Tag Archive | Jennifer Lynn Stoever

Sounding Out! Unplugged: “Power in Listening” (August 2026)

The cover for our forthcoming SO! anthology, coming to you on August 25, 2026 from NYU Press, original cover illustration by Dan Torres (aka Daino)

Hello listeners + readers!

We usually take July as a BYE month to celebrate our yearly blog-o-versary, but this year, we are going bigger! Team SO! is pausing for the full summer–June, July, AND August–to catch our breath in advance of the publication of the official Sounding Out! print anthology, Power in Listening (New York University Press) on August 25, 2026 (although you can pre-order now, if you’d like at Indiepubs, direct from NYU, and other book outlets). This book is a long time coming and we are really proud of what we have put together. It’s a fresh mix of brand new essays with fan-favorites that have been revised, expanded and fully updated to the present, with an introduction by the editorial collective and a forward by SO!‘s very own Neil Verma.

Power in Listening is a love letter to everyone who has participated in the ongoing collective project of the blog over our first 15 years and a fantastic way to kick off the future together. Like the blog, it’s sharp, accessible, gorgeously written, diverse, and ready for the classroom, the library, the beach, public transit, the coffee shop, the couch on a rainy day, the club . . .wherever you love to read, but now you can be unplugged too, which we all need more than ever. Scroll down for more details about the book, including a full author list!

Enjoy the coming months–the book will be out there catching eyes in August and the blog will grab your ears once again this September! Please help us spread the word about the book– we’d love it if you’d tell two friends, so that they two friends, and so on, and so on, and so on. . .or you can share social media, whatever works for you!

Thank you and SO! looking forward–see you in September!

JLS, SO! Ed-in-Chief

P.S. Details to come on release parties, conference events, speaking engagements, podcasts, broadcasts, and all that good stuff! If you’d like us to come out your way to talk about the book, the blog, and all things sound, we have a Google form for that! Contact NYU Press at this link if you are interested in reviewing the book on your publication: https://nyupress.org/resourcesold/for-media/

How listening shapes power

Power in Listening explores how listening shapes—and is shaped by—power. From the politics of “sad girl” Spotify playlists to the sonic architectures of surveillance and the gendered voices of Siri and Alexa, this collection investigates how sound and listening inform identity, embodiment, and social life. How does Beyoncé’s remix of her “elevator incident” expose the surveillance of Black bodies? How do deaf listeners use multiple senses to navigate sound? How are Latina voices racialized through ideas of volume and tone?

Building from the groundbreaking Sounding Out! blog, Power in Listening curates 36 new, revised, and expanded essays from scholars, artists, DJs, and activists across more than twenty disciplines. Together, they trace how auditory culture intersects with race, gender, sexuality, technology, and media—from radio and tape to streaming and AI.

Accessible yet rigorous, this reader reveals sound studies in motion: a field that listens as a form of inquiry, protest, and care. Each essay connects theory and everyday experience, offering tools to hear the world—and each other—more critically. Power in Listening invites readers to experience listening as a social practice, a political act, and a method of understanding one’s place within a resonant and contested public sphere.

Authors

Neil Verma, Nichole Prucha, Rami Stucky, Max Abner, Ola Mohammed, Christie Zwahlen, Art Blake, Liana Silva, Maria Chaves Daza, Tara Betts, Marlén Ríos, Kimberly Williams, Samantha Ege, Aaron Trammell, Christina Giacona, Andrew Salvati, Kemi Adeyemi, Enongo Lumumba-Kasongo, Andreas Pape, AO Roberts, Milena Droumeva, Steph Ceraso, Linda O’Keeffe, Michael Levine, Amanda Gutierrez, Asa Mendelsohn, Rebecca Lentjes, Priscilla Peña Ovalle, Justin Burton, Gustavus Stadler, Dolores Inés Casillas, Jennifer Lynn Stoever, Chris Chien, Benjamin Tausig, Hubert Gendron-Blais, Maile Costa Colbert, and Dustin Tahmahkera

Section Titles and Topics

  • Sonic Presents
  • Putting The “I” in Listening: Memoir as Method
  • The Sound You Make Is Not Your Own: Our Social Voices
  • “Hop With It, Rock With It”: Listening to Popular Culture 
  • Bits and Screeches: Technology and Sound
  • Hitting the Streets: Space, Place, and Sound
  • Panaudicism: Sound and Surveillance
  • Listening While White: Sound and Racial Privilege 
  • “Can You Hear Me Now?”: Sound, Agency, and Activism

What folks are saying. . .

