Tag Archive | ASA Sound Studies Caucus

Sound at ASA 2014

The 2014 American Studies Association meeting will be held in Los Angeles, an appropriate setting for this year’s theme, “Fun and the Fury: Dialectics of Pleasure and Pain in the Post-American Century.” The conference, which will take place from November 6-9, will offer panels of interest to Sound Studies scholars. The City of Angels has long served as a muse for artists and thinkers interested in creating innovative worlds. Los Angeles is a place of experimentation and futuristic transformation, or as Norman Mailer called it, a constellation of plastic. Part of Mexico until 1848, Los Angeles is a global metropolis that embodies the keen contradictions of national and capital in the 21st century, often exposing the nuts and bolts that hold together these structures. Fun, fury, and the “dialectics of pleasure and pain” are useful for conceptualizing the sharp contrasts that characterize the city of LA itself. A panel on Sunday, Central Avenue Breakdown: Gender, Race, and Coming of Age in a Los Angeles Jazz Community, will discuss the historical complexities of the city of Los Angeles by way of the African American entertainment district of Central Avenue (Sunday 2:00-3:45).

This year’s ASA program features an increase in sound and music-related papers in comparison to last year’s conference in Washington, D.C., which was concerned with the logic of debt. The upswing is partially due to the 2014 theme, which emphasizes the production of alternative spaces that counter repressive forces. As the program committee, comprised of co-chairs J. Jack Halberstam, Fred Moten, and Sandra Soto, writes, “The critical power of ‘fun’ in this unconventional convention theme seeks nothing less than the reimagining of possibility, impossibility, probability and freedom.” Sound Studies is already geared toward thinking about how careful listening can offer new ways of being-in-the-world, so the increase in music-themed panels this year is not surprising. As music scholars and listeners have long insisted, music is foundational to embodied experiences of pleasure and fun. Music’s ability to transport listeners and to cultivate collectivity makes it uniquely relevant to discussions of pleasure.

"So Much Noise" by Flickr user Doran, CC BY-NC-ND 2.0 http://www.flickr.com/photos/dopey/9260000239

“So Much Noise” by Flickr user Doran, CC BY-NC-ND 2.0

One notable exception to the musical focus is the second of the two ASA Sound Studies Caucus panels, “The Racial Politics of Listening: ‘Accents,’ Hate Speech, and Language in the U.S. Media,” which will take place on Saturday from 2:00-3:45. Featuring Dolores Inés Casillas, Sara Hinojos, Marci McMahon, and SO! Editor-in-Chief, Jennifer Stoever, The panel will examine the role of speech and auditory cues in constructing racial representations. An individual paper by Craig Eley in the Environment and Culture Caucus panel Ecologies of Pleasure and Pain: Deviance, Destruction and Desire in Environmental History, entitled Psychologically Ultimate Seashores: Natural Sound, Personal Pleasure, and Recording Technologies is also worth mentioning (Sunday 10:00-11:45).

This year’s call for papers asked for participants to formulate creative modes for presenting their work, and Sound Studies scholars are stepping up. The first panel hosted by the ASA Sound Studies Caucus (Saturday 10:00-11:45) is an exciting listening dialogue entitled “Power Ballads and Blurred Lines: Songs from the Boundaries of Fun.” The commentators, Jeff Chang, Alice Echols, Evelyn McDonnell, Oliver Wang, and Rubén Martinez, will each play a song and discuss how pop music that is treated as harmless fun may nevertheless speak to social dynamics in real and important ways. A roundtable on Music, Fashion and the Power of (Queer) Nightlife (Friday 12:00-1:45) will include scholars of nightlife as well as party promoters and DJs, discussing the possibility for belonging in subcultural “nightworlds.”

"Hotel Bonaventure" by Flickr user S. N. Johnson-Roehr, CC BY-NC 2.0

“Hotel Bonaventure” by Flickr user S. N. Johnson-Roehr, CC BY-NC 2.0

This year there are a number of notable African American Studies panels, including After the Rain: Vanguardist Jazz in the Seventies (Thursday 10:00-11:45) organized in memory of Amiri Baraka, Stomp, Swerve, Rattle, and Roll: Fun and Pleasure as Political Resistance in American Blues Music (Thursday 4:00-5:45), What Words Can’t Do: Instrumentals, Identity, and Interpretation (Sunday 10:00-11:45), and Pleasure, Pain, Politics, and Performance: Black Women Artists and Their Fans (Sunday 12:00-1:45). The category of pleasure provides a framework for panels on The Aesthetics of Pleasure in California Funk (Sunday 10:00-11:45) and Performative Pleasures of Blackness: The Creation, Consumption, and Conflict of Pleasurable Blacknesses. Sound scholars also continue to investigate transnational modes of listening, in panels such as The Transnational Movements of Hip-Hop (Thursday 12:00-1:45), Fugitive Preludes: Chicana/o Popular Music and the Neoliberal City (Friday 10:00-11:45), and Performing Decolonial Aesthetics and the Politics of Pain and Pleasure in Music Across the Americas (Friday 12:00-1:45).

Two years ago, Jennifer Stoever mentioned that work in the field of Sound Studies was entering a period of reflection and becoming more nuanced and robust with sub-fields starting to develop. It is clear from this year’s program that the field is both broadening and deepening its focus. After two years of official recognition under the ASA Sound Studies Caucus and three years after the publication of Sound Clash, the special issue of American Quarterly, scholarship on sound in American Studies is developing in a myriad of ways and is coming into its own as a field.

Jump to THURSDAY, November 6
Jump to FRIDAY, November 7
Jump to SATURDAY, November 8
Jump to SUNDAY, November 9

Featured image: “Carmaheaven” by Flickr user waltarrrrr, CC BY-NC-ND 2.0

Please comment to let SO! know what you think–both before and after ASA 2013.  If we somehow missed you or your panel in this round up, please let our Managing Editor know!: lms@soundingoutblog.com

Meghan Drury is a fifth-year Ph.D. candidate in the Department of American Studies at the George Washington University. She received an MA in ethnomusicology from UC Riverside in 2006. She is currently working on a dissertation tentatively titled “Aural Exotics: The Middle East in American Popular Music 1950-2011.” This project examines the interplay between popular music and American cultural representations of the Middle East from the mid-20th century to the present, illustrating how music and sound acted a means of consolidating and disseminating a range of ideas about Middle Eastern culture in the American mainstream. She is particularly interested in the way that sound increased the visibility of Arab Americans both before and after 9/11, offering a space for negotiations of identity. More broadly, Meghan’s interests include sound studies, U.S.-Middle East cultural relations, and Arab American cultural performance. 

 

"Echo Park September 2010" by Flickr user Calvin Fleming

“Echo Park September 2010” by Flickr user Calvin Fleming

THURSDAY, November 6th, 2014

8:00 am – 9:45 am

Religiosity and Altered States
Westin Bonaventure, Los Feliz (L1)

—Richard Cullen Rath, University of Hawai’i, Manoa (HI)
Dangerous Fun in Puritan New England: Mary Ross and the Singing Quakers

Riots, Radios, and the Historical Record: Mass Media and Crisis in Twentieth American Literature and Art
Westin Bonaventure, San Bernardino (L1)

—Hadji Bakara, University of Chicago (IL)
Guernica on the Radio: Anti-Fascism, Mass Media, and the Emergence of Human Rights Activism

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10:00 am – 11:45 am

Playing with Rules: Having Fun and Keeping Order in Mid-Century Racial Liberalism
Westin Bonaventure, San Fernando (L1)

—Yusuke Torii, Setsunan University (Japan)
S. I. Hayakawa’s Jazz Credentials and Racial Liberalism in Mid-Century America

—Masayoshi Yamada, Doshisha University (Japan)
Jazz, Fans, and the Pleasure of Listening during Turbulent Times

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After the Rain: Vanguardist Jazz in the Seventies (in memory of Amiri Baraka)
Westin Bonaventure, San Gabriel C (L1)

CHAIR:
Ronald Radano, University of Wisconsin, Madison (WI)

PAPERS:
Paul A. Anderson, University of Michigan, Ann Arbor (MI)
“Thunder Blossoms Gorgeously”: Abstracting the Pastoral in Marion Brown’s Georgia Trilogy

Robert Maclean, The College of Wooster (OH)
Ensemble After Eventuality: Neoliberalism and the Duo Form

Brent Hayes Edwards, Columbia University (NY)
Notes Toward a “Loft” History of Jazz

COMMENT:
Ronald Radano, University of Wisconsin, Madison (WI)

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12:00 pm – 1:45 pm

Fun in Public: The Cultures of Amateur Labor
Westin Bonaventure, Palos Verdes (L1)

—Alexander W. Corey, University of Colorado, Boulder (CO)
Impulsive Triads: Frédéric Chopin, Amateur Pianists, and The Autobiography of an Ex-Colored Man

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The Transnational Movements of Hip-Hop
Westin Bonaventure, Santa Monica D (L3)

CHAIR:
Alexander Weheliye, Northwestern University (IL)

PAPERS:
Lenna Tayseer Odeh, University of California, San Diego (CA)
Acts of Sumud: Exploits of Resistance Through the Palestinian Hip-Hop Youth and Political Prisoner Movements

Najwa Mayer, Yale University (CT)
Muhammad was a punk rocker: Seeking Faith, Fun, and Form in Taqwacore

Elliott H. Powell, University of Minnesota, Twin Cities (MN)
The Sounds of Afro-South Asian Pleasure: Hip Hop, 9/11, and South-South Connections

Halifu Osumare, University of California, Davis (CA)
Play and Pain in Black Atlantic Hip-Hop: Hiplife in Ghana as Case Study

COMMENT:
Alexander Weheliye, Northwestern University (IL)

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2:00 pm – 3:45 pm

alt. Black Musical History
Westin Bonaventure, San Gabriel C (L1)

CHAIR:
Courtney Michael Brown, California State University, Fullerton (CA)

PAPERS:
Matthew Hayden Anthony, Pennsylvania State University, Harrisburg (PA)
I Got Country Roots: Race, Identity and Black Country Singers in the 1970s

Kreg Abshire, Johnson & Wales University (CO)
On Sonic Nostalgia: Making Sense of alt.country’s Hip Traditionalism

Keith D. Leonard, American University (DC)
Who Stole the Soul: An Avant-Garde History of the Dark Room Collective

Christa Holm Vogelius, University of Alabama, Tuscaloosa (AL)
The Jennie C. Lee Archive and the Silent Musical History of the Tuskegee Institute

