March 1, 2013  

Sound Off! // Comment Klatsch #3: Sonic Sports Memorabilia

Sounding Off2klatsch \KLAHCH\ , noun: A casual gathering of people, esp. for refreshments and informal conversation  [German Klatsch, from klatschen, to gossip, make a sharp noise, of imitative origin.] (Dictionary.com)

Dear Readers:  Today’s Sound Off!//Comment Klatsch question comes to you from Liana Silva, Managing Editor, as part of the kick off to our latest Call for Posts on Sound and Sports! Look for the call here—abstracts due April 15th–and for the series to run once a month all through the summer.  Let the games begin!–J. Stoever-Ackerman, Editor-in-Chief

P.S. In the spirit of “Fan Appreciation Nights” we are giving away a new Sounding Out! sticker to today’s Klatsch participants. After you’ve commented, simply email your snail mail address to jsa@soundingoutblog.com.  Thanks for your Team SO! spirit.

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Do you remember a moment where sound played a crucial role in a sporting event–be it one where you played or one that you witnessed?

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Comment Klatsch logo courtesy of The Infatuated on Flickr.

 

February 28, 2013  

Sonic Borders Virtual Panel: Devon Powers’s “Popular Music Studies: An Audible Discipline?”

listening1“Without careful deliberation about these issues, then, the perennial marginalization of sound in numerous fields may quite easily result in the eclipse of popular music studies. Given the choice, it is quite possible that sound studies will become the terrain of choice for answering questions related to sonic phenomena, leaving popular music scholars with  an existential question: who are we and where are we going? And more: how should those of us who study popular music think about ourselves? Are we sound studies scholars by another name? What might be lost were we to decide that we were? In short, does popular music studies continue to matter?[. . . ].”  [Reblogged from IASPM-US.net]

Click here to continue reading today’s installment at IASPM-US.

SO IASPM7

Sonic Borders Schedule

1/21 – Liana Silva, Sounding Out! – “I’m on My New York Sh*t”: Jean Grae’s Sonic Claims on the City

1/28 – Regina Bradley, Sounding Out! – I Like the Way You Rhyme, Boy: Hip Hop Sensibility and Racial Trauma in Django Unchained

2/4 – Marcus Boon, Sounding Out! – One Nation Under a Groove?: Music, Sonic Borders, and the Politics of Vibration

2/6 – Barry Shank, IASPM-US – On Popular Music Studies

2/11 – Tavia Nyong’o, Sounding Out! – Freedom Back: Sounding Black Feminist History, Courtesy the Artists

2/13 – Theo Cateforis, IASPM-US – No Control, or: How I Learned to Start Worrying about Sound

2/18 – Tara Betts, Sounding Out! – They Do Not All Sound Alike: Sampling Kathleen Cleaver, Assata Shakur, and Angela Davis

2/20 – Shana L. Redmond, IASPM-US – The Sounds We Make Together: Chuck Berry’s Onomatopoeia

2/25 – Airek Beauchamp, Sounding Out! – Queer Timbres, Queered Elegy: Diamanda Galás’s The Plague Mass and the First Wave of the AIDS Crisis

2/27 – Devon Powers, IASPM-US – Popular Music Studies: An Audible Discipline?

 

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