Sounding Out! Podcast #23: War of the Worlds Revisited
DOI: https://doi.org/10.59350/0mf0w-dnv76
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In case you missed our special “War of the Worlds” listening event, you can listen in again to the first part of our broadcast, featuring more than a dozen prominent radio historians, hosted by Brian Hanrahan (Cornell University), with critical reflections from Shawn VanCour (New York University), Kathleen Battles (Oakland University), and Alex Russo (Catholic University) [Part 1]; Brian Wall (SUNY Binghamton), Paul Heyer (Wilfrid Laurier University), and Tom McEnaney (Cornell University) [Part 2]; Kate Lacey (University at Sussex), Jason Loviglio (The University of Maryland, Baltimore County), Paul Heyer (Wilfrid Laurier University), Damien Keane (SUNY Buffallo), Josh Sheppard (The University of Wisconsin-Madison), and John Cheng (SUNY Binghamton) [Part 3]. Part one focuses on radio in the year 1938, part two focuses on Orson Welles, and part three focuses on the War of the Worlds broadcast itself, the media panics which ensued, and aftermath.
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A producer of this broadcast, Aaron Trammell, is co-founder and multimedia editor of Sounding Out! He is also a Media Studies PhD candidate at Rutgers University.
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REWIND! . . .If you liked this post, you may also dig:
Sound Bites: Vampire Media in Orson Welle’s Dracula— Debra Rae Cohen
Hello, Americans: Orson Welles, Latin America, and the Sounds of the “Good Neighbor”— Tom McEnaney
Sounding Out! Podcast #6: Spaces of Listening/The Record Shop–Aaron Trammell
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Sound Off! // Comment Klatsch #10: Sonic Black- and Brown- Face
DOI: https://doi.org/10.59350/v24fp-amr61
klatsch \KLAHCH\ , noun: A casual gathering of people, esp. for refreshments and informal conversation [German Klatsch, from klatschen, to gossip, make a sharp noise, of imitative origin.] (Dictionary.com)
Dear Readers: Today’s Sound Off!//Comment Klatsch question comes to you from Seth Mulliken, SO! guest, frequent SOCK contributor, and Ph.D. candidate in the Communication, Rhetoric, and Digital Media program at NC State.
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Following a recent Huffington Post article concerning The Simpsons’ character Apu, why is it that sonic black- and brown-face doesn’t receive the same criticism as visual black- and brown-face?
Comment Klatsch logo courtesy of The Infatuated on Flickr.
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