Tag Archive | Aaron Trammell

Sound the Alarm: Blog-O-Versary 9.0

** Click here if you want to SOUND THE ALARM and listen to the mix already!! You can also scroll down following this post**

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“BRRRRRRRIIIIIIINNNNG”

is the line–and the sound–that opens Richard Wright’s 1940 wake-up-call to America, Native Sona novel about the systemic reaches of structural racism and what happens when it works as intended: funneling privilege to white people and dealing losses–in housing, economics, education, employment, the legal system, and overall mental, physical, and emotional health and life quality–to people of color.  There have been moments in the 75+ intervening years since Wright’s novel topped best seller lists where it’s felt like folks had finally heard this alarm loud and clear; right now it seems like too many have just been repeatedly hitting snooze instead of choosing to get–and stay–woke.

But just because some folk’s can’t, won’t–or choose not–to hear it is not at all reason to stop sounding the alarm, and Sounding Out! certainly isn’t going to stop chiming in and amplifying its urgency, especially in this current moment.  It has been our mission since we began in 2009 to encourage scholarship about and via sound that helps us all do the work necessary to listen “bone-deep in the deep of bones” to that “BRRRRRRRIIIIIIINNNNG” (thank you Fred Moten, for that stunning description of listening in In the Break, and so much more).

To listen to it and, we hope, to ACT.

We are now “nine and feeling fine,” in spite of it all, still sounding the alarm within our field and reverberating to other disciplines,  inside, through, and beyond the hyperpoliced borders of the US, and at the intersection of multiple social identities: race sexuality class gender nation citizenship status. Now, more than ever, we are grateful for the work we do and the platform we have built–and we are honored to be part of the wonderful, brilliant, and powerful community who sustains us and who’s always out there, listening and doing that work. It’s been a breakthrough year for sound studies brilliance; we have actually received more unsolicited submissions this year than in previous years combined (!!!). Keep it flowing–we’ll begin setting the 2019 schedule soon!

Just a sampling of what (and where) the year nine cohort brought you: to an art installation on the streets of Mexico City, to Australia for a conversation on sound and the law and an open letter about race, power, and equity in academia, to K-12 classrooms all over the US in a Liana Silva-edited forum on sonic pedagogy, to Argentina to listen to the “song of the summer,”  to Russia to listen in to the sounds of World Cup 2018, to a galaxy far, far away, to Canada’s radio waves to hear traces of “The Idea of North,” to the contested political space of the womb, to Hamilton, to the paisa bars, mosh pits, hardcore shows, tarimas, and 1980’s flashbacks of Chicana Soundscapes (thank you Michele Habell-Pallan for curation and the intro to this forum!), and to indigenous peoples’ sound from Mt. Scott to Standing Rock.

And of course we must give special props and the deepest of gratitude to guest editors Praseeda Gopinath and Monika Mehta (who brought you the groundbreaking Gendered Soundscapes of India forum), to our regular writers Regina BradleyJustin Burton, and Robin James who bring it three times a year, to our Fall 2017 intern James “DJ Tasty” Tlsty who brought you “Listening In With Sounding Out!” on WHRW (and our podcast stream) and our spring 2018 team, Shauna Bahssin and Allie Young, who brought copy-editing expertise and respectively, posted on a 24-Hour Drone Festival in upstate NY, and created a podcast (airing on our podcast stream very soon!) about womxn’s experiences in the music industry.

To all our writers, readers, supporters, retweeters, sharers, teachers, and word-of-mouth fans: Thank you, thank you, thank you. Gracias por todo. Let’s continue blowing it to full watts in year 10.

–JLS, LMS, and AT

⏰⏰⏰⏰ SO! 2016-2017 Highlight Reel⏰⏰⏰⏰⏰

  • Justin Burton‘s book, Posthuman Rap (Oxford UP), was published fall 2017, and Justin successfully applied for tenure spring 2018.

 

  • Karen Cook is a recipient of an inaugural ACLS Professional Development Grant, and presented some recent work at the annual Medieval-Renaissance Music Conference in Maynooth, Ireland in July 2018.

 

  • This year, Robin James assumed co-editorship (with Eric Weisbard) of the Journal of Popular Music Studies and she wants to encourage SO! writers and readers to submit their article-length work. In addition to writing for SO!, she also published an article on post-feminism and electronic dance music. She keynoted the 2017 IASPM-International conference and the Future/Present: Current Practices in Pop Music Studies conference in Uppsala, Sweden.

 

  • Monika Mehta  published “Fan and its Paratexts,” Dossier on Fan,  in Framework (January, 2018) and “Streaming Hotstar Originals”  for the theme week Global Television Streaming, edited by Jasmine Mitchell and Lisa Patti, for in media res: a media commons project (April 2018). She also co-edited SO!‘s forum Gendered Sounds of India with Praseeda Gopinath and co-wrote the introduction with her as well.

 

  • For 2018, Marlen Rios-Hernandez will be at the Latinx Studies Association (LSA) at D.C. presenting  “‘How Many Queers Are Here Tonight?’: The AIDS Epidemic and Punk as Contagion From Gobbing, Cruising, to Los Frikis” as part of the “Performing Dissidence: Social Change and the Stage in Musical Performance” panel. She will be at this years American Studies Association (ASA) in Atlanta presenting  a piece entitled “‘We Will Bury You!’ Listening For Chicana Punk and Other Subaltern Queer Auralities on  Vinyl” on the “Emergent Auralities: Subaltern Sounds in Latinx Cultural Production and Performance” panel. Moving forward, she’s a recipient of the American Association of University Women (AAUW) year long dissertation fellowship and intend to graduate by Spring 2019.

 

  • Tara Rodgers just put out a solo record as Analog Tara called Fundamentals–a sample is on this year’s SO! mix! Thank you TR!–and was featured on NPR and in the Washington Post!

 

 

And remember, the “notes” on our Facebook page is *still the best place to hear about calls for art, calls for posts, and upcoming conferences, shows, and volumes in sound studies. “Like” us here and please continue to keep us in the loop regarding new projects. We love to signal boost, as you can probably tell by our very active Twitter feed!

Click here for Sounding Out!‘s Blog-O-Versary “Sound the Alarm” mix 9.0 with track listing (and of course which writers suggested which songs)!

Jennifer Lynn Stoever is co-founder and Editor-in-Chief of Sounding Out! She is also Associate Professor of English at Binghamton University, lead organizer of The Binghamton Historical Soundwalk Project and author of The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016).  


REWIND!
 . . .
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Sounding Out! Podcast #69: Sound The Alarm

CLICK HERE TO DOWNLOADSound The Alarm

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ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST

Sound The Alarm

Elvis Costello and the Attractions, “Night Rally”—Jeremy Braddock
J. Ballin and Carla Morrison, “Mi Gente”—Liana Silva
Snap!, “I’ve Got the Power!”—Robin James
Diana Gordon, “Woman”—Allie Young
The Raincoats, “No One’s Little Girl”—Gina Arnold
Sam Cooke, “This Little Light of Mine (Live)”—Shakira Holt
The Ergs, “Books About Miles Davis”—Aaron Trammell
Descendents, “Parents”—Marlen Rios-Hernandez
Guerrilla Toss, “Betty Dreams of Green Men”—James T Tlsty
Shabazz Palaces, “Shine a Light w/ Thaddillac”—Nabeel Zuberi
Amali Dhumali, “DHOOM3”—Monika Mehta
Rhianna, “Man Down”—Justin Burton
Dr. Dre, “Keep Their Heads Ringing”—Karen Cook
Analog Tara, “Percolation”—Tara Rodgers
Princess Nokia, “Kitana”—Jennifer Stoever
Rina Sawayama, “Ordinary Superstar”—Shauna Bahssin
Nina Diaz, “January 9th”—Wanda Alarcon

***Click here to read our Blog-o-versary year-in-review by Ed. in Chief JS 

Sounding Out! Podcast #62: ¡¡¡¡RESIST!!!!

CLICK HERE TO DOWNLOAD¡¡¡¡RESIST!!!!

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¡¡¡¡RESIST!!!!

The Clash, “Guns of Brixton”—The Editorial Collective
Alice Bag, “Programmed”—Jenny Stoever
Speedy Ortiz, “Raising the Skate”—Liana Silva
OutKast, “Humble Mumble”—Regina Bradley
The Staple Singers, “Freedom Highway”—Shakira Holt
El Jornaleros del Norte, “Serenata a un Indocumentado”—Dolores Inés Casillas
A Tribe Called Red (feat. Yasiin Bey, Narcy & Black Bear), “R.E.D.”—reina alejandra prado
Body Count, “No Lives Matter”—Holger Schulze
Pega Monstro, “Partir a Loiça”—Carlo Patrão
Björk, “Declare Independence”—Chris Chien
Green Velvet and Prok & Fitch, “Sheeple”—Justin Burton
Pet Shop Boys, “Go West”—Airek Beauchamp
Kate Bush, “Waking the Witch”—Gretchen Jude
Cabaret Voltaire, “Do the Mussolini (Headkick)”—Yetta Howard
Lucid Nation (feat. Jody Bleyle), “Fubar”—Tamra Lucid
Resorte, “Opina o Muere”—Aurelio Meza
Leonard Cohen, “You Want it Darker”—Ariel B Taub
Charlie Haden & Liberation Music Orchestra, “We Shall Overcome”—Elizabeth Newton
Joe Strummer and the Mescaleros, “Johnny Appleseed”—Aaron Trammell

***Click here to read our Blog-o-versary year-in-review by Ed. in Chief JS 

Sounding Out! Podcast #59: Soundwalk of the Women’s March, Santa Ana

CLICK HERE TO DOWNLOADSoundwalk of the Women’s March, Santa Ana

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WOMEN, UNITED, WILL NEVER BE DEFEATED!

As reported by the statistics gurus at fivethirtyeight.com, almost half a million people marched in Washington and Los Angeles each on Saturday, January 21st 2017. New York City reported 400,000 folks in attendance at their own march and Boston, Chicago and Seattle each tallied over 100,000 people in their streets. Just south of Los Angeles, I attended the Women’s March in Santa Ana where 12,000 folks took to the streets with signs and pussy hats in support of civil rights. As friends to my side chanted along with the crowd, I documented the aural contours of the event with my recorder. Here it is, for posterity’s sake, a soundwalk of the women’s march in Santa Ana, CA.

WOMEN, UNITED, WILL NEVER BE DEFEATED!

Co-Founder and Multimedia Editor Aaron Trammell is an Assistant Professor of Informatics at UC Irvine. He earned his doctorate from the Rutgers University School of Communication and Information in 2015 and was a a Provost’s Postdoctoral Scholar for Faculty Diversity in Informatics and Digital Knowledge at the Annenberg School for Communication and Journalism at the University of Southern California from 2015-2016. Aaron’s research is focused on revealing historical connections between games, play, and the United States military-industrial complex. He is interested in how military ideologies become integrated into game design and how these perspectives are negotiated within the imaginations of players. He is the Co-Editor-in-Chief of the journal Analog Game Studies and the Multimedia Editor of Sounding Out!

Featured image taken before the Yost Theater in Santa Ana, image used with permission by the author.

tape reelREWIND! . . .If you liked this post, you may also dig:

Sounding Out! Podcast #57: The Reykjavik Sound Walk – Andrew J. Salvati

Park Sounds: A Kansas City Soundwalk for Fall – Liana M. Silva

Sounding Out! Podcast #50: Yoshiwara Soundwalk: Taking the Underground to the Floating World– Gretchen Jude

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