Eye Candy: The Absence of the Female Voice in Sports Talk Radio
If masculinity is alive and well [on sports talk radio], femininity exists on talk radio as absence, lack, and difference. — John Reffue
Tune in to any random sports talk radio show and listen carefully to the voices coming from the radio. Listen to the cadence in their voices, to the passionate tone about the sporting events of the day, to the witty banter with the hosts. Listen to them and see if something stands out to you.
Most of the people talking on these shows are men.
Now, go to any sports talk radio website. If you scroll down, you will notice on the webpage a scantily-clad woman. Amidst all of the sports logos, and the pictures of the men who carry the voices on the radio station, you will find eye candy for the listeners who navigate to the page. The websites offer these pictures of women-as-sexual-objects, which stand in opposition to the absence of female voices on the air. This “absence” that communications strategist Dr. John Reffue speaks of, the absence of female callers as participants, goes hand in hand with how females are portrayed in sports media more widely: as visual objects. This undermines any authority they might have in the sonic realm and relegates them figuratively to the sidelines. Women are deemed “eye candy” and not “ear candy.”
What does the (female) sports fan sound like?
According to a 2002 Arbitron report, the core demographic of sports radio is male, 25-54, “nonethnic.” (Researchers like Dr. David Nylund have pointed out that sports talk radio’s listeners are overwhelmingly white.) Even though Arbitron has not studied women’s listening habits when it comes to sports talk radio, it would be silly to ignore this demographic for the mere fact that there are female sports fans. Although there are women who listen to sports talk radio and who, on occasion call in, their invisibility in this medium is echoed by how the ratings completely ignore them. (Arbitron has several free studies and reports on their site for women, but none of them talk about women and sports talk radio, let alone talk radio in general. Interestingly enough, they have a study aptly titled “What Women Want: Factors Driving Tune-In and Tune-Out” where they briefly point out that there is a segment of female listeners they call “sports fans” but they only mention what kinds of music they will tune into.)
However, this is not the only example of how female sports fans are not heard. Dale Pontz from the blog Dames on Games makes an interesting point about women and sports talk radio when she says,
my gender is another impediment to my sports talk radio participation. I have learned through many years of watching sports at bars that men don’t mind when I sit quietly and watch (although they are known to incorrectly assume I want to flirt), but once I make a valid sports argument, that bemused interest usually becomes veiled hostility.
In this case, expressing ideas and arguments about the game becomes a turn-off, not what the man was expecting. As someone who enjoys the nuances of the game and who writes about sports, she understands that being seen as a sexual object will prevent men from actually taking what she says seriously. Although she is conflating the visual with the aural in the above, she makes the connection between women and sexuality. Pontz’s comment, as well as the responses from several female journalists to the question “Why Do Women Dislike Talk Radio?, beg the question: are women just not listening to sports talk radio?
Steve Duemig, sports talk radio host interviewed by John Reffue for his dissertation, mentions that he does have female callers, and that oftentimes their commentary is more nuanced and thought-out than that of their male counterparts. Reffue mentions, “He [Duemig] indicated that while he believes women are intimidated by the prospect of calling a show, their calls end up being better, smarter calls because…’Men spout shit and women come with facts'” (128). I too have noticed women calling into sports talk radio shows here in the Kansas City area, so the idea that women do not listen to sports talk radio falls flat. However, it is precisely the rare female voice which draws attention to the absence.
It’s A Man’s World
Sports talk radio is, evidently, the realm for heterosexual men to come to talk about sports, even though they are not the only ones to do so. Nylund explains in his article “When in Rome: Heterosexism, Homophobia, and Sports Talk Radio” that “at this historical moment when hegemonic masculinity has been partially destabilized by global economic changes and by gay liberation and feminist movements, the sports media industry seemingly provides a stable and specific view of masculinity grounded in heterosexuality, aggression, individuality, and the objectification of women.” Sports talk radio becomes the place where men can participate in this “stable view,” and talking and listening become a way of participating.
But it is John Reffue who focuses on the idea of community that the fans create as they participate in the shows. He mentions on page 9 the “broadcast format as a discursive space – a place where many come to make sense of how sports fit into their lives. I believe that in this space, sports fans are afforded a singular and unique venue to cultivate not only a deeper understanding of the sports they love, but to perform community and establish identity(ies), while knowingly or unknowingly contributing to the larger public discourse on race, gender, sexuality and class and politics. (community, identity, understand sport, contribute to public discourse on race, gender, sex, and class)” Reffue argues that sports talk radio is constructed as a male space through rhetoric and performance. Calling in and engaging the host and the listeners becomes a way of belonging to the community. I will take his argument further and argue that women are not just excluded from the sonic realm of radio by virtue of being women, but that this construction strips their voices of any authority. The divestment of the authority of women’s voices reflects tendencies in sports more generally, where women are truly and figuratively relegated to the sidelines.
