It’s Our Blog-O-Versary 2.0!

..........Click the Cassette Tape to Download Our Free Blog-O-Versary 2.0 Mix!........ (Image by miss_rogue; tunes suggested by our writers and editors!)
Happy Blog-O-Versary 2.0 to our amazing community of writers, readers, and listeners! Sounding Out! has finished an incredible second year of growth, exploration, and accomplishment. ‘Scuse us while we blow our own vuvuzela a bit:
· We Got Organized: Can we re-introduce you to our editorial collective: Jennifer Stoever-Ackerman (Editor-in-Chief and Guest Posts Editor), Liana Silva (Managing Editor), and Aaron Trammell (Multimedia Editor)? Thanks!
· We Got Regular: Every Monday @ 9:00 EST, you’ll see a new post up on the site. You’ll also notice two new regular contributors on our rotation, Osvaldo Oyola Ortega, and Andreas Duus Pape.
· We Hosted Guests: This year Sounding Out! began dedicating the last Monday of each month to guest writers from across the field and the globe (shoutout to Binaural in Lisbon, Portugal!). SO! has worked hard to recruit the finest work from a variety of voices— artists, professors, graduate students, sound practitioners like singers and radio voices —as well as introducing you to the up-and-coming scholars in the field. You know that special sound studies issue of American Quarterly (edited by Josh Kun and Kara Keeling) that you can’t wait to get your hands on? We can’t either, but until September rolls around, read postings from four of the contributors on Sounding Out! : Tara Rodgers, Nina Sun Eidsheim, Dolores Inés Casillas, and our own Jennifer Stoever-Ackerman. To see the full line-up of our bad ass writing roster, click here. We couldn’t be more thrilled with our guests and we look forward to more.
· We’ve Been Linked: Not only have we been added to many excellent blogrolls, like Designing Sound, Weird Vibrations, Preservation Sound, and Hear is Queer, but posts from Sounding Out! have been mentioned in Media Watch, Pandagon, threadbared, Sonic Terrain, Blogging Ethnomusicologists, Parallax View, Pullquote, The Long Harvest, True Chip Till Death, and Game Culture.
· We Pushed Our Coverage: Thanks to the brilliant work (and excellent prose) of our writers, we sounded out even more audio-cultural terrain this year in the contexts of queer studies, politics, hip-hop, television, film, sound art, sound walks, comics, and audio technologies both digital (ipad, video games) and analog (tape recording, synthesizers). We even dabbled briefly into the sound of #tigerblood but we swear we can stop at any time.
· We’ve Had Beef: You wanted head-to-head posts debating the cultural meaning of Bob Seger? Girl Talk and Mash-Up Culture? Classical Music? The Sounds of the Southern Black Church? Yeah, we hosted all that.
· We Were There: Editor-In-Chief Jennifer Stoever-Ackerman scoured the programs of the national meetings of three major academic organizations (the American Studies Association, the Modern Language Association, and the Society for Cinema and Media Studies) to give you the freshest picks in sound studies research presentations. Look for expanded coverage (and more live-tweeting!) in the upcoming year.
· We Became More Searchable: Hey, folks, our soundwalk is a marathon, not a sprint. Dedicated more than ever to becoming your long-term go-to guide for emerging thought in sound studies, our Managing Editor Liana Silva has been working hard to preserve Sounding Out!’s back catalogue by keeping older posts current with our newer categories so you can always find everything that you need.
· We Listen to You!: Never content to ride out the same groove, Sounding Out! wants to bring it even harder in year 3.0. That’s why we are passing the mic to you, Dear Listeners, and asking you to complete our (very brief) Survey Monkey survey to find out how our site has been resonating with you and what we can do to fine-tune the vibe even more. Think of our killer Blog-O-Versary 2.0 mix, “Awesome Sounds from a Future Boombox” as a thank you bonus for your time as well as the soundtrack for what is already shaping up to be another great year together. Let’s rock on into the future with our bad selves.
Click here for Sounding Out!‘s Blog-O-Versary Survey
Click here for Sounding Out!‘s Blog-O-Versary 2.0 mix with track listing
(Just in case you missed last year’s party–and mix–click here)
Springtime in KC: Soundwalk #2
DOI: https://doi.org/10.59350/egctd-wrw21
Since spring has sprung in Kansas City, I decided to do another soundwalk as my post for the month of April. It seemed timely and appropriate. (And for those of you who have yet to receive the spring in your neighborhood, I hope the sounds of spring in this post will warm you up.)
