Sounding Out! Podcast Mini-Series (#17): Listening to The Tuned City of Brussels, Day 2: “Situational Listening”
This slideshow requires JavaScript.
CLICK HERE TO DOWNLOAD: Listening to The Tuned City of Brussels, Day 2: “Situational Listening”
SUBSCRIBE TO THE SERIES VIA ITUNES
ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST
In this series of podcasts, Felicity Ford (Great Britain) and Valeria Merlini (Italy) explore the sonorities of the city during the Tuned City Brussels festival. Please click here for our podcast detailing the first night, here for our podcast exploring Day 1, “Noise” or here for our podcast that focuses on Day 3, “Ephemeral Atmospheres.”
On Saturday, June 29th, the festival focused on sonic methods for the artistic exploration of urban space, concentrating on the physical and psychological influences that shape the way we hear. The program consists of an interconnected series of site-specific sound walks, interventions, performances, installations and lectures. Here, the public is invited to come prepared for a lengthy walk between South Station and the Cemetery of Ixelles. The goal of this walk is to help others discover and participate in the situations and incidental sounds of Brussels they experience along the way. This exercise evokes Guy Debord’s model of the ‘dérive’ (a technique for exploring urban space by passing through it), due to its attention to the aural experience of urban situations.
The first Tuned City project was realised in Berlin in 2008, with subsequent editions in Tallinn and Nürnberg. For the current edition Q-O2 workspace for experimental music and sound art has invited Tuned City to collaboratively research the sounds of Brussels. Brussels is a dense multi-layered city characterised by abrupt shifts in urban structure, architecture and the social environment. This patchwork provides an urban modality that resists a general grasp of the city while still providing room for individual expression. The abundance these juxtapositions during the festival creates a productive resonance where the city is manifest to the passerby in its vibrant, open-ended, multiplicity. How does one grasp the nature of these oscillations and what modes of resonance give shape to the particular Brussels vibe? Over the course of the four day festival, Tuned City Brussels probes these urban frequencies through concerts, walks, installations and interventions, while at the same time focusing the theoretical framework around three core notions: ‘Relational Noise’ (Day 1), ‘Situational Listening’ (Day 2), and ‘Operative Ambience’ (Day 3). A different theme will be explored each day in a corresponding ‘zone’ in the city, in which the festival relocates. Several lectures, artistic presentations, residencies and workshops have led up to this four day festival. Particularly important was a collaboration with the art schools Sint Lucas Architectuur, Erasmus Hogeschool RITS/Radio, Sint Lukas Transmedia, a.pass and La Cambre (ENSAV) option Espace Urbain.
If you would like to learn more about the Tuned City Brussels Festival, please check out their program here.
–
Felicity Ford (Great Britain) works across a wide variety of platforms in order to engage the public with new modes of listening. She celebrates everyday life by linking the sounds of material culture, documentary sound-recording processes and listening to their larger social contexts. Since completing her PhD in 2011 she has completed commissions on Sonic Wallpapers for the Museum of Domestic Design and Architecture, a film soundtrack for the Welcome Library and the British Film Institute for a 1930s antenatal care film entitled “Bathing & Dressing,” Parts 1 & 2, and a knitted sound system with accompanying composition. She co-runs the website Sound Diaries with Valeria Merlini.
Valeria Merlini (Italy) is a Berlin based sound artist, turntablist, DJ and curator. After studying architecture in Florence, Italy, she obtained a Master’s degree in Sound Studies at The Berlin University of the Arts. Her work explores everyday sounds within an urban context through an interdisciplinary and critical approach. She is a co-founder of Studio Urban Resonance, a member of the Italian record label Burp Enterprise and co-runs Staalplaat Radio. As a DJ she focuses on experimental electronic music, constantly extending the conventions of turntablism, musique concrète, free improvisation and composed music. She was the director of the 2012 Museruole Festival and has participated in numerous international events and exhibitions.
Tags: a.pass, Erasmus Hogeschool, Felicity Ford, La Cambre, Podcast, relational noise, RITS/Radio, Sint Lucas Architectuur, Sint Lukas Transmedia, Sound, Sound Art, sound studies, sound walk, Soundscape, Tuned City Brussels, urban space, Valeria Merilini
ISSN 2333-0309
Recent Posts
- “It’s Time to End the Publishing Gatekeeping!”: SO! stands with RaceB4Race
- Listen to yourself!: Spotify, Ancestry DNA, and the Fortunes of Race Science in the Twenty-First Century
- Black Excellence on the Airwaves: Nora Holt and the American Negro Artist Program
- Blank Space and “Asymmetries of Childhood Innocence”
- Youth, Reverberations, and Detroit’s Most Charismatic Rapper
Archives
Categories
Search for topics. . .
Tweet! Tweet! Tweet!