The ultimate example is the dearth of female broadcasters, on radio and on television. Nationally there isn’t a female sports radio broadcaster that has as much visibility as, say Jim Rome. Men lead the sports talk radio shows. The one nationally syndicated female sports radio talk show host, Nancy Donellan (otherwise known as The Fabulous Sports Babe) went off the air in the late 1990s. This reflects what happens in sports coverage in general: men are the voices of authority when it comes to talking about sports. Although there are female color commentators and play-by-play announcers, they are in the minority. An example is Beth Mowins, who recently became ESPN2’s play-by-play announcer for college football games. Men, on the other hand, remain the voice and the face of sports coverage. Even when it comes to covering sports on tv, women are often relegated to the sidelines. It makes even more striking the comment by sound media scholars like Kaja Silverman, Amy Lawrence, and Michele Hilmes that discourses around women’s voices cast them as a “problem.”
Who Runs This Town?
I am not advocating for a change in radio formats or for sports talk radio to be more “girly.” That’s the kind of attitude that got us here in the first place, the attitude that women and men enjoy different kinds of radio formats. However, women’s voices literally and metaphorically must be a part of the sonic landscape of sports talk radio, and sports media in general. Women must be heard over the radio in order for other women to feel like they can be a part of the conversation. If men are deemed competent enough to talk about women’s sports, women should be deemed confident enough to talk about men’s sports. Women need to make themselves visible, and one way of doing that is by literally making themselves heard. Maybe this way we can get sports radio to listen to women.
It’s Our Blog-O-Versary 2.0!

..........Click the Cassette Tape to Download Our Free Blog-O-Versary 2.0 Mix!........ (Image by miss_rogue; tunes suggested by our writers and editors!)
Happy Blog-O-Versary 2.0 to our amazing community of writers, readers, and listeners! Sounding Out! has finished an incredible second year of growth, exploration, and accomplishment. ‘Scuse us while we blow our own vuvuzela a bit:
· We Got Organized: Can we re-introduce you to our editorial collective: Jennifer Stoever-Ackerman (Editor-in-Chief and Guest Posts Editor), Liana Silva (Managing Editor), and Aaron Trammell (Multimedia Editor)? Thanks!
· We Got Regular: Every Monday @ 9:00 EST, you’ll see a new post up on the site. You’ll also notice two new regular contributors on our rotation, Osvaldo Oyola Ortega, and Andreas Duus Pape.
· We Hosted Guests: This year Sounding Out! began dedicating the last Monday of each month to guest writers from across the field and the globe (shoutout to Binaural in Lisbon, Portugal!). SO! has worked hard to recruit the finest work from a variety of voices— artists, professors, graduate students, sound practitioners like singers and radio voices —as well as introducing you to the up-and-coming scholars in the field. You know that special sound studies issue of American Quarterly (edited by Josh Kun and Kara Keeling) that you can’t wait to get your hands on? We can’t either, but until September rolls around, read postings from four of the contributors on Sounding Out! : Tara Rodgers, Nina Sun Eidsheim, Dolores Inés Casillas, and our own Jennifer Stoever-Ackerman. To see the full line-up of our bad ass writing roster, click here. We couldn’t be more thrilled with our guests and we look forward to more.
· We’ve Been Linked: Not only have we been added to many excellent blogrolls, like Designing Sound, Weird Vibrations, Preservation Sound, and Hear is Queer, but posts from Sounding Out! have been mentioned in Media Watch, Pandagon, threadbared, Sonic Terrain, Blogging Ethnomusicologists, Parallax View, Pullquote, The Long Harvest, True Chip Till Death, and Game Culture.
· We Pushed Our Coverage: Thanks to the brilliant work (and excellent prose) of our writers, we sounded out even more audio-cultural terrain this year in the contexts of queer studies, politics, hip-hop, television, film, sound art, sound walks, comics, and audio technologies both digital (ipad, video games) and analog (tape recording, synthesizers). We even dabbled briefly into the sound of #tigerblood but we swear we can stop at any time.
· We’ve Had Beef: You wanted head-to-head posts debating the cultural meaning of Bob Seger? Girl Talk and Mash-Up Culture? Classical Music? The Sounds of the Southern Black Church? Yeah, we hosted all that.
· We Were There: Editor-In-Chief Jennifer Stoever-Ackerman scoured the programs of the national meetings of three major academic organizations (the American Studies Association, the Modern Language Association, and the Society for Cinema and Media Studies) to give you the freshest picks in sound studies research presentations. Look for expanded coverage (and more live-tweeting!) in the upcoming year.
· We Became More Searchable: Hey, folks, our soundwalk is a marathon, not a sprint. Dedicated more than ever to becoming your long-term go-to guide for emerging thought in sound studies, our Managing Editor Liana Silva has been working hard to preserve Sounding Out!’s back catalogue by keeping older posts current with our newer categories so you can always find everything that you need.
· We Listen to You!: Never content to ride out the same groove, Sounding Out! wants to bring it even harder in year 3.0. That’s why we are passing the mic to you, Dear Listeners, and asking you to complete our (very brief) Survey Monkey survey to find out how our site has been resonating with you and what we can do to fine-tune the vibe even more. Think of our killer Blog-O-Versary 2.0 mix, “Awesome Sounds from a Future Boombox” as a thank you bonus for your time as well as the soundtrack for what is already shaping up to be another great year together. Let’s rock on into the future with our bad selves.
Click here for Sounding Out!‘s Blog-O-Versary Survey
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(Just in case you missed last year’s party–and mix–click here)













































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