COMMENT:
Courtney Michael Brown, California State University, Fullerton (CA)

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The Choreography of Protest
Westin Bonaventure, Santa Barbara B (L1)

—Sarah Ehlers, University of Houston (TX)
The Joys of the Picket Line: Reading the Rhythms of the Left

—Robert Michael Zecker, Saint Francis Xavier University (Canada)
A Mandolin Orchestra Could Attract a Lot of Attention: Interracial Fun with Radical Immigrants, 1930–1954

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Empire of Funk: Hip Hop and Representation in Filipina/o America—A Roundtable
Westin Bonaventure, Santa Barbara C (L1)

CHAIR:
Dawn Bohulano Mabalon, San Francisco State University (CA)

PANELISTS:
Roderick Labrador, University of Hawai’i, Manoa (HI)
Mark Villegas, University of California, Irvine (CA)
Mario “Nomi” De Mira, Artist
Stephen Bischoff, Washington State University, Pullman (WA)

COMMENT:
Dawn Bohulano Mabalon, San Francisco State University (CA)

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On Athletes and Outlaws: Asian Americans in Popular Culture and the Pleasures of Recognition
Westin Bonaventure, Santa Monica C (L3)

—Douglas S. Ishii, University of Maryland, College Park (MD)
Not about race, per se: Dave Boyle’s Asian American Music Film

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4:00 pm – 5:45 pm

Love and Rage: Cultural Strategies in Postwar U.S. Anarchism
Westin Bonaventure, San Bernardino (L1)

—Shon MeckFessel, University of Washington, Seattle (WA)
From a Disavowal of Commitment to a Commitment of Disavowal: (Non)Left Positionalities in 1980s Post-Punk and Anarchy-Punk

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Alternative Economies of Pleasure in Contemporary Southern Working-Class Cultures
Westin Bonaventure, San Pedro (L1)

—Nicholas Neil Gorrell, University of Mississippi (MS)
Economies of Scarcity and Abundance in Contemporary Southern Blues

—Anne Gessler, University of Texas, Austin (TX)
Second Lines, Creative Economies, and Gentrification: Music Cooperatives in Post-Katrina New Orleans

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Stomp, Swerve, Rattle, and Roll: Fun and Pleasure as Political Resistance in American Blues Music
Westin Bonaventure, Santa Monica A (L3)

CHAIR:
Daphne Brooks, Yale University (CT)

PAPERS:
Mark Anthony Neal, Duke University (NC)
“Let Me Bang Your Box”: The “Erotic Life” of the Blues

Sonnet Retman, University of Washington, Seattle (WA)
Memphis Minnie’s Jukebox Blues

Kimberly Mack, University of California, Los Angeles (CA)
“That Natural Blues Man Look”: Black Elvis and the Demythologization of the Black Blues Figure

R. J. Smith, Independent Scholar
Calling All Freaks!: The Licentious Blues Spirit of the Rent Party and the Buffet Flat

COMMENT:
Adam Gussow, University of Mississippi (MS)

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**Wildness: The Fun and the Fury of Anarchy**
Westin Bonaventure, San Gabriel C (L1)

CHAIR:
Mel Y. Chen, University of California, Berkeley (CA)

PAPERS:
Peter Coviello, Bowdoin College (ME)
The Wild Less Than the Good: Erotics and Biopolitics in Thoreau

Jack Halberstam, University of Southern California (CA)
‘Wildness at the End of the World’

Tavia Nyong’o, New York University (NY)
William Blake’s Wild America

COMMENT:
Mel Y. Chen, University of California, Berkeley (CA)

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"Busker (street musician) #2" by Flickr user Sunny Lapin, CC BY-NC-SA 2.0

“Busker (street musician) #2” by Flickr user Sunny Lapin, CC BY-NC-SA 2.0

FRIDAY, November 7th

8:00 am – 9:45 am

Feeling Queer
Westin Bonaventure, San Gabriel B (L1)

—Elias Krell, Northwestern University (IL)
Mixing Sound: Technologies of Fem(me)ninity and Mixed Race in Kelly Moe

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Life-Writing, Musical Lives
Westin Bonaventure, San Gabriel C (L1)

CHAIR:
Ulrich Adelt, University of Wyoming (WY)

PAPERS:
Nassim Winnie Balestrini, Karl-Franzens-University (Austria)
Fun, Fury, Fans: Affective Strategies in Intermedial Hip-Hop Life Writing

Mercy Romero, Sonoma State University (CA)
Two Lives in Music

Petra Rivera-Rideau, Virginia Polytechnic Institute and State University (VA)
The Pleasures and Pains of Love: Listening to La Lupe and Ivy Queen

Jessica Elaine Teague, University of Nevada–Las Vegas (NV)
Charles Mingus and the Serious Fun of Jazz Autobiography

COMMENT:
Ulrich Adelt, University of Wyoming (WY)

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**Caucus: War and Peace Studies: Reconsidering the ‘R and R’: Dialectics of Violence and Pleasure in Militarism**
Westin Bonaventure, Santa Anita B (L1)

—Patricia Stuelke, University of Massachusetts, Boston (MA)
You’re a Criminal as Long as You’re Mind: The U.S. Invasion of Panama and the Sounds of Bad Romance

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**ASA Program Committee: Uncontrolled Substances/Altered States**

Westin Bonaventure, Level 1, San Bernadino

—Josh Kun, University of Southern California (CA)
The Musical Más Allá: Narco/Necro/Anarco

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10:00 am – 11:45 am

Fugitive Preludes: Chicana/o Popular Music and the Neoliberal City
Westin Bonaventure, San Gabriel C (L1)

CHAIR:
Christina Zanfagna, Santa Clara University (CA)

PAPERS:
Wanda Alarcón, University of California, Berkeley (CA)
Variations on a Theme: Performing América on the National Stage

Jonathan Gomez, University of California, Santa Barbara (CA)
Teen Post to Rainbow Alley: Facing Unexpectancy with Unexpectant Punk Rock Social Spaces

Kurt Newman, University of California, Santa Barbara (CA)
Undoing the Math: Chingo Bling, the “Not-All,” and the Politics of Parody

COMMENT:
Christina Zanfagna, Santa Clara University (CA)

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Willful Subjects: Action, Agency, and Politics
Westin Bonaventure, San Anita B (L1)

—Neil Roberts, Williams College (MA)
It’s Bigger than Hip Hop: Decoding the Trayvon Martin Event

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12:00 pm – 1:45 pm

Music, Fashion and the Power of (Queer) Nightlife
Westin Bonaventure, Los Cerritos (L1)

CHAIR:
Madison Moore, King’s College London (England)

PANELISTS:
Ananya Jahanara Kabir, King’s College London (England)
Matthew D. Morrison, Columbia University (NY)
Victor P. Corona, Fashion Institute of Technology (NY)
Gregory Alexander, Artist
Loren Granic, Artist
Amy Cakes Danky Dank, Artist

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High on Crack: Surveillance, Loss and Addiction in Black Communities
Westin Bonaventure, San Fernando (L1)

—Andreana Clay, San Francisco State University (CA)
“Kick in the Bass”: Sonic Navigation of Pleasure and Pain in Crack Lyrics

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Performing Decolonial Aesthetics and the Politics of Pain and Pleasure in Music Across the Americas
Westin Bonaventure, San Pedro (L1)

CHAIR:
Jaime Cardenas, Seattle Central Community College (WA)

PAPERS:
Marie “Keta” Miranda, University of Texas, San Antonio (TX)
Polka Dawgs: Tejana/o Dance as Pleasure in Response to Racial and Class Subordination

Marco Cervantes, University of Texas, San Antonio (TX)
Third Root Poetics Through Hip Hop Aesthetics: Performative Autoethnographies and Musical Empowerment

COMMENT:
Jaime Cardenas, Seattle Central Community College (WA)

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2:00 pm – 3:45 pm

Twelve Years a Slave: Sounds and Spectacles of Slavery
Westin Bonaventure, Santa Anita A (L1)

—Paul Fess, City University of New York, Graduate Center (NY)
“The most excruciating noise”: Power Structures of Music in Solomon Northup’s Twelve Years a Slave

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4:00 pm – 5:45 pm

Bittersweet: Remaking the Exhibit “American Sabor: Latinos in U.S. Popular Music” for the Smithsonian Institution
Westin Bonaventure, San Gabriel A (L1)

CHAIR:
Juan Flores, New York University (NY)

PANELISTS:
Marisol Berrios Miranda, Independent Scholar
Shannon Dudley, University of Washington, Seattle (WA)
Njoroge Njoroge, University of Hawai’i, Manoa (HI)
Victor Hugo Viesca, California State University, Los Angeles (CA)

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We’re Listening: Surveillance Technologies and Non-Private Publics
Westin Bonaventure, Santa Monica B (L3)

CHAIR:
Gus Stadler, Haverford College (PA)

PAPERS:
Andrew Hamsher, University of Texas, Austin (TX)
Controlling Fantasyland: Surveillance and Freedom in Transmedia Storyworlds

Jason Farman, University of Maryland, College Park (MD)
Creative Misuse as Resistance: Surveillance, Mobile Technologies, and Locative Games

Brian Hochman, Georgetown University (DC)
Eavesdrop Nation: The Rise of ‘Private Ear’ Wiretap, 1959-1974

Stephen Knadler, Spelman College (GA)
Kerry’s OMG Washington: Re-Scandalizing Racial Surveillance in the Obama Era

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"2nd Street Tunnel, Los Angeles -- Dec 30, 2010" by Flickr user Ray_from-LA, CC BY 2.0

“2nd Street Tunnel, Los Angeles — Dec 30, 2010” by Flickr user Ray_from-LA, CC BY 2.0

SATURDAY, November 8th

8:00 am – 9:45 am

Indigeneity and Difference
Westin Bonaventure, Santa Barbara B (L1)

Elizabeth Sine, University of California, San Diego (CA)
Native Jazz: Radical Multiraciality and the Politics of Desire in an Age of Global Crisis

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10:00 am – 11:45 am

Caucus: Sound Studies: Power Ballads and Blurred Lines: Songs from the Boundaries of Fun
Westin Bonaventure, Santa Barbara C (L1)

CHAIR:
Eric Weisbard, University of Alabama, Tuscaloosa (AL)

PANELISTS:
Jeff Chang, Stanford University (CA)
Alice Echols, University of Southern California (CA)
Evelyn McDonnell, Loyola Marymount University (CA)
Oliver Wang, California State University, Long Beach (CA)
Rubén Martínez, Loyola Marymount University (CA)