Spotlighting the work of emerging scholars under innovative rubrics like space, gender, time, race, and power, Power in Listening curates an impressive array of authors and disciplinary approaches of the highest caliber. This is a welcome, fresh take on the field of sound studies. ~Roshanak Kheshti, author of Modernity’s Ear: Listening to Race and Gender in World Music

From voice and memoir to technology, space, race, surveillance, and activism, Power in Listening centers captivating soundworkers. and shows how listening can unsettle hierarchies and make new worlds audible. This sharply curated collection brings together newly revised classics from the blog as well as bold new essays that treat listening not as neutral perception, but as a site of power, struggle, pleasure, and possibility. Smart, generous, and unapologetically loud, this book doesn’t just reflect a field. It changes how you hear it. ~Karen Tongson, author of Norm Porn: Queer Viewers and the TV That Soothes Us

Not only chronicles the dynamism of the field of sound studies, but also beckons readers to find the listening experience to be an unmistakably political social practice. Power in Listening is an exceptional achievement, uniting scholars and artists across countless disciplines to foster conversations and new scholarship for years to come. ~Iván Ramos, author of Unbelonging: Inauthentic Sounds in Mexican and Latinx Aesthetics

Jennifer Lynn Stoever is Associate Professor of English at Binghamton University, founding Editor-in-Chief of Sounding Out!, and author of The Sonic Color Line: Race and the Cultural Politics of Listening.

Liana Silva is Managing Editor of Sounding Out! She is a teacher, writer, reader, and editor living in Houston, TX. She graduated from Binghamton University’s Department of English in 2012. In the past she was Editor-in-Chief of the professional publication Women in Higher Education.

Aaron Trammell is Assistant Professor of Informatics and Core Faculty in Visual Studies at UC Irvine and author of Repairing Play: A Black Phenomenology and The Privilege of Play. He is Editor-in-Chief of the journal Analog Games Studies and was an honoree of the hobby game industry’s prestigious Diana Jones Award.

SO! Podcast #82: Living Sounds: Rhythms of Belonging

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It’s been a minute for the SO! podcast but we are glad to be back–however intermittently–with a podcast episode that shares a discussion between women sound studies artists and scholars. The panel “Living Sounds: Rhythms of Belonging,” was held on September 19 at 6-7pm EDT at The Soil Factory arts space in Ithaca, New York. Moderator Jennifer Lynn Stoever, sound studies scholar and our Ed. in Chief, talks with four women sound artists about their praxis: Marlo de Lara, Bonnie Han Jones, Sarah Nance and Paulina Velazquez Solis.

Bios

Marlo De Lara (they/siya) obtained a PhD in Cultural Studies (University of Leeds) and an MA in Psychosocial Studies from the Centre of Psychoanalytic Studies at Essex. Their creative practice works within the realms of sound performance, visual distraction, and film. Using found objects, installation, and various forms of amplification, environments/structures use sound to impart meaning and affect for the participant. As the child of Philippine migrants, De Lara’s unabashed feminist sociopolitical practice/research editorializes on contemporary global conditions. As an arts facilitator, using their critiques of the nonprofit industrial complex and institutional learning, De Lara aims to transgress and subvert traditional hierarchical ways of managing contemporary art spaces. In the role of community care, Marlo uses mutual aid and emergent strategies in combination with decolonial ways of nourishing equity, diversity, and inclusion practices to ensure safety and access for all. Marlo is a Certified Deep Listening Facilitator and shaping a career as Counsellor/Coach/Guide in therapeutic healing methods informed by Western psychotherapeutic/psychological, healing arts, expressive therapies, and various indigenous practices, most specifically sikolohiyang pilipino.

Bonnie Han Jones is a Korean-American improvising musician, poet, and performer working with electronic sound and text. She performs solo and in numerous collaborative music, film, and visual art projects. Bonnie was a founding member of the Transmodern Festival and CHELA Gallery and is currently a member of the High Zero Festival collective. In 2010, along with Suzanne Thorpe she co-founded TECHNE, an organization that develops anti-racist, feminist workshops that center on technology-focused art making, improvisation, and community collaboration. She has received commissions from the London ICA and Walters Art Museum and has presented her work extensively at institutions in the US, Mexico, Europe and Asia. Bonnie was a 2018 recipient of the Foundation for Contemporary Arts Grants to Artists Award. Born in South Korea, she was raised on a dairy farm in New Jersey, spent her formative years in Baltimore, Maryland and Providence RI and currently resides in Chicago, IL.

Sarah Nance is an interdisciplinary artist exploring the intersections of geologic processes and human experience in archived, constructed, and speculative landscapes. Her work has been performed and exhibited widely, at venues in China, France, Canada, Iceland, South Korea, Germany, and Italy, as well as across the U.S. 

Paulina Velázquez Solís is a multimedia artist and curator from Mexico and Costa Rica. She works with installation, sound, sculpture, drawing, animation/video, and media performance. She is interested in the body and the biological and natural world in interaction with the cultural and social notions of normalcy and experiences as a multinational individual. Her work has been shown in places like Museo de Arte y Diseño Contemporáneo and TEOR/éTica in Costa Rica; Taipei Fine Arts Museum; Ex Teresa Arte Actual in México City; Casa de las Americas in La Havana, Cuba; Museo de Arte Contemporáneo in Panamá City; Museum of the Americas, Washington, DC; and Root Division and The Lab in San Francisco.

Jennifer Lynn Stoever is Associate Professor of English at Binghamton University, founding Editor-in-Chief of Sounding Out!, and author of The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). Her research has been supported by the Whiting Foundation, the George A. and Eliza Gardner Howard Foundation, and the National Endowment for the Humanities.

Thank you to Travis Johns for the recording and mixing.

tape reel

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