford