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Sounding Out! Podcast #55: The New Brunswick Music Scene Symposium

DOI: https://doi.org/10.59350/88gbr-feh43

CLICK HERE TO DOWNLOAD: The New Brunswick Music Scene Symposium

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Join Frank Bridges and Christine Lutz–founders of the New Brunswick Music Scene Archive, at Rutgers University–as they converse with a panel of seasoned veterans from the New Jersey music scene. Included on the panel are Ronen Kauffman, author of New Brunswick, NJ Goodbye; Marissa Paternoster, singer and guitarist of The Screaming Females; Joe Steinhardt, co-founder of Don Giovanni Records; and Jim Testa, the editor of Jersey Beat.The discussion becomes intimate very quickly as the audience converses intently with the panelists. Together the group compares inter-generational notes about what makes a music scene and the affordances of situating a counter-culture archive in a university setting.

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Featured Image: Excerpt from the cover of Jersey Beat #14. Image used with permission by the author.

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Frank Bridges is a Doctoral Candidate at The Rutgers University School of Communication and Information. He is also a part-time lecturer, musician, and graphic designer. His research interests are the DIY and Internet-based production and distribution of music, and visual communication with a focus on semiotic analysis and street art.

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tape reel

REWIND!…If you liked this post, you may also dig:

SO! Podcast #37: The Edison Soundwalk–Frank Bridges

This is What it Sounds Like……..On Prince and Interpretive Freedom–Benjamin Tausig

Soundwalking New Brunswick, NJ and Davis, CA–Aaron Trammell

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Sounding Out! Podcast #53: H. Cecilia Suhr’s “From Ancient Soul to Ether”

DOI: https://doi.org/10.59350/47k8q-y7g19

CLICK HERE TO DOWNLOAD: H. Cecilia Suhr’s “From Ancient Soul to Ether”

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Cecilia Suhr’s sound art piece, From Ancient Soul to Ether, reflects on how sound can describe beings from the past, present and future in simultaneous coexistence. From the vibrational level of the earth to the futuristic murmurs of aliens and robots, from the sound of blossoming plants to that of technological advancement, this recording captures the timeless and paradoxical interweaving of contradictory sounds. For instance: harmony vs. disharmony, past vs. future, human vs. machine, time vs. timelessness. In juxtaposing these contradictions, From Ancient Soul to Ether captures the sound of all things in harmony. The sounds of multiple dimensions and eras blend and dissolve together, creating one cohesive sound in an attempt to represent being without judgement, being without discrimination, and being amongst the ideology and difference of all things. Here Suhr expresses how the energy fields from all dimensions evokes not just the here and now, but also eternity.

Note:  The violin in this recording is specifically tuned to 432 HZ as opposed 440 HZ. I was first introduced to 432 HZ tuning by Simone Vitale, a voice yoga teacher, sound healer, and musician based in Germany. 432 HZ is a specific tuning method that seeks alignment with the universal frequencies and harmonies.

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Featured Image: “crop circle Windmill Hill – fusion” by Ian Burt @Flickr CC BY.

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H. Cecilia Suhr (www.ceciliasuhr.com) is an Assistant Professor in the Department of Media, Journalism and Film at Miami University-Hamilton and Affiliate Faculty in the Department of Art at Miami University, Oxford, Ohio.  Starting from August 2016, She will be an Associate Professor in a new department called Humanities and Creative Arts at Miami University Hamilton while maintaining her current ties at Oxford campus.  She is also a three-time award-winning interdisciplinary and multimedia artist whose work spans paintings, digital art, video art, sonic art, and music. Her work has been exhibited in New York City, Washington, D.C., Los Angeles, Cincinnati/West Chester, OH, Fort Thomas/NewPort Kentucky, Laurel, Maryland, and internationally in cities such as Moscow, London, Seoul and Tokyo. It has been publicly collected by the Marina Tsvetaeva House Museum in Moscow, NamSeoul University, Sisters of St. Paul of Charities, and KT Korea.  She is the author of two academic books–Social Media and Music: The Digital Field of Cultural Production (Peter Lang Press, 2012) and Evaluation and Credentialing in Digital Music Communities (MIT Press, 2014)–and an editor and contributing author of Online Evaluation of Creativity and the Arts (Routledge Press, 2014). In 2012, she was the recipient of a MacArthur Foundation Research Award for Digital Media and Learning.

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tape reel

REWIND!…If you liked this post, you may also dig:

SO! Podcast #34: Sonia Li’s “Whale”–Sonia Li

SO! Podcast #13: Sounding Shakespeare in S(e)oul–Brooke A. Carlson

SO! Podcast #10: Interview with Theremin Master Eric Ross–Aaron Trammell

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