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2:00 pm – 3:45 pm

Caucus: Sound Studies: The Racial Politics of Listening: “Accents,” Hate Speech, and Language in the U.S. Media
Westin Bonaventure, San Fernando (L1)

CHAIR:
Isabel Molina-Guzman, University of Illinois, Urbana-Champaign (IL)

PAPERS:
Sara Veronica Hinojos, University of California, Santa Barbara (CA)
Reading Lupe Vélez, Mexicanness, and Her Fiery “Accent”

Dolores Inés Casillas, University of California, Santa Barbara (CA)
Inglés Sin Barreras, Rosetta Stone, and the Politics of Language Learning

Marci McMahon, University of Texas, Pan American (TX)
Staging the Sound of Citizenship in Josefina Lopez’s Detained in the Desert

Jennifer Stoever-Ackerman, State University of New York, Binghamton (NY)
“You. Got. To. Un. Der. Stand”: Rachel Jeantel, “Reasonable” Listening, and the Sonic Color-line

COMMENT:
Isabel Molina-Guzman, University of Illinois, Urbana-Champaign (IL)

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To Be Young, Global, and Black: The Global Circulations of Blackness and Americanness
Westin Bonaventure, San Pedro (L1)

CHAIR:
Jeff K. Chang, Stanford University (CA)

PAPERS:
—Samir Meghelli, University of Illinois, Urbana-Champaign (IL)
Rapping and Race-ing Across the Atlantic: Hip Hop and Racial Politics in Postcolonial France

—H. Samy Alim, Stanford University (CA), Shaheen Ariefdien, Independent Scholar (South Africa)
Whaddup, San?: Hip Hop, “Colouredness,” and the Construction of Khoisan Identity in Post-Apartheid South Africa

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4:00 pm – 5:45 pm

Racial Meanings and Musical Performance in Film: Uses of Folk, Calypso, and Jazz in Films, 1944–1965
Westin Bonaventure, Beaudry B (L1)

CHAIR:
Kevin Gaines, University of Michigan, Ann Arbor (MI)

PAPERS:
Geoffrey Jacques, Independent Scholar
Jazz, Film, and the Black Hipster

Shane Vogel, Indiana University–Bloomington (IN)
Trinidad Goes Hollywood: The Ersatz Epistemology of the Calypso Craze

Judith E. Smith, University of Massachusetts, Boston (MA)
Using, and Being Used by Hollywood: Harry Belafonte on Film, 1953–1959

Jacqueline Stewart, University of Chicago (IL)
The Cry of Jazz and The Corner: Filming Music of Everyday Black Life in Chicago

COMMENT:
Kevin Gaines, University of Michigan, Ann Arbor (MI)

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Liberating Encounters: Cultural Consumption as Agent of Pleasure and Social Change in Contemporary Asian, Latin-American, and U.S. Popular Culture
Westin Bonaventure, San Fernando (L1)

—Patty Ahn, University of Southern California (CA)
Detours of Indebtedness: South Korean Pop Music and Neoliberal Logics of Race

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Arab Worlds: Then and Now
Westin Bonaventure, Santa Monica C (L3)

—Meghan E. Drury, George Washington University (DC)
The Belly of the Wail: Feminism and Arab Hybridity in 1990s World Music

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"Capitol Records Building" by Flickr user Wieland Van Dijk, CC BY-ND-SA 2.0

“Capitol Records Building” by Flickr user Wieland Van Dijk, CC BY-ND-SA 2.0

SUNDAY, November 9th

8:00 am – 9:45 am

Sports, Sex, and Music across the Pacific during the Cold War
Westin Bonaventure, Beaudry B (L1)

—Mari Yoshihara, University of Hawai’i, Manoa (HI)
Lenny Blows Up the World: Classical Musicians Play the Cold War

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Sonics of Black Excess, 1940s to 1980s
Westin Bonaventure, Los Cerritos (L1)

CHAIR:
Imani D. Owens, Princeton University (NJ)

PAPERS:
Brian Lefresne, University of Guelph Canada
A Fool in Space: Sun Ra the Jester at the Carnival

Charles McGovern, College of William and Mary (VA)
I Want a Lavender Cadillac: Fun, Excess and Labor in Black Popular Music, 1940–1970

Terrion L. Williamson, Michigan State University (MI)
Im Not Your Superwoman: Black Female Embodiment and the Sites of Social Intimacy

Brian Edward Jones, College of William and Mary (VA)
Big Fun with the Prince of Darkness: Miles Davis and the Death of the American Dream

COMMENT:
Imani D. Owens, Princeton University (NJ)

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10:00 am – 11:45 am

What Words Can’t Do: Instrumentals, Identity, and Interpretation
Westin Bonaventure, Los Cerritos (L1)

CHAIR:
Shana L. Redmond, University of Southern California (CA)

PANELISTS:
Shana L. Redmond, University of Southern California (CA)
Tsitsi Jaji, University of Pennsylvania (PA)
Guthrie Ramsey, Jr., University of Pennsylvania (PA)
Tamara Roberts, University of California, Berkeley (CA)

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The Pleasures and Pains of Hip Hop Listening: New Aesthetic Approaches
Westin Bonaventure, San Bernardino (L1)

CHAIRS:
Jill Toliver Richardson, City University of New York, Borough of Manhattan Community College (NY)

James Ford, Occidental College (CA)

PAPER:
Karen Jaime, University of Illinois, Urbana-Champaign (IL), Jonathan Gray, City University of New York, John Jay College of Criminal Justice (NY), Candice Jenkins, City University of New York, Hunter College (NY), James Ford, Occidental College (CA)
The Pleasures and Pains of Hip Hop Listening: New Aesthetic Approaches

COMMENT:
Michael Jeffries, Wellesley College (MA)

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“All the Way Live”: The Aesthetics of Pleasure in California Funk
Westin Bonaventure, Santa Barbara C (L1)

CHAIR:
Laura Harris, Pitzer College (CA)

PAPERS:
Scot Brown, University of California, Los Angeles (CA)
“All the Way Live”: The Live Funk Aesthetic of Lakeside

Cheryl L. Keyes, University of California, Los Angeles (CA)
From Mademoiselle Mabry to Betty Davis: The Reigning Funk Diva from the Underground

Tony Bolden, University of Kansas (KS)
Are You Funkified?: The Choreopoetics of Pleasure in the Music of Sly and the Family Stone

COMMENT:
Laura Harris, Pitzer College (CA)

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**Caucus: Environment and Culture: Ecologies of Pleasure and Pain: Deviance, Destruction, and Desire in Environmental History**
Westin Bonaventure, Santa Barbara A (L1)

—Craig Eley, University of Wisconsin, Madison
Psychologically Ultimate Seashores: Natural Sound, Personal Pleasure, and Recording Technologies

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12:00 pm – 1:45 pm

Pleasure, Pain, Politics, and Performance: Black Women Artists and Their Fans
Westin Bonaventure, Palos Verdes (L1)

CHAIR:
Gayle Wald, George Washington University (DC)

PANELISTS:
Ruth Feldstein, Rutgers University, Newark (NJ)
Emily Lordi, University of Massachusetts, Amherst (MA)
Cherise Smith, University of Texas, Austin (TX)
Gayle Wald, George Washington University (DC)

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Performative Pleasures of Blackness: The Creation, Consumption, and Conflict of Pleasureable Blacknesses
Westin Bonaventure, San Fernando (L1)

—Danielle C. Heard, University of California, Davis (CA)
Feeling Good: Nina Simone and the Pleasures of Live Performance, Montreux 1976

—Scott Poulson-Bryant, Harvard University (MA)
The ‘Unruly Delights’ of the Great Black Way: Contradiction, Pleasure and Black Musicals of the 1970s

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Can Black Women Have Fun?: Beyond Mammies and Martyrs
Westin Bonaventure, San Gabriel A (L1)

—Margo Crawford, Cornell University (NY)
Erykah Badu’s Black Fantastic Re-invigoration of Black Cultural Nationalism

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2:00 pm – 3:45 pm

Central Avenue Breakdown: Gender, Race, and Coming of Age in a Los Angeles Jazz Community
Westin Bonaventure, Beaudry B (L1)

CHAIR:
Farah Jasmine Griffin, Columbia University (NY)

PAPERS:
Maxine Gordon, Fordham University (NY)
Dexter Gordon and Melba Liston: The ‘Mischievous Lady Session’, June 5, 1947, Dial Records

Monica Hairston-O’Connell, Columbia College (IL), Sherrie Tucker, University of Kansas (KS)
Revisiting Central Avenue through Melba Liston’s Oral Histories

Nichole T. Rustin, Independent Scholar
Playing with Dynamics: Racialized Masculinity, Jazz, and Coming of Age on 1940s Central Avenue

COMMENT:
Farah Jasmine Griffin, Columbia University (NY)

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What Beyoncé (and Her Stans) Can Teach Us About The Pleasures of Intersectional Identity
Westin Bonaventure, Santa Barbara A (L1)

CHAIR:
Deborah Paredez, University of Texas, Austin (TX)

PANELISTS:
Clare Croft, University of Michigan, Ann Arbor (MI)
Micah Salkind, Brown University (RI)
Kristen Warner, University of Alabama, Tuscaloosa (AL)
Chelsea Bullock, University of Oregon (OR)
Deborah Paredez, University of Texas, Austin (TX)

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"DSCN9630" by Flickr user Carsten Titibach, CC BY 2.0

“DSCN9630” by Flickr user Carsten Titibach, CC BY 2.0

Sound at ASA 2013

Although this year’s American Studies Association conference location is not as warm and sunny as last year’s (can we have all November conferences in warm, sunny places, please?), Washington DC has a lot to offer this year’s conference attendees. The title for this year’s annual meeting, which takes place from November 21 to November 24, 2013, is “Beyond the Logic of Debt, Toward an Ethics of Collective Dissent.” The focus on debt in all of its dimensions couldn’t be more timely, considering that the conference comes on the heels of a government shutdown that the United States is still getting over, in addition to formal and informal conversations about recovery. In this sense, Washington DC seems an ideal setting for the topic: it’s the center of many of these national conversations about debt.