Before I moved to Kansas City, I did not know much about the area. So my past few months in my new home have been full of little discoveries. One of the things I like about Kansas City is walking around the Country Club Plaza area in Midtown KCMO. The Country Club Plaza (or known among residents simply as “The Plaza”) is a shopping district and residential area. Tourists flock there because of the number of shops and outlets along its streets, but it is also a nice place to just take a stroll on a weekend. My boyfriend lived there before Miss E and I relocated to Kansas City, and I have fond memories of being pregnant and walking to the Plaza for gelato while he was at work.
Oftentimes I will go there with my daughter to just walk around and window shop. It is always abuzz with people and sounds. Street performers abound, as do outdoor eateries. Last weekend it was our first warm weekend out here, and I decided it was a shame for Miss E and I to stay indoors. So I packed up our things and drove us to the Plaza.
The Plaza was awash in sounds. Spring brings out not just our shorts and sunglasses, but also sounds. In winter, our doors and windows are closed. When we drive, we don’t open the windows (because it’s too cold to do so). Hence, winter seems to be a quieter season than spring. And although summer is noisy as well (when I think of summer I think of beaches, ballparks and terraces), spring stands out because it is set against winter. Summer is an extension of the sounds of spring. But spring heralds the return of warmer temperatures with a cornucopia of sound, like the sounds of birds that have returned from their winter retreats—or Top 40 music blaring from cars with the windows rolled down.
For this soundwalk I walked along 47 Street, the main thoroughfare of The Plaza.
I started at Summit Street, off of 47th, and made my way to JC Nichols parkway (at the end of 47th, where it turns into Emmanuel Cleaver Blvd). I chose this route because it is the busiest; also, it is the route I usually take when I go on my strolls with my daughter. I used my iPhone to record the sounds on my soundwalk, particularly the Voice Memo app.
Saturday was full of sounds, which is one of the things I enjoy about the Plaza so much. There is so much life on the street. The sounds bring the warmth of the human element that was missing in winter. However, many of the sounds are not necessarily organic, “human”; there were plenty of industrial, “created” sounds. In my recordings you can hear people singing, people talking, my daughter cooing, birds chirping, and the wind blowing. But you can also hear (recorded) bells ringing at the top of the hour, crossing sound-boxes at intersections, music coming from cars, and even the click of my phone’s camera.
I was surprised that this is not what came out on the recordings. In fact, I was disappointed to hear a “click click click” where I heard a smooth “grrrrrrrr” of the wheels of my baby’s stroller. What seemed like a cornucopia of sound comes off as humming, barely audible. (Your best bet to listen to my on-field recordings is to listen to them at full volume or to listen to them with headphones on. When I listened to the recordings a second time, this time with headphones, I grasped a lot of sounds that I didn’t when I simply played the recordings on my laptop.) Initially I was annoyed because I hoped these recordings would render the full spectrum of sounds I encountered, as I encountered them.
It could be that my problem is simply a matter of hardware (my iPhone) or software (my iPhone’s Voice Memo app). Perhaps my smartphone is unsuitable for the task of recording a soundwalk. To a lesser extent, this also makes me think about what hardware or software we use to record soundwalks, and I’d love to hear from our readers who have done these. But this leads me to another question: is accuracy important when recording a soundwalk? Will my recordings ever accurately portray my listening experience, or will there always be something missing? Ultimately, is this ideal recording a figment of my sonic imagination?
All in all, it was a day that was full of sound and commotion. Perhaps you needed to be there to hear it.
Tracks:
4_9_2011 1_26 PM Getting ready to start soundwalk: birds chirping
4_9_2011 1_28 PM Parking garage-as-echo chamber
4_9_2011 1_40 PM Eastbound on 47th Street; keep an ear out for the voice of a man begging for change at 4:55. Street band playing at 5:30. Also, drumline toward last minute of recording.
4_9_2011 2_00 PM Westbound on 47th Street, heading back home; check out the countdown at the crosswalk at 9:40 mark.
Bonus tracks:
4_9_2011 1_50 PM Drumline at JC Nichols fountain
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Liana Silva
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