- RT @Joanthevoice: @sxsw is back with digital vengeance, online 2021. I'm looking forward to speaking on the challenges of Breaking the Soni… 2 hours ago
- RT @sweetiyaggi: ALSO ericka huggins is such a light🥺we're really excited to speak w/ her about self-care & revolutionary action this Thurs… 3 hours ago
- cpbwrites.wordpress.com/2020/12/19/son… 15 hours ago
Like us on Facebook!
RSS Feeds
Authors Sounding Out!
-
202smike
-
Tahmahkera
-
aalbin2014
-
abradschwartz
-
abronfman
-
acajc3
-
Adam Craig
-
admiller99
-
afamsound
-
airekb
-
Andy Kelleher Stuhl
-
Wanda Alarcon
-
Alexandrine Lacelle
-
Alexander W. Cowan
-
Alexis Deighton MacIntyre
-
Alexander Russo
-
allisonoyoung1
-
alyxvesey
-
amandakeeler35
-
andré m. carrington Ph.D.
-
Tara Rodgers
-
Andreas Duus Pape
-
Aaron Trammell
-
annafriz
-
Andrew J. Salvati
-
aramsinnreich
-
arenaboy14
-
asamendelsohn
-
ashoncrawley
-
atau20
-
aureliomezavaldez
-
austinthomasrichey
-
awrasmussen
-
badcoverversion
-
Bridget Hoida
-
Benjamin Gold
-
bentausig
-
bighapa75
-
Bill Bahng Boyer
-
bonniesmillar
-
brianedgarhanrahan
-
@unibcarlson
-
brownellcassie
-
caleblazaromoreno
-
lcardoso
-
D. Ines Casillas
-
cbudhaditya
-
celestedaymoore
-
charlesweiselberg
-
chrischienblog
-
clairescooley
-
camscott
-
Colin Black
-
cooksterkc
-
cpastdaboxsoundwordwaves
-
croman2
-
Craig Shank
-
Caitlin Marshall
-
Shawn Higgins
-
cyndaminthia
-
Christie Zwahlen
-
Dan DiPiero
-
danielcavicchi
-
Danijela Kulezic-Wilson
-
davdlee
-
davidbgreenberg
-
davidfontnavarrete
-
davidhendy
-
ddkeane
-
debraraecohen
-
Denise Gill
-
derekvaillant
-
dhad21
-
Monica De La Torre
-
Brittnay Proctor
-
dorothyk98
-
dpettman
-
drdawkins
-
J. Stoever
-
Osvaldo Oyola
-
drtonieshaltaylor
-
Meghan Drury
-
dtraversscott
-
Daniel A. Walzer
-
earlbrooksumbc
-
ecopoetics
-
ehrick2014
-
eleanorkr
-
eleona
-
Elizabeth Newton
-
empetch
-
Emma Leigh
-
encaramarla
-
Enongo Lumumba-Kasongo
-
ericweisbard
-
erikgranly
-
erupton
-
Emmanuelle Sonntag
-
estherbourdages
-
ewl4p
-
fallingmountaineering
-
fbridges
-
Feminatronic
-
flipsin77
-
fugikawa
-
gameaudioschool
-
gaylewald1
-
gcornish
-
ghostyblog
-
ginaarnold
-
Gretchen Jude
-
Gus Stadler
-
guestlistener
-
Holger Schulze
-
hystericalblackness
-
iandunham920
-
ianrawes
-
iancoss
-
imanikaijohnson
-
irisviverosavendao
-
jacobsmith1970
-
James Hodges
-
jaymloomis
-
jbraddoc
-
jdowdell
-
jeajou
-
Jeb Middlebrook
-
jeckstein
-
Jentery Sayers
-
jeteague
-
jgabrielaj
-
jhyland0
-
jlzweck
-
jmartinvest
-
Josh Garrett-Davis
-
jnmusser
-
Jonathan Sterne
-
Josh Ottum
-
Joshua Hudelson
-
jstasiowska
-
jtlsty1
-
Juan Sebastian Ferrada
-
juntinghuang
-
justinadamsburton
-
jwernimont
-
Kaj Ahlsved
-
kaitlynliu
-
katbat67
-
kellyhiser
-
Kelly J. Baker
-
kemiadeyemi
-
kevin13allred
-
knw8433
-
kristinmoriah
-
kstedman
-
kswinehart
-
kwjager
-
laorale
-
priscilla peña ovalle
-
liam665
-
Lilian Radovac
-
lindaokeeffe
-
Yun Emily Wang
-
lucrecciaquintanilla4010
-
Mack Hagood
-
madisonianmoore
-
magz hall
-
Maile Colbert
-
maramills
-
marcus3001
-
Maria Sonevytsky
-
maritjmac
-
markadavidson5
-
marlenriosh
-
marycaton
-
mattlaferty
-
mbrantner
-
mcenaney
-
mcmahonmr
-
John Melillo
-
Melle Kromhout
-
mhabellp
-
mhelquist
-
michellecommander
-
mikederrico
-
Milena
-
mlevine24
-
mseth2
-
kgoldschmitt
-