It is no surprise then that, according to the co-chairs of this year’s programming committee, Roderick Ferguson, Lisa Lowe and Jodi Melamed, many of the panels chosen for this year’s ASA revolve around keywords such as “debt, obligation, ethics, collectivity, and dissent.” The focus on such topics may explain why there are less panels and papers that fall under Sound Studies. The connection between debt and sound may not be immediately apparent for some, which may either keep panels or papers that focus on sound out of the conversation. It may also be the case that the overall topic may not immediately resonate for those who work on or write about sound matters. Sound Studies is still staking its claim, loud and clear. For example, bright and early at 8:00 am on Thursday, November 21st, there’s the Sonic Lives of Debt panel, which looks at how debt is represented in music and sound in general. Another highlight from Thursday is one of two American Studies Journal panels, titled Chocolate Spaceship: Gender Politics and Afro-Futurism in Funk, with papers on Patti Labelle, Meshell Ndegeocello, and Roger Troutman.

For artists and scholars of Sound Studies, the conference theme summons Jacques Attali’s famed text, Noise: The Political Economy of MusicHis theoretical arguments about music as an audible mirror of capitalism, a structured representation of noise, and a means of understanding “debt” through sound, serve as an academic companion to this year’s lineup of panels and papers that address sound.  Some sound-related panels complicate ideas of “dissent” and “debt.” Sonic Ledgers of Dissent (Saturday, 4:00-5:45 pm), chaired by Deborah R. Vargas, focuses on dissent addresses not only the State (FBI), but also gay rapper Caushun, racial musical miscegenation, and Black/Brown alliances in Los Angeles.

However, it’s not just a matter of the connection of the theme with sound. Last year, SO! Editor-in-Chief Jennifer Stoever-Ackerman pointed out in her ASA 2012 conference round-up that there were less sound studies panels than other years, and suggested that this turn may indicate that the field is entering a moment of reflection.  Stoever-Ackerman rightfully argues that academic presentations related to Sound Studies are moving beyond making the presence of the field known and moving toward engaging with sound on a deeper, more complicated level. Consider how some of the panels listed below may not be precisely about sound studies, but include a sound-oriented approach. The panel Debts of Spirit and Substance includes a paper that looks at songs of protest: Glenda Goodman’s “Unsung Songs of the ‘Swinish Multitude’: Transnational Tunes of Eighteenth-Century Political Protest.” Another example is Sunday’s Latinas/os Onscreen and On/Off Air: Rethinking Contemporary Media Audiences and Discourses panelwhich includes a presentation by Dolores Inés Casillas titled “Lost in Translation: The Politics of Spanish-language Radio Ratings.” It is encouraging to see how cultural critiques also include sound as a way to analyze and understand cultural phenomena.

"Washington DC - National Museum of American History: Fireside Chat microphone" by Flickr user Wally Gobetz, CC BY-NC-ND 2.0

“Washington DC – National Museum of American History: Fireside Chat microphone” by Flickr user Wally Gobetz, CC BY-NC-ND 2.0

The ASA Sound Studies Caucus is bringing it this year with three panels that carry the caucus’s stamp of approval. The three panels (two on Friday and one on Saturday) address questions of listening, recording, and memory. The Friday panel at 2:30, chaired by Nicole Hodges Persley, is titled Sampling Phonographies: Sonic Memory and the Long History of Sampling and stars two SO! contributors: Gustavus Stadler (“Charles Chesnutt, Sonic Memory, and Racial Terror”) and Meghan Drury (“Across Time and Space: Hearing Sun Ra’s Egypt”). Each of the papers on this panel discuss the intimate relationship between music’s ritual of sampling and racial memory. That 2:30 presentation is immediately followed by Musical Debts: Appropriations, Reparations, or New Traditions?, chaired by Barry Shank. Shank participated in this year’s cross-blog (and only!) virtual IASPM-US Conference panel on popular music and Sound Studies, Sonic Borders Virtual Panel. Musical Debts explores how music trespasses across racialized, global boundaries for capitalist gains. On Saturday, you can catch the last of the SSC panels, on listening and community: Connected Listening: Re-imagining Community Through Sound. Chaired by Michelle Habell-Pallan, the papers in that panel delve into the role of listening for communities of color.

If you can’t make any of the sound studies panels, make sure to check out the ASA Sound Studies Caucus+Journal of Popular Music Studies Happy Hour Meet and Greet on Friday, November 22, 2013. We’re big fans of the work going on at JPMS, and we’re thrilled to see them partner up with the Sound Studies Caucus. The Caucus’s co-conveners, Roshanak Kheshti, Deb Vargas, SO!’s own Jennifer Stoever-Ackerman and D. Ines Casillas, welcome colleagues equally steeped in topic of sound to help build this important caucus. From the get go, this Caucus has set out to not only bring scholars together under the umbrella of sound but to also push ideas of gender, race, and sexuality as integral components of Sound Studies. Sadly, the editorial crew of SO! will not be present for this year’s SSC Happy Hour, but be sure to swing by and meet some of our guest writers who will be at Glen’s Garden Market from 5:30 to 7:00 pm!

Lastly, if you are not presenting at ASA, not attending the conference, or simply want to check in on the action, take a glance at the official Twitter hashtag #2013ASA . Hopefully we’ll get to meet you at the next ASA meeting: Los Angeles, 2014!

Please comment to let SO! know what you think–both before and after ASA 2013.  If we somehow missed you or your panel in this round up, please let our Managing Editor know!: lms@soundingoutblog.com

This post was co-authored. Liana M. Silva-Ford is co-founder and Managing Editor of Sounding Out!. Dolores Inés Casillas is Assistant Professor in the Department of Chicana and Chicano Studies at UC Santa Barbara this fall. She writes and teaches on Latino media, language politics, and sound practices.

Featured photo: “Stormy Salute” by Flickr user Joey Gannon, CC BY-SA 2.0

"Robert A. Taft Memorial and Carillon" by Flickr user Cliff, CC BY 2.0

“Robert A. Taft Memorial and Carillon” by Flickr user Cliff, CC BY 2.0

Jump to THURSDAY, NOVEMBER 21, 2013
Jump to FRIDAY, NOVEMBER 22, 2013
Jump to SATURDAY, NOVEMBER 23, 2013
Jump to SUNDAY, NOVEMBER 24, 2013
 
THURSDAY, November 21, 2013

 
8:00 am – 9:45 am

004. Debts of Spirit and Substance

Washington Hilton, C – Cardozo (T)

CHAIR: Elisa Tamarkin, University of California, Berkeley (CA)

PAPERS:

James Deutsch, Smithsonian Institution (DC)
In Debt to The Poor of New York: Dion Boucicault and the Panics of 1837/1857

Gino Conti, University of Southern California (CA)
Oh, I feel, I feel, I feel: Moravians, Wasted Labor, and the Afterlives of Enthusiasm

Glenda Goodman, University of Southern California (CA)
Unsung Songs of the “Swinish Multitude”: Transnational Tunes of Eighteenth-Century Political Protest

Tanja Aho, State University of New York, Buffalo (NY)
Wives and/as Debt: Women’s Lived Dissent in the Eighteenth Century

COMMENT: Elisa Tamarkin, University of California, Berkeley (CA)

 

007. Sonic Lives of Debt

Washington Hilton, F1 – Fairchild West (T)

CHAIR: Alexandra Theresa Vazquez, Princeton University (NJ)

PAPERS:

Ray Allen, City University of New York, Brooklyn College (NY)
Holy Ground: Woody Guthrie’s Unsung Lyrics

Elliott H. Powell, New York University (NY)
Sampling among the Margins: Hip Hop, Indian Film Music, and the Sonic Life of Debt

Joshua Jelly-Schapiro, University of California, Berkeley (CA)
Sound Nation Empire: Emory Cook’s “Sounds of Our Times”

Mark Krasovic, Rutgers University, Newark (NJ)
Steve Reich’s “Come Out” and the Sound of Evidence in the Long Hot Summers

COMMENT: Alexandra Theresa Vazquez, Princeton University (NJ)

 

014. Televising Multiculturalism and its Discontents

Washington Hilton, Georgetown East (C)

CHAIR: Sharon M. Leon, George Mason University (VA)

PAPERS:

Allison McCracken, DePaul University (IL)
Blind Auditions and Vocal Politics: Enacting and Exposing Vocal Essentialism on NBC’s The Voice

Janani Subramanian, Indiana University/Purdue University at Indianapolis (IN)
Mindy Kaling and Television Multiculturalism

Gregory Zinman, Georgia Institute of Technology (GA)
Nam June Paik and the Aesthetics of Interventionist Media

COMMENT: Sharon M. Leon, George Mason University (VA)

 
10:00 am – 11:45 am
 
019. Nineteenth-Century Public Lecturing, New Media, and Technologies of Orality

Washington Hilton, D – Du Pont (T)

CHAIR: Thomas Augst, New York University (NY)

PAPERS:

Carolyn Eastman, Virginia Commonwealth University (VA)
Speechless: America’s First Celebrity Orator and the Origins of Nineteenth-Century Platform Culture

Granville Ganter, Saint John’s University (NY)
Anne Laura Clarke, Lecturer on History, 1822–1835

Tom F. Wright, University of Sussex (United Kingdom)
How Silence Spoke for Lucy Parsons

COMMENT: Thomas Augst, New York University (NY)

 

2:00 pm – 3:45 pm

048. Song, Screen, Stomach: Cultural Debt and Transnational Italian Americanism

Washington Hilton, D – Du Pont (T)

CHAIR: Grace Hale, University of Virginia (VA)

PAPERS:

Joseph Sciorra, City University of New York, Queens College (NY)
“Core ‘ngrato,” a Wop Song: Mediated Renderings and Diasporic Musings

Benjamin Cawthra, California State University, Fullerton (CA)
Under the Volcano: Gordon Parks, the Bergman-Rossellini Romance, and Postwar U.S.-Italian Relations

John Gennari, University of Vermont (VT)
The Knife and the Bread, the Brutal and the Sacred: Family Trauma and Retaliatory Gastronomy in Louise DeSalvo’sCrazy in the Kitchen

COMMENT: Grace Hale, University of Virginia (VA)

 

050. American Studies Journal: Chocolate Spaceship: Gender Politics and Afro-Futurism in Funk

Washington Hilton, F1 – Fairchild West (T)

CHAIR: Randal Maurice Jelks, University of Kansas (KS)

PAPERS:

Tammy Kernodle, Miami University of Ohio (OH)
Deconstructing the Groove: Meshell Ndegeocello and the Politics of Funk in Post–Civil Rights America

Francesca T. Royster, DePaul University (IL)
Labelle: Funk, Afrofuturism, Feminism and the Politics of Flight and Fight

Scot Brown, University of California, Los Angeles (CA)
Roger Troutman and Blues Afrofuturism

