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SO! Podcast #81: The Intimacy and Public Feeling of a Post-Troika Emotional Recovery

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This week we are glad to share a podcast on intimacy and public feeling. Our host, Ana Pais looks at several performances which premiered in Portugal between 2017 and 2019:  Happy Show, by Miguel Pereira; Tristeza in English from Spanish, by Sónia Baptista; Cinderella, by Lígia Soares; and Every Brilliant Thing, by Ivo Canelas. Pais examines the social, cultural and political dimensions of public feeling (or public affect) as well as how they influence our everyday experience using the format of a radio broadcast.

Formulated by Lauren Berlant (2011), the concept public feeling defines public spheres as collectively generated and negotiated words of affect. The private sphere where we experience our emotions and feelings most intimately is conditioned and shaped by economic, political and cultural forces. They fuel desires and fantasies that circulate in cultural narratives. This podcast questions why the Portuguese artists listed above chose to pick happiness, sadness, depression and romantic love as topics for development in the current Portuguese political and social situation? How do these affects reflect, reinforce and subvert a post-Troika context with a Left Wing coalition government and a President of the Republic called–even before he took office–the “president of affection”?

Featured image is of Miguel Pereira’s Happy Show. It is used with permission by the author.


Ana Pais is a dramatuge, curator, and FCT Postdoctoral Fellow at CET – Centro de Estudos de Teatro at the School of Arts and Humanities of the University of Lisbon. She is currently undertaking the research project “Practices of Feeling” in which she approaches the affective dimensions of performance through embodied knowledge and sound knowledge. She is the author of Discourse of Complicité: Contemporary Dramaturgies (Colibri 2004), Affective Rhythms in the Performing Arts (Colibri 2018), and the editor of Performance na Esfera Pública (2017, Orfeu Negro) and its online version in English available at www.performativa.pt. From 2005 to 2010, she was an Assistant Professor at Escola Superior de Teatro e Cinema (Lisbon). As a dramaturge, she has worked with theatre and dance professionals in Portugal (João Brites, Tiago Rodrigues, Rui Horta and Miguel Pereira). She curated, coordinated and produced various discursive practice events, such as: Indirecções Generativas – baldio (co-curation; Espaço do Tempo, 2013), Conversas Domésticas (Temps d’Images festival, 2013 and 2014), O Poder dos Afectos Lecture Series (Culturgest, February 2015), Dirty Ear Forum artistic residency (co-curated with Brandon LaBelle, Lisbon, 30thSeptember – 5th October), and Projecto P! Performance na Esfera Pública (Lisbon, 10-14th April 2017).

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Afecto Caribeño / Caribbean Affect in Desi Arnaz’s “Babalú Aye” – reina alejandra prado saldivar

My Voice, or On Not Staying Quiet – Kaitlyn Liu

Troubling Silence: Sonic and Affective Dispossessions of the African Slave Trade – Michelle D. Commander

SO! Podcast #80: Refugee Realities Miniseries

Welcome to Next Gen sound studies! Here, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You’ll read voice biographies (Kaitlyn Liu’s “My Voice, or On Not Staying Quiet,”) check out blog assignments (David Lee’s “Mukbang Cooks, Chews, and Heals”), listen to podcasts (Nic John Ramos and Laura Garbes hosting SO! Podcast #79: Behind the Podcast: deconstructing scenes from AFRI0550, African American Health Activism), and read detailed histories that will inspire and invigorate. Bet.  –JS

CLICK HERE TO DOWNLOAD: SO! Podcast #80: Refugee Realities Miniseries

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Join hosts Amanda Patton, Ahmad Frahmand, Melvin Mora Rangel, and Brad Joseph as they interview local refugees and organizations in an attempt to learn what brings refugees seeking asylum to Charlottesville, Virginia. This podcast explores the personal experiences of refugees as they navigate the institutional realities of Charlottesville. It probes the experience of assimilation asking if it is easier to assimilate as a second generation refugee? And asks about the unique challenges that second generation refugees face. Finally, the podcast concludes by sharing resources available for refugees in Charlottesville and how listeners can aid the cause.

We are delighted to host this podcast at Sounding Out! and hope that you enjoy this excellent piece.

Amanda Patton, Ahmad Frahmand, Melvin Mora Rangel, and Brad Joseph authored this podcast series as a project in Steph Ceraso‘s amazing “Writing With Sound” class at the University of Virginia. Here’s the link to the podcast assignment, with a full rubric at the end.

tape-reelREWIND! . . .If you liked this post, you may also dig:

SO! Podcast #79: Behind the Podcast: deconstructing scenes from AFRI0550, African American Health Activism – Nic John Ramos and Laura Garbles

A Manifesto, or Sounding Out!’s 51st Podcast!!! – Aaron Trammell

Mukbang Cooks, Chews, and Heals – David Lee

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