Tag Archive | Memory

The Noise You Make Should Be Your Own

Before I suggested the name VIBE, even before the magazine was being called Volume, it was known as NOISE. I never liked that name. I mean, I knew what they were going for: “Noise” was meant to imply the loud raucousness of youth that defined the increasingly popular urban culture that would fill its pages. But the dominant strand of that youth culture was going to be represented by hip-hop, and I was quite sensitive to mainstream society’s tendency to think of hip-hop—what I liked to think of as the breakbeat concertos of inner city maestros—as not-music, as nothing but noise, something not necessarily from the street but of it, like a garbage truck or a knife fight.

I started to reminisce about the Noise name a coupla weeks ago when I walked into my university-owned apartment building and saw a note with the word “NOISE” poised at the top of it in a huge bold and italicized font, assured of getting everyone’s attention as they entered the elevator vestibule. According to the note taped to the wall, there was a noise problem in the building, and it was getting worse. Would tenants please be considerate of the other members of the apartment community and refrain from playing music loudly after certain proprietary hours?

I thought about it. I never heard music being played loudly. But maybe that was because I live on of the upper floors, away from the blaring speakers of others. The noise I was privy to was the natural noise of the many babies who lived in the building, the children of grad students, probably bored to tears (and tantrums) living in this austere monolith we all call home.

But then I thought about it some more. And I considered the musical noise I heard in this building, compared to the musical noise I’d heard in my building in Manhattan before I re-located to pristine, polite Cambridge, Massachusetts. In New York, I remember the guy on the second floor, the raging theater queen, who blasted cast albums and show tunes at top volume, usually during the day, when the only people in our small West Village building were him (a theater designer), me and the “model” who lived on the third floor—in other words, those of us who lived lives outside the traditional mainstream. The “model” cranked up the volume on her club-kid techno beats, while I was probably playing The Smiths or The Cure or R.E.M. at loud volumes, re-living my college rock days while missing a freelance deadline or two.

I remember, when I lived in New York, thinking that people had no shame when it came to making noise: people had loud conversations about personal business on the subways; vendors shouted to (at?) delivery guys on street corners; sirens blared their way through the streets; boomboxes competed with car speakers for the ears and stares of passersby. But no one complained. If anything it was a competition of soundtracks in, on and around the streets of New York. Do the lipstick lesbians outside the bar across from my apartment mind, relish in the fact perhaps, that the iconic sound of Stevie Nicks growling out of the jukebox codifies them as queer women on the scene? That kid in the business suit and expensive Wall Street shoes on the train, bobbing his head to the rhythms of Jay-Z rapping loudly through his earbuds: does he really want those of us around him to know he was a hip-hopper? The 6’4” theatrical designer from the second floor who struts down 12th Street like a linebacker: does he simply want the world to know that Barbra’s star-making turn as Miss Marmelstein soothed his soul and that the Pippin version of “Corner of the Sky” is what gets him through the day?

And what was my noise telling the world? I was the queer black writer dude upstairs. But if someone had walked by the apartment, not knowing who was inside, and stopped to tap a toe or shed a tear at the mopey, fop-rock of Morrissey that so often cleared my door jamb, would I be what they expected? Perhaps; perhaps not.

But then I think about the times that I just had to hear Martika. And I had to hear her loud. Or I had to hear some 80s-style deep house, especially the tracks defined by the soul-shouting diva-fied orgasmic melismas that not only date me age-wise, but most definitely queer the space that was blasting the Rolling Stones’ Let It Bleed just a half hour before. I used to be self-conscious of those sonic shifts in my noise soundtrack, as if they highlighted a larger, deeper confusion about my own position, culturally-, racially-, and sexually-speaking.

But then I joined the team to start VIBE, a magazine once called NOISE. And my sensitivity over its possible name settled my own personal dilemma: We may want the world to hear our noise, because of its shorthand to who we are. But what we really want them to do is feel our noise, vibe it if you will, and hopefully feel our joy, pain, shame, love and contradictions in the process.