COMMENT: Randal Maurice Jelks, University of Kansas (KS)

 

4:00 pm – 5:45 pm

077. Transpacific Dissent

Washington Hilton, Monroe (C)

CHAIR: Yu-Fang Cho, Miami University of Ohio (OH)

PAPERS:

Chris Suh, Stanford University (CA)
Beyond the Logic of International Indemnity: How an American-educated Korean Became an Anti-American Leader

Fritz Schenker, University of Wisconsin, Madison (WI)
Imperial Producers: Filipino Jazz Musicians in 1920s Colonial Asia

Elizabeth Son, Northwestern University (IL)
Monuments of Dissent: Transpacific Memorializations of Sexual Slavery and Social Justice Struggles

Jennifer Sun Kwak, University of Michigan, Ann Arbor (MI)
Spam, Sex Work, and U.S. Militarism: Consumption and Conscriptions of Empire in Nora Okja Keller’s Fox Girl

COMMENT: Yu-Fang Cho, Miami University of Ohio (OH)

 

"Washington DC - Shaw - U Street Corridor: True Reformer Building" by Flickr user Wally Gobetz, CC BY-NC-ND 2.0

“Washington DC – Shaw – U Street Corridor: True Reformer Building” by Flickr user Wally Gobetz, CC BY-NC-ND 2.0

Back to menu

FRIDAY, NOVEMBER 22, 2013

2:00 pm – 3:45 pm 

144. Caucus – Sound Studies: Sampling Phonographies: Sonic Memory and the Long History of Sampling

Washington Hilton, Columbia Hall 9 (T)

CHAIR: Nicole Hodges Persley, University of Kansas (KS)

PAPERS:

Gustavus Stadler, Haverford College in Pennsylvania (PA)
Charles Chesnutt, Sonic Memory, and Racial Terror

Alexander William Corey, University of Colorado, Boulder (CO)
Collaborative Sampling: The John Coltrane Quartet’s Favorite Thing

Meghan Drury, George Washington University (DC)
Across Time and Space: Hearing Sun Ra’s Egypt

Jack Hamilton, Harvard University (MA)
Making Beats, Making Wakes: Loss, Memory, and Style in the Music of RZA and DJ Premier

COMMENT: Nicole Hodges Persley, University of Kansas (KS)

 

4:00 p– 5:45 pm

160. Caucus – Sound Studies: Musical Debts: Appropriations, Reparations, or New Traditions?

Washington Hilton, Columbia Hall 9 (T)

CHAIR: Barry Shank, Ohio State University, Columbus (OH)

PANELISTS:

Kirstie Dorr, University of California, San Diego (CA)

Sumanth Gopinath, University of Minnesota, Twin Cities (MN)

Roshanak Kheshti, University of California, San Diego (CA)

COMMENT: Jonathan Sterne, McGill University (Canada)

 

5:30 pm – 7:00 pm

 

 

Glen’s Garden Market PUB

 

2001 S Street NW, Washington DC
"50.MakeSomeNoise.Newseum.NW.WDC.17August 2013"  by Flickr user Elvert Barnes, CC BY-SA 2.0

“50.MakeSomeNoise.Newseum.NW.WDC.17August 2013” by Flickr user Elvert Barnes, CC BY-SA 2.0

 
Back to menu

SATURDAY, NOVEMBER 23, 2013

 
8:00 am – 9:45 am
 
180. Caucus – Early America Matters: Commons Democracy

Washington Hilton, F1 – Fairchild West (T)

CHAIR: Dana Nelson, Vanderbilt University (TN)

PAPERS:

Joanna Brooks, San Diego State University (CA)
Why We Left: Archives of Common Memory, Martial Power, and Peasant-Class Anglo-American Communities

Elizabeth Maddock Dillon, Northeastern University (MA)
Performative Commons in the Atlantic World

Melissah Pawlikowski, Ohio State University, Columbus (OH)
Endeavors for The Common Good: The Communitarian Foundation of Frontier Republicanism and the Populist Push West

COMMENT: Dana Nelson, Vanderbilt University (TN)

 
181. Repudiating Debt Across the Americas: Latinidades, Embodied Performance, and the Archive as Site of Contestation

Washington Hilton, F2 – Fairchild East (T)

CHAIR: Ernesto Javier Martínez, University of Oregon (OR)

PAPERS:

Magdalena Barrera, San Jose State University (CA)
Refusing Pedagogical Debts: Mexican Women in the Verbal and Visual Archives of Americanization

Laura G. Gutiérrez, University of Arizona (AZ)
Sell Your Love Steep: Prostitution, Indebtedness, and other Transnational Transactions in Rumbera Iconography

Marisol Negron, University of Massachusetts, Boston (MA)
Tributo a “El Cantante”: The Making and Unmaking of Héctor LaVoe’s Abjection

Micaela Díaz-Sánchez, Mount Holyoke College (MA)
From the Page to the Stage and Screen: Queer Chicana Cultural Production, Spectatorship, and Community

COMMENT: Ernesto Javier Martínez, University of Oregon (OR)

 

193. American Studies Journal: Groove Theory: Funk, Feminism, and Afro-Beat

Washington Hilton, Monroe (C)

CHAIR: Deborah Whaley, University of Iowa (IA)

PAPERS:

Nikki A. Greene, Wellesley College (MA)
Don’t Call Her No Tramp: The Feminist Funk Power of Betty Davis and Renée Stout

Tony Bolden, University of Kansas (KS)
Groove Theory: A Vamp on the Epistemology of Funk

Alex Stewart, University of Vermont (VT)
Funky Drummer: Fela Kuti, James Brown, and the Invention of Afrobeat

COMMENT: Deborah Whaley, University of Iowa (IA)

 
12:00 pm – 1:45 pm

222. ASA Artist in Residence Ricardo Dominguez: Disturbance Research Lab: Digital Disobedience (Practicum)

Washington Hilton, International Ballroom West (C)

 
2:00 pm – 3:45 pm

246. ASA Women’s Committee: Critical Conjunctures of Debt: Women of Color, Healthcare Disparities, and Advocacy

Washington Hilton, Jefferson West (C)

CHAIR: Alondra Nelson, Columbia University (NY)

PAPERS:

Shirley Tang, University of Massachusetts, Boston (MA)
Invisible Debt: Digitizing and Voicing The Health Disparities and Experiences of Asian American Women

Jacki Rand, University of Iowa (IA)
Native Dissent and Debts of Imperialism: Choctaw Women, Violence, and Health Disparity in the Southeast

Koritha Mitchell, Ohio State University, Columbus (OH)
Pay Yourself First and Pay it Forward: The Black Girls RUN! Project

COMMENT: Alondra Nelson, Columbia University (NY)

 

 4:00 pm – 5:45 pm

258. Caucus – Sound Studies: Connected Listening: Re-imagining Community Through Sound

Washington Hilton, Columbia Hall 9 (T)

CHAIR: Michelle Habell-Pallan, University of Washington, Seattle (WA)

PAPERS:

Jessica Schwartz, Columbia University (NY)
No Longer Can I Stay, It’s True: The Politics of Hearing Harmony in Marshallese “Free Association” Diaspora

Kevin Fellezs, Columbia University (NY)
You Listen But Don’t Ask Question: Listening for the Sounds of Hawaiian-ness

Eric Porter, University of California, Santa Cruz (CA)
Bill Dixon’s Voice

COMMENT: Michelle Habell-Pallan, University of Washington, Seattle (WA)

 
263. Sonic Ledgers of Dissent

Washington Hilton, Jefferson West (C)

CHAIR: Deborah R. Vargas, University of California, Riverside (CA)

PAPERS:

Andreana Clay, San Francisco State University (CA)
Searching for Caushun: Homo Thuggery and the Search for Queer Black Masculinity

Gaye Theresa Johnson, University of California, Santa Barbara (CA)
The Future has a Past: Spatial Entitlement, Race, and Cultural Expression in Black and Brown Los Angeles, 1940–Present

Sherrie Tucker, University of Kansas (KS)
Following the State on the Dance Floor of the Nation: The FBI at the Hollywood Canteen

Shana Redmond, University of Southern California (CA)
All Around the World, Same Song: The Trials of Black Musical Genre and Racial Solidarity in the Twentieth Century

COMMENT: Herman Gray, University of California, Santa Cruz (CA)

 

"Washington DC_cherry blossoms on the Tidal Basin" by Flickr user robposse, CC BY 2.0

“Washington DC_cherry blossoms on the Tidal Basin” by Flickr user robposse, CC BY 2.0

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Back to menu

SUNDAY, NOVEMBER 24, 2013

 

8:00 am – 9:45 am

 288. Folklorization on the National Mall: Representations of Culture through the Smithsonian Folklife Festival

Washington Hilton, Georgetown West (C)

CHAIR: William S. Walker, State University of New York, College at Oneonta (NY)

PAPERS:

Virginia Myhaver, Boston University (MA)
Institutionalizing the Folk: Emergent Neo-Liberalism and the Mixed Legacy of the Bicentennial Folklife Festival

Jesse Pearlman Karlsberg, Emory University (GA)
Participation on Folklore’s Terms: Sacred Harp Singing at the 1970 Smithsonian Festival of American Folklife

Olivia Cadaval, Smithsonian Institution (DC)
Negotiating Cultural Representations through the Smithsonian Folklife Festival

Diana Baird N’Diaye, Smithsonian Institution (DC)
Curating Crucial Conversations about Twenty-first-Century African American Diversity at the Smithsonian Folklife Festival

COMMENT: William S. Walker, State University of New York, College at Oneonta (NY)

  

10:00 am – 11:45 am

300. Latinas/os Onscreen and On/Off Air: Rethinking Contemporary Media Audiences and Discourses

Washington Hilton, D – Du Pont (T)

CHAIR: Mari Castañeda, University of Massachusetts, Amherst (MA)

PAPERS:

Jillian Báez, City University of New York, College of Staten Island (NY)
Losing Weight, Balancing, and Aging: Intergenerational Readings of the Mediated Latina Body

Dolores Inés Casillas, University of California, Santa Barbara (CA)
Lost in Translation: The Politics of Spanish-language Radio Ratings

María Elena Cepeda, Williams College (MA)
Latinidad as Transnational Marketing Construct and Performative Category: Latina/o Youth Interpret Los Tigres del Norte and Calle 13’s “América”

Hannah Noel, University of Michigan, Ann Arbor (MI)
Imagining NPR’s National Publics: Latinas/os and Neoliberal Models of Social Regulation

COMMENT: Mari Castañeda, University of Massachusetts, Amherst (MA)

 

"Washington DC Day 2 - a bit blurry" by Flickr user H. Michael Miley, CC BY-SA 2.0

“Washington DC Day 2 – a bit blurry” by Flickr user H. Michael Miley, CC BY-SA 2.0

Sound at ASA 2012

This year, #ASA2012 is being held in San Juan, Puerto Rico at the Puerto Rico Convention Center from November 15-18.  San Juan provides a historic opportunity for the interdisciplinary scholars working under the banner of “American Studies” to ponder the theme, “Dimensions of Empire and Resistance: Past, Present, and Future,” from a site that has been an “unincorporated territory” of the United States since it was seized from Spain (its former imperial occupiers) after the Spanish American War in 1898.  According to the U.S. Supreme Court’s Insular Cases an “unincorporated territory” is “a territory appurtenant and belonging to the United States, but not a part of the United States.” Puerto Ricans have been citizens of the United States since 1917, despite not having voting representatives in Washington D.C. and being unable to vote in mainland presidential elections.  Just a few days ago, Puerto Ricans voted on yet another referendum to become a state—there have been 3 such votes, one in 1967, 1993, and 1998, but this is the first where statehood won a majority of the votes—an issue that both U.S. presidential candidates were all but silent on in their recent campaigns.  This vote suggests a sea change in Puerto Rican-U.S. relations–what an exciting time to hold ASA in San Juan!–and I’d also like to think this particular meeting portends an exciting shift in sound studies as well.