nabeelzuberi
-
napolinjb
-
Michelle M. Sauer
-
Nichole Rustin-Paschal
-
nicolefurlonge
-
nse
-
nkhverma
-
zeitkunst
-
nocoates
-
norieguthrie
-
Nick Mizer
-
obrienmurga
-
Erika
-
Owen Marshall
-
palmerlandon
-
Steven Hammer
-
pavitrasundar
-
Peter DiCola
-
Parker Fishel
-
pinkstoncb
-
pjaikumar
-
Lewis
-
primusluta
-
j.l. stoever
-
qiushixu
-
Robert Ford
-
rajnaswaminathan
-
Ronit Ghosh
-
rkheshti
-
rmjames
-
Regina N. Bradley
-
robertcryan
-
Roger Moseley
-
rsl318
-
ruichaves01
-
ruigomescosta
-
santaperversa
-
Sarah Kessler
-
sbahssin
-
sceraso
-
schedel
-
schizophone
-
sege22
-
shakiraholt
-
shannonkmooney
-
Shantam Goyal
-
shaynamsilverstein
-
Liana M. Silva
-
smayberryscott
-
snpinto
-
sonialidesigns
-
Sphinxy
-
ssepulve588
-
sshorowitz
-
ssmithsoundingout
-
Stuart
-
suhrhcmiamiohedu
-
svancour
-
svhinojos
-
Tara
-
tblake81
-
tedsammons
-
Benjamin Bean
-
theluisgarcia
-
Tim J. Anderson
-
timm750
-
travisgosa
-
trevorboffone
-
valdes23
-
Karen Tongson
-
vincentandrisani
-
Dr. O'C
-
Benjamin Wright
-
wsgershon
-
yessica07garcia
-
yhoward76
-
yvonbonenfant
-
zaf3
-
Carlo Patrão
Blogroll
- A Closer Listen
- A New Theater of Sound
- Acousmata
- Analog Tara
- Antenna
- Anthropology of Sound
- Aquarium Drunkard
- Aram Sinnreich's blog
- Audio Cookbook
- Binaural Diaries
- Binaural/Nodar
- Blackadelic Pop
- Blogging Ethnomusicologists
- Bodies|Sounds|Technologies
- British Library's Sound Recordings
- Bully Bloggers
- Captivating Sound
- Create Digital Music
- Cultural Organology
- Designing Sound
- Diary of a Bad Housewife (Alice Bag)
- Disquiet
- Dr. Guy's MusiQologY
- Ear Room
- Ear to the Ground
- Electra
- European Sound Studies Association
- Everyday Listening
- Fembot
- Feminist Music Geek
- Filmsound.org
- First Sounds
- Girrlsound
- Greg Goodale
- HASTAC Sound Forum
- Hear is Queer
- Her Beats
- Her Noise Archive
- I have synth
- IASPM-US
- Interference
- Journal of Sonic Studies
- Kathleen (Hanna)'s Blog
- Klangschreiber
- Land Recorder
- Listen Party
- Listening 440 (Josh kun)
- London Sound Survey
- Lubricity (Alex W. Rodriguez)
- Luz Maria Sanchez
- Mactrasound (Mack Hagood)
- Mediateletipos
- Mobile Sound
- Mudd Up! (DJ Rupture)
- Museum of Endangered Sounds
- New Black Man (Mark Anthony Neal)
- New York Society for Acoustic Ecology
- noise for airports
- Now Hear This
- Phonographies
- Phonozoic
- Pink Noises
- Preservation Sound
- Radiolab
- ROBOPROF.ORG (Kembrew McLeod)
- SAIC Department of Sound Blog
- Scoping UK Sound Studies
- Scott Topics (Scott Poulson Bryant)
- Sensate
- Sense and the City
- Sensory Studies
- Social Sound Design
- Sociosound
- Sonic Terrain
- Soul Sides
- Sound + Design
- Sound and Music
- Sound Art Text
- Sound Clash
- Sound Effects
- Sound in Media Culture
- Sound is Art
- Sound Studies Lab
- Sound/Unsound
- Soundcities
- Soundlandscapes
- Sounds Like Noise
- Sounds Like Staten Island
- Spooky and the Metronome
- sterneworks.org
- Super Bon! (Jonathan Sterne)
- Televisual
- The Ardent Audience
- The Big City
- The Field Reporter
- The Foley Diaries
- The Incredible Kaleidophone
- The Music of Sound
- The Soundscape
- The Theater of the Mind
- Turbulence
- Video Game Audio
- Wayne and Wax
- Weird Vibrations
- Women's Audio Mission
- World Listening Project
- Zsonics
Trackbacks / Pingbacks