–SPB (Scott Poulson-Bryant)

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Summer Soundscapes, East Coast Style

The humid dog days of summer are upon us, and with them their unique soundscape. In central-AC bereft Binghamton,NY, this means the opening of windows from now until the air turns crisp in September, an act whose necessity casts the intimate sounds of my daily life into my neighbor’s homes and invites their sounds into my apartment. You don’t need to be Mrs. Kravitz to pick up on the comings and goings next door; basically, summertime means your biz is in the streets whether you want it to be or not. In my former neighborhood, youthful and well worn, this meant anything from the heated fights of newlyweds—and the equally passionate make-up sessions, stereotypical but true—to bumping music and whose kids go to sleep when. I used to know what video games the guys next door played and how they were progressing, even though I still couldn’t tell you what they looked like.

In wintertime, this heat-necessitated, neighborhood-sanctioned audio voyeurism ends abruptly with the first frost; double-paned windows tell no tales. But for now, the sonic community is vibrant, even in my current neighborhood comprised mainly of retirees: the brush of wind through the trees, the yap of small dogs, the hum-and-drip of wall units, the snarl of lawn mowers and the high-pitched whine of edging equipment—I have learned after trying to work at home a few times that retirees reserve the right to mow any time they damn well please, thank you—and the gossip of family gathered in lawn chair semi-circles two doors down. I knew my next-door-neighbor’s grandchild was visiting two days before she saw me watering my plants and proudly introduced me to the sheepish little one.

I have to say that even after three years of living here, there still a part of me that finds the annual summertime ritual-cum-reality show novel and slightly unnerving. In my home state of (Southern) California windows are rarely opened unless they have bars on them—people worry that strangers will crawl inside, especially when Robert Downey, Jr. is off the wagon—and I have my dad’s perpetual “we aren’t paying to cool the outside” burned into my brain. Not knowing one’s neighbors is often a badge of pride in SoCal and privacy is treated as a right rather than a financially and technologically-enabled privilege or an unfortunate side effect of paranoia. The closest I have come to such a high degree of sonic intermingling was when I lived in a first-floor studio apartment at the bottom of an air-shaft in an old LA building, where, in addition to overhearing all sorts of drama, I would also find unexpected gifts in my shower: old razors, half-used designer shampoos, crusty loofahs.

This season, however, I was really settling in to the summer soundscape until we finally had our first real heat wave. Temperatures skyrocketed into the 90s and the dew point wasn’t far behind, creating an intense humidity that unleashed a noise the likes of which I have never heard before. . .at least not in this acutely painful way. It was finally warm enough for the people behind us to start SWIMMING in their POOL. Pools are a rarity in the Bing, and I have to say that when it is hot enough for sweat to creep down your back, the sheer torture of hearing splash after splash is enough to push anyone over the edge. But my discomfort with the sound is due to more than simply heat frustrations; it reminds me more than anything that even after three years, I remain a stranger in a strange land. Like sound artist and theorist Tony Schwartz reminded us, “There’s no party so noisy as the one you’re not invited to.” And I feel that intensely with every cannonball and yelp of pleasure that I hear over the back fence. I don’t know my neighbors yet—definitely not well enough for impromptu pool parties—and I don’t know anyone with a pool to holler at on a hot day, something I took for granted growing up in suburban SoCal, where swimming pools and homies with some kind of access to them, illicit or not, were much more plentiful. While sound has the ability to moor us to particular locations, it can also unmoor us in the same moment. As I hear the slurp of the choppy water against the concrete rim, I am simultaneously stewing in the shade of the neighbor’s giant pool-view blocking white fence—ironically the only shade in our yard—and I am back in 1980s Riverside, playing Marco Polo until my lungs ached from gulping too much smog. The sounds of swimming are so familiar to me that they are completely foreign in this new location and I can’t help but feel a little alien myself as a result.

A friend recently suggested that I should resolve my noise-related tensions the old-fashioned upstate New York way, by knocking on their door, son in tow, with a basket full of tomatoes fresh from our garden. I have long disagreed with the slogan of the Noise Pollution Clearinghouse—“Good Neighbors Keep their Noise to Themselves”—believing that in many occasions, noise is a product of social relations. This instance seems like an excellent test case. Perhaps if good neighbors shared more fresh produce, they would get more pool invites, and all that splashing would blend seamlessly back into the Binghamton summer soundscape. Or, I will pack up the car like usual and continue to be grateful that, unlike SoCal, public pools are still king in these parts.

Sounding Out! would like to hear about your favorite summer sounds. . .and the ones that drive you a little bit crazy. Drop some in our comment box, then adjust the bass and let the Alpine blast. . .

JSA

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