For one thing, sound studies scholars in particular will be discussing power and imperialism loudly and clearly at this meeting. Sounding Out!’s Managing Editor, Liana Silva, will be participating in a roundtable at 8:00 a.m Sunday morning entitled “Doing Disciplinarity: Puerto Rican Studies is/as/with American Studies” where she, along with Marta S. Rivera Monclova (Framingham State College), Leonardo L. Flores Feliciano (University of Puerto Rico, Mayaguez), and Sara Poggio (University of Maryland, Baltimore County) will discuss the fraught relationship between the two fields of study, particularly in relation to America’s imperial history.

And then, the fully signed-sealed-and delivered ASA Sound Studies Caucus hosts two official panels that explicitly consider the politics of sound and listening.  The first is on on Friday from 4:00-5:45: Resisting Silences: Re-sounding Race, Gender, and Empire” chaired by Sherrie Tucker (University of Kansas) and featuring the research of Marci McMahon (University of Texas, Pan American), Genevieve Yue (University of Southern California and yours truly, Jennifer Stoever-Ackerman (SUNY Binghamton); and the second on Saturday from 4:00-5:45: “Sound and the State: The Politics of Acoustic Power” chaired by Jonathan Sterne (McGill University) and featuring the research of David Suisman (University of Delaware) and Peter Tschirhart (University of Virginia) with a comment by Mara Mills (New York University).   From the racial dynamics of postwar New York City’s noise laws to “Noise Exposure Maps,” Sonic Booms to the technics of female silence, ASA’s sound studies scholars continue the sociopolitical interventions of last year’s “Sound Clash: Listening to America Studies” special issue of American Quarterly.  This issue, edited by Josh Kun and Kara Keeling, explicitly focused on issues of race, gender, class sexuality, and nation (by the way, if you misplaced your copy, Johns Hopkins press has just released the issue in book volume form).

The Sound Studies Caucus also continues its very important organizational role this year by bringing scholars together for its second annual Sound Studies Caucus Meet-and-Greet, which will be co-hosted by none other than Sounding Out! !!! We have been thrilled to work with co-organizers Inés Casillas (UCSB), Roshanak Kheshti (UCSD) and Deb Vargas (UCR) to plan a get together at the District Bar of the nearby Sheraton (200 Convention Way, 787-993-3500, Map) where we will solicit volunteers and chat about the activities of the caucus this year and next.  Sounding Out! will be officially welcoming the members of its new advisory board at the meet-and-greet, as well as sharing details about current and future Calls for Posts, and pumping up the crowd for what’s ahead in the blog for 2013.  If you are in San Juan for the conference, please join us!

“Grupo Mania and My Puerto Rican Flag,” by Flickr User Photo Prodigy

Overall, while sound studies work is somewhat lighter than in years past—a trend I also noted at the Society for Cinema and Media Studies meeting earlier this year—the research on sound, listening, and aurality at this year’s #ASA2012 is, more than ever before, focused on questions of race, gender, and sexuality in ways that, as Keeling and Kun stated in their introduction to Sound Clash: “can enable an interdisciplinary American studies in which knowledges and insights that have not been perceptible to our dominant intellectual paradigms might be heard or heard anew” (453).  I am particularly enthused about what promises to be excellent new research in African American Studies—especially the panels “Ask Your Mama: The Sound(ed) Poetics and Politics of Black Feminist Internationalism” (Saturday, 12:00-1:45) andBlackness and the Sacred Performative” (Thursday 4:00-5:45, featuring SO! writer Ashon Crawley [Duke]—and Chican@/Latino Studies—notably roundtables on The Talking Cure for Empire? Oral History and Testimonio in the Twenty-first Century” (Friday, 10:00-11:45) and “Subjectivity and Sound: Rethinking Genre in Chicano/a Music” (Friday, 2:00-3:45).  There are also multiple panels that elicit transnational conversations about audio culture—Resisting Silences: Re-sounding Race, Gender, and Empire” (Friday 4:00-5:45) and “Jazz and the Voices of Empire and Resistance” in particular (Saturday, 10:00-11:45)—and enable transmedia comparisons—especially “Terrains of Modernity, Aural Research, and Critique” (Sunday, 2:00-3:45).

Whereas the downturn in sound studies work at SCMS 2012 was due primarily to a scheduling snafu—doublebooked with the 2012 EMP—I think the ASA’s is perhaps due to the beginnings of a sea change (a new wave?)  in sound studies.  It is certainly not attributable to a lack of interest or scholarship—the emails I get for Sounding Out! alone can attest to growing numbers of truly enthusiastic scholars working on sound and listening—therefore, I put forth that sound studies is entering a moment of reflection. It is no longer enough to breathlessly sound out new sonic terrain; we are moving beyond the period when sound alone could be the binding theme in a conference panel.  The work is getting more nuanced, robust sub-fields are developing—voice studies, for example—vocabularies are becoming shared, and more than ever, scholars are engaging with each other’s work on a deeper level, complicating and texturing the just-established histories, narratives, and canons of the field. Whereas Michele Hilmes’s foundational 2005 review essay in American Quarterly “Is there a Thing Called Sound Culture Studies? And Does it Matter?” noted that “various venues of academic work on sound phenomena so rarely speak to or take heed of each other” (252), I noted no fewer than twelve sound-related roundtables at #ASA2012 where scholars will be doing the difficult-but-rewarding work of acknowledging conflicts, hashing out shared interests, and forging what comes next.  Please take good notes, sound studies folks, because ASA has enacted an official ban on recording:

The papers and commentaries presented during this meeting are intended solely for the hearing of those present and should not be tape-recorded, copied, or otherwise reproduced without the consent of the authors. Recording, copying, or reproducing a paper/presentation without the consent of the author(s) may be a violation of common law copyright and may result in legal difficulties for the person recording, copying, or reproducing (ASA Program PDF, 17).

Unfortunately, this means that the 2012 sound roundtables will be one-time-only, be-there-or-be-square affairs.  But as we know from so much research in our vibrant field, even while the vocal grains and tones will fade away into the air of San Juan, these unscripted scholarly performances can’t help but have lasting reverberations.

The Liner Notes for the ASA Sound Studies Caucus “Cassette” Flyer.  This and Featured Image by Frank Bridges, fbridges@eden.rutgers.edu

Scroll down for the sound-related conference listings.  For the virtual experience, look for my live tweets via our Facebook and Twitter pages, Liana Silva’s live tweets (@literarychica) or on the official ASA backchannel: #ASA2012. Please comment to let SO! know what you think–both before and after ASA 2012.  Finally, If I somehow missed you or your panel in this round up, please let me know!: jsa@soundingoutblog.com

Jennifer Stoever-Ackerman is co-founder, Editor-in-Chief and Guest Posts Editor for Sounding Out! She is also Assistant Professor of English at Binghamton University and a former Fellow at the Society for the Humanities at Cornell University (2011-2012).

Jump to THURSDAY, NOVEMBER 15, 2012
Jump to FRIDAY, NOVEMBER 16, 2012
Jump to SATURDAY, NOVEMBER 17, 2012
Jump to SUNDAY, NOVEMBER 18, 2012

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THURSDAY, NOVEMBER 15, 2012

THURSDAY, November 15, 2012

10:00 am – 11:45 am

 

007. Crimson and Clover: Hope and Dread in the Musical Countercultures of the 1960s

 Puerto Rico Convention Center 102C

CHAIR:  Eric Avila, University of California, Los Angeles (CA)

PAPERS: Rachel Rubin, University of Massachusetts, Boston (MA), “I Think That Maybe I’m Dreaming: Music, Counterculture, and the Renaissance Pleasure Faire”

Andrew Green Hannon, Yale University (CT), “Huey Digs Bob Dylan: The Black Panthers, Highway 61 Revisited, and Making Revolutionary Meaning”

Jeffrey Melnick, University of Massachusetts, Boston (MA), “The Ballad of Terry Melcher: Famous and Rising Sons in the LA Counterculture”

Will Spires, Santa Rosa Junior College (CA), “The Musical Holdouts of Colby Street: Formation and Legacy of an Old Time Music Community”

COMMENT:  Eric Avila, University of California, Los Angeles (CA)

INDIVIDUAL PAPERS:

Shane Vogel, Indiana University–Bloomington (IN), “Being a Fad: Black Performance and the Calypso Craze,” Puerto Rico Convention Center 104A

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12:00 pm – 1:45 pm

031. Invisible Structures and the Experience of Music

 Puerto Rico Convention Center 103B

 CHAIR:  Lisa Brawley, Vassar College (NY)

PAPERS: Carlo Rotella, Boston College (MA), “The Home of the Blues”

Eric Weisbard, University of Alabama, Birmingham (AL), “Structuring the Eclectic: Radio and Entertainment Formats (Not Genres)”

 Hua Hsu, Vassar College (NY), “Sounds of Confusion: H. T. Tsiang and Ruth Crawford Seeger’s Protest Music”

COMMENT:  Lisa Brawley, Vassar College (NY)

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 037. Blogging as Public Pedagogy: A Roundtable with GayProf, Historiann, Roxie, and Tenured Radical

Puerto Rico Convention Center 202B

CHAIR:  Martha Nell Smith, University of Maryland, College Park (MD)

PANELISTS:  Marilee Lindemann, University of Maryland, College Park (MD)

Ann Little, Colorado State University (CO)

 Anthony Mora, University of Michigan, Ann Arbor (MI)

Claire Bond Potter, New School University (NY)

Martha Nell Smith, University of Maryland, College Park (MD)

 

INDIVIDUAL PAPERS:

Jack Hamilton, Harvard University (MA), “House Burning Down: Jimi Hendrix, Race, and the Limits of Sixties Music,” Puerto Rico Convention Center 104A

Mecca Jamilah Sullivan, University of Pennsylvania (PA), “Feeling Colors and Seeing Speech: Black Women’s Choreopoetic Diasporas of Difference,” Puerto Rico Convention Center 209C

 

2:00 pm – 3:45 pm

INDIVIDUAL PAPERS:

Nadja Millner-Larsen, “Black Synaesthesia: The Anarcho-Aesthetics of Black Mask,” Puerto Rico Convention Center 104B

Mary Beltrán, University of Texas, Austin (TX), “Blacking Up for Laughs: Televisual Blackface and ‘Post-Racial’ Cultural Memory,” Puerto Rico Convention Center 208B

 

 4:00 pm – 5:45 pm

 077. Blackness and the Sacred Performative

 Puerto Rico Convention Center 104A

CHAIR:  Michelle D. Commander, University of Tennessee, Knoxville (TN)

PAPERS: Amey Victoria Adkins, Duke University (NC), “‘Ain’t I A Woman’: Black Madonnas, Mammys, and the Performative Aesthetics of Darkness”

 Ashon Crawley, Duke University (NC), “Breathing Towards Lynching Critique: Whooping in Black Pentecostal Praying and Preaching”

 Terrion L. Williamson, Michigan State University (MI), “Black Sacred Dance and the Reverberations of Christian Sexuality”

COMMENT:  Johari Jabir, University of Illinois, Chicago (IL)

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INDIVIDUAL PAPERS:

Molly McGlennen, Vassar College (NY), “Re-imagining “Domestic Dependency”: The Transnational Motivations of Rebecca Belmore’s Sound Performances,” Puerto Rico Convention Center 209C

 

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Memorial to Salsa Composer Catalino (Tite) Curet Alonso (1926-2003) in the Plaza de Armas, Image by Flickr User roger4336

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FRIDAY, NOVEMBER 16, 2012

FRIDAY, NOVEMBER 16, 2012

8:00 am – 9:45 am

 105. Mixtape Logics: Listening to Empire and Resistance

Puerto Rico Convention Center 104B

CHAIR: Matthew Carrillo-Vincent, University of Southern California (CA)

PANELISTS: Priya Jha, University of Redlands (CA)

Van Truong, Yale University (CT)

Chris Nielsen, University of Pittsburgh (PA)

COMMENT: Joshua Guild, Princeton University (NJ)

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108. Caucus: Digital Humanities: What Can the Digital Humanities Bring to American Studies, and Vice Versa?

Puerto Rico Convention Center 202A

CHAIR: Susan Garfinkel, Library of Congress (DC)

PANELISTS: Natalia Cecire, Yale University (CT)

Alex Gil, University of Virginia (VA)

Matthew K. Gold, City University of New York, Graduate School (NY)

Kathleen Fitzpatrick, Modern Language Association (NY)

Lauren Klein, Georgia Institute of Technology (GA)

Miriam Posner, University of California, Los Angeles (CA)

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117. Performance as Power and Critique: Social Change in African Diasporic Performance

Puerto Rico Convention Center 208C

CHAIR: Jennifer Devere Brody, Stanford University (CA)

PAPERS: Tisha Brooks, Tufts University (MA) ,“Performing Power and Privilege: The Spiritual Itinerant Practice of Amanda Berry Smith”

Shanesha R. F. Brooks-Tatum, Interdenominational Theological Center (GA), “Sonic Bridges: Conversion Narratives in Diasporic Christian Hip-Hop Performance”

Tanya Saunders, Lehigh University (PA), “Global Hip Hop, Black Feminism, and the Queer of Color Critique: An Analysis of Women-Centered Arts-Based Activism in Cuba and Brazil”

Lori Lynne Brooks, University of Michigan, Ann Arbor (MI), “It’s Empire Time!: Black Popular Performance and the Temporality of Imperialism”

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10:00 am – 11:45 am

125. The Talking Cure for Empire? Oral History and Testimonio in the Twenty-first Century

Puerto Rico Convention Center 102B

CHAIR: Theresa Delgadillo, Ohio State University, Columbus (OH)

PANELISTS: Tami Albin, University of Kansas (KS)

Maylei Blackwell, University of California, Los Angeles (CA)

Thuy Vo Dang, University of California, Irvine (CA)

Theresa Delgadillo, Ohio State University, Columbus (OH)

Linda Garcia Merchant, Artist

Joseph Rodríguez, University of Wisconsin, Milwaukee (WI)

Sonia Saldívar-Hull, University of Texas, San Antonio (TX)

Janet Weaver, University of Iowa (IA)

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127. ASA Program Committee: Dimensions of Empire and Resistance: Speculation, Futurity, New Materialisms

Puerto Rico Convention Center 103A

CHAIR: Tavia Nyong’o, New York University (NY)

PANELISTS: Jayna Brown, University of California, Riverside (CA)

Tavia Nyong’o, New York University (NY)

Dana Luciano, Georgetown University (DC)

José Esteban Muñoz, New York University (NY)

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131. Caucus: Science and Technology: What is the Future of Technology in American Studies?: A Roundtable

Puerto Rico Convention Center 104C

CHAIR: Jason Weems, University of California, Riverside (CA)

PANELISTS: Carolyn de la Pena, University of California, Davis (CA)

Lisa Nakamura, University of Illinois, Urbana-Champaign (IL)

Joshua Shannon, University of Maryland, College Park (MD)

Elena Razlogova, Concordia University (Canada)

Joel Dinerstein, Tulane University (LA)

COMMENT: Jason Weems, University of California, Riverside (CA)

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133. Caucus: Digital Humanities: Digital Shorts: New Platforms of Knowledge Production and Resistance

Puerto Rico Convention Center 202A

CHAIR: A. Joan Saab, University of Rochester (NY)

PANELISTS: Susan Smulyan, Brown University (RI)

Stewart Varner, Emory University (GA)

A. Joan Saab, University of Rochester (NY)

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INDIVIDUAL PAPERS

Thomas George Sowders, Louisiana State University, Baton Rouge (LA), Puerto Rico Convention Center 208C, “Martin Delany’s Sonic Transnationalism: Genres of Poetry and Sound in Blake; or, the Huts of America

 12:00 pm – 1:45 pm

146. Ask Your Mama: The Sound(ed) Poetics and Politics of Black Feminist Internationalism

Puerto Rico Convention Center 101A

CHAIR: Farah Griffin, Columbia University (NY)

PAPERS: Daphne Ann Brooks, Princeton University (NJ), “‘A Woman is a Sometime Thing’: Leontyne and Sarah’s Sonic Temporalities’

Salamishah Tillet, University of Pennsylvania (PA), “Hush and Listen: Mama Africa and Nina Simone’s Global Civil Rights Sound”

Imani Perry, Princeton University (NJ), “Sounding Like a Movement: The Advance of Miriam Makeba’s Retreat Song”

COMMENT: Farah Griffin, Columbia University (NY)

12:00 pm – 1:45 pm

168. Business Meeting of the Digital Humanities Caucus

Puerto Rico Convention Center Foyer A

 

2:00 pm – 3:45 pm

 182. ASA Committee on Graduate Education: Digital Dimensions of Graduate Education in American Studies (co-sponsored by the Digital Humanities Caucus and ASA Students’ Committee)

Puerto Rico Convention Center 202A

CHAIR: Robert W. Snyder, Rutgers University, Newark (NJ)

PANELISTS: Clarissa J. Ceglio, Brown University (RI)

Douglas Lambert, State University of New York, Buffalo (NY)

Sharon Leon, George Mason University (VA)

John Carlos Rowe, University of Southern California (CA)

Stephen Brier, City University of New York, Graduate School (NY)

 

187. Subjectivity and Sound: Rethinking Genre in Chicano/a Music

Puerto Rico Convention Center 208A

CHAIR: Tyina Steptoe, University of Washington, Seattle (WA)

PANELISTS: Anthony Macias, University of California, Riverside (CA)

Marie Miranda, University of Texas, San Antonio (TX)

Michelle Habell-Pallan, University of Washington, Seattle (WA)

INDIVIDUAL PAPERS

Marisol Negrón, University of Massachusetts, Boston (MA) “The Good, the Bad, and the Ugly: Fania Records, Intellectual Property Rights, and Royalties,” Puerto Rico Convention Center 104B

Isabel Porras, University of California, Davis (CA) “Hypersexual and Excessive: Carmen Miranda and Sofia Vergara and Performing Latinidad,” Puerto Rico Convention Center 203

4:00 pm – 5:45 pm

208. Caucus: Sound Studies: Resisting Silences: Re-sounding Race, Gender, and Empire

Puerto Rico Convention Center 204

CHAIR: Sherrie Tucker, University of Kansas (KS)

PAPERS: Marci McMahon, University of Texas, Pan American (TX), “Tanya Saracho’s El Nogalar: Staging Soundscapes of Silence and Imperialism”

Genevieve Yue, University of Southern California (CA), “Technics of Female Silence”

Jennifer Lynn Stoever-Ackerman, State University of New York, Binghamton (NY), “‘Just Be Quiet Pu-leeze’: New York’s Black Press Fights the Postwar ‘Campaign Against Noise’

COMMENT: Sherrie Tucker, University of Kansas (KS)

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213. I’m a MuthaFking Monster: Alter Egos, New Media, and Black/Queer Performativity

Puerto Rico Convention Center 209B

CHAIR: Gabriel Peoples, University of Maryland, College Park (MD)

PAPERS: Treva Lindsey, University of Missouri, Columbia (MO), “I Am… Sasha Fierce: Resistive Alterity and African American Respectability Politics”

Uri McMillan, University of California, Los Angeles (CA), “Gone Campin’: The Campy Paradox of Nicki Minaj”

Kismet Nunez / Jessica Marie Johnson, University of Maryland, College Park (MD), “On Alter Egos and Infinite Literacies, Part 2 (An #AntiJemimas Imperative)”

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INDIVIDUAL PAPERS:

Omi/Joni Jones, University of Texas, Austin (TX); Sharon Bridgforth, DePaul University (IL), “Conjuring Jazz”

Fiestas de la Calle San Sebastián, San Juan, Puerto Rico, by Flickr User Jorge Rodriquez

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SATURDAY, NOVEMBER 17, 2012

SATURDAY, NOVEMBER 17, 2012

 8:00 am – 9:45 am

237. Empires of Funk: U.S. Colonialism, Filipina/o Resistance, and Hip Hop

Puerto Rico Convention Center 202A

CHAIR: Victor Hugo Viesca, California State University, Los Angeles (CA)

PAPERS: Mark Villegas, University of California, Irvine (CA), “From Indios to Morenos: Exploring the Poetics and Memory of Postcolonial Racial Positioning”

Lorenzo Perillo, University of California, Los Angeles (CA), “Maganda at Malakas: Gendered Choreographies in Manila”

Roderick Labrador, University of Hawai‘i, Manoa, (HI) “Agitation Propaganda: Toward a Filipina/o Revolutionary Internationalism”

COMMENT: Brian Chung, University of Notre Dame (IN)

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242. Aesthetics in the Belly of the Beast: Reading American Carceral Art

Puerto Rico Convention Center 208A

CHAIR: Doran Larson, Hamilton College (NY)

PAPERS: Alessandro Porco, State University of New York, Buffalo (NY), “The ‘And’ After Every Sentence: Hip-Hop, Incarceration, and Creativity”

Imani Kai Johnson, New York University (NY), “B-Boying Behind Bars: A Profile of Batch from The Bronx Boys Rocking Crew”

Marcella Runell Hall, New York University (NY), “Assessment Data on ‘Lyrics from Lockdown,’”

COMMENT: Doran Larson, Hamilton College (NY)

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INDIVIDUAL PAPERS:

Sarah Perkins, Stanford University (CA), “‘Bound to trabble’: The Circulation of ‘Dixie,’ 1880–1910,” Puerto Rico Convention Center 201A

 Nicholas Bauch, California State University, Los Angeles (CA), “Practicing Geography Through Art Performance: Urban Interventions and the Renaissance of the Vernacular,” Puerto Rico Convention Center 209B

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10:00 am – 11:45 am

263. ASA Program Committee: Dimensions of Empire and Resistance: Language Ideologies, Spanish in the U.S., and Latinidad

Puerto Rico Convention Center 202B

CHAIR: Ana Celia Zentella, University of California, San Diego (CA)

PAPERS: Lourdes Maria Torres, DePaul University (IL), “Spanish in Chicago: Dialects in Contact”

Jonathan Daniel Rosa, University of Massachusetts, Amherst (MA), “Racializing Language, Regimenting Latinidad:Latina/o Ethnolinguistic Emblems in Diasporic Perspective”

Lillian Gorman, University of Illinois, Chicago (IL). “The (New) Mexican Familia: Ethnolinguistic Contact Zones in Northern New Mexico”

COMMENT: Ana Celia Zentella, University of California, San Diego (CA)

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12:00 pm – 1:45 pm

278. Black Independent Cinema Before and After Pariah

Puerto Rico Convention Center 101B

CHAIR: Kara Keeling, University of Southern California (CA)

PANELISTS: Jennifer DeClue, University of Southern California (CA)

Yvonne Welbon, Bennett College (NC)

Jacqueline Najuma Stewart, Northwestern University (IL)

Roya Z. Rastegar, University of California, Los Angeles (CA)

Kara Keeling, University of Southern California (CA)

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287. West Side Story: A Roundtable Discussion

Puerto Rico Convention Center 202A

CHAIR: Julia Foulkes, New School University (NY)

PANELISTS: Julia Foulkes, New School University (NY)

Alberto Sandoval-Sánchez, Mount Holyoke College (MA)

Deborah Paredez, University of Texas, Austin (TX)

Elizabeth Wells, Mt. Allison University (Canada)

Brian Eugenio Herrera, Princeton University (NJ)

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INDIVIDUAL PAPERS:

Rashida K. Braggs, Williams College (MA), “From Limited to Alternate Citizenship: How Image and Song Perform Historical Resistance in Bayou,” Puerto Rico Convention Center 208A

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2:00 pm – 3:45 pm

2nd Annual Sound Studies Meet and Greet! Co-Sponsored by the ASA Sound Studies Caucus and Sounding Out!: The Sound Studies Blog

The District Bar
SHERATON PUERTO RICO HOTEL & CASINO
200 Convention Center Boulevard, San Juan, PR 00907
Cash Bar
Appetizers! Drink Specials! VIP area!

303. Musical Movements

Puerto Rico Convention Center 102B

CHAIR: Ulrich Adelt, University of Wyoming (WY)

PAPERS: John Cline, University of Texas, Austin (TX), “Familiar Islands: The U.S., the Bahamas, and the Permeable Boundaries of ‘Folk’ Music”

Mikiko Tachi, Chiba University (Japan), “Folk Music and the Racial Imaginary in the U.S. and Japan”

Shana Goldin-Perschbacher, Stanford University (CA), “‘I need another world’: Queer Singer-Songwriters in Transnational Collaboration Post-9/11”

COMMENT: Ulrich Adelt, University of Wyoming (WY)

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314. Re-thinking Red, Yellow, Black, and Chicana/o Power through Oral History

Puerto Rico Convention Center 204

CHAIR: Rhonda Williams, Case Western Reserve University(OH)

PAPERS: Lorena Oropeza, University of California, Davis (CA), “He Said, She Said, But Who’s Right?: Oral History Unlocks Anti-Colonialism in 1960s New Mexico”

May Fu, University of San Diego (CA), “Oral History and the Asian American Radical Tradition”

Elizabeth Castle, University of South Dakota (SD), “Talking Back: Native Women’s Oral Histories in the Red Power Movement”

Lauren Araiza, Denison University (OH), “Oral Histories and Multiracial Coalitions in the UFW and the Black Freedom Struggle”

COMMENT: Rhonda Williams, Case Western Reserve University, (OH)

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INDIVIDUAL PAPERS

Rachel Donaldson, Vanderbilt University (TN), “Seeking the ‘Sensual’  and the ‘Significant’: Alan Lomax in Haiti”

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4:00 pm – 5:45 pm

325. Chavela Vargas, La Bamba, and Morrissey: Mapping Queer Musical Diasporas and Desires

Puerto Rico Convention Center 102A

CHAIR: Stacy Macias, University of Texas, Austin (TX)

PAPERS: J. Frank Galarte, University of Arizona (AZ), “‘Que soy muy canalla dice la gente’: The Pleasure of Queer Love, Desire, and Dolor in Chavela Vargas’ Repertoire”

Micaela Díaz-Sánchez, Mount Holyoke College (MA), “Yo también quiero bailar la bamba”: The Policing of Gender in the Chicana/o Son Jarocho Diaspora”

Melissa Hidalgo, Pitzer College (CA), “Complicated Colonial Legacies: Mapping the Queer Chicano Contours of Morrissey’s Los Angeles Fanscape in “Gay Vatos in Love”

COMMENT: Stacy Macias, University of Texas, Austin (TX)

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326. Marginal Digital Knowledges: A Workshop on Technology, Transformation, and Resistance

Puerto Rico Convention Center 102B

CHAIR: Tara McPherson, University of Southern California (CA)

PANELISTS: Simone A. Browne, University of Texas, Austin (TX)

Fiona Barnett, Duke University (NC)

Amanda Phillips, University of California, Santa Barbara (CA)

Tanner Higgin, University of California, Riverside (CA)

Moya Bailey, Emory University (GA)

Alexis Lothian, Indiana University of Pennsylvania (PA)

 

327. Caucus: Sound Studies: Sound and the State: The Politics of Acoustic Power

Puerto Rico Convention Center 102C

CHAIR: Jonathan Sterne, McGill University (Canada)

PAPERS: David Suisman, University of Delaware (DE), “Shock Wave Politics: The Battle Over Sonic Booms”

Peter Tschirhart, University of Virginia (VA), “Part 150 ‘Noise Exposure Maps’ and the Closing of the Acoustic Commons”

COMMENT: Mara Mills, New York University (NY)

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329. Between Island and Diaspora: Locating, Creating, and Performing Afro–Puerto Rican Bomba

Puerto Rico Convention Center 104A

MODERATOR: Tamara Roberts, University of California, Berkeley (CA)

This roundtable brings together bomba practitioners, cultural workers, and scholars from Puerto Rico and California. Rafael Maya and Pablo Luis Rivera will discuss their work as the founders of Proyecto Unión and Restauración Cultural. Sarazeta Ragazzi, Tamara Roberts, and Denise Solis will detail their work in the all-women’s performance ensemble Las Bomberas de la Bahia (San Francisco Bay Area). And Jade Power Sotomayor will extend the discussion of cross-cultural connections byconsidering the large Chicano participation in the form in the U.S., underscoring the ways that Latinidad and more specifically, Afro-Latinidad are corporeally articulated through this embodied practice.

Congas, Image courtesy of Flickr User Richard Alexander Caraballo

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SUNDAY, NOVEMBER 18, 2012

SUNDAY, NOVEMBER 18, 2012

8:00 am – 9:45 am

 365. Doing Disciplinarity: Puerto Rican Studies is/as/withAmerican Studies

Puerto Rico Convention Center 204

CHAIR: Marta S. Rivera Monclova, Framingham State College (MA)

PANELISTS: Marta S. Rivera Monclova, Framingham State College (MA)

Liana Marie Silva, State University of New York, Binghamton (NY)

Leonardo L. Flores Feliciano, University of Puerto Rico, Mayaguez (PR)

Sara Poggio, University of Maryland, Baltimore County (MD)

 

INDIVIDUAL PAPERS

Nadia Ellis, University of California, Berkeley (CA), “Dancehall’s Urban Possessions,” Puerto Rico Convention Center 101A

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10:00 am – 11:45 am

377. Jazz and the Voices of Empire and Resistance

Puerto Rico Convention Center 102A

CHAIR: John Gennari, University of Vermont (VT)

PAPERS: Daniel Stein, University of Goettingen (Germany), “Onkel Satchmo Behind the Iron Curtain: The Politics of Louis Armstrong’s Visit to East Germany”

Elliott H. Powell, New York University (NY), “Solidarity in Sound: John Coltrane, Indian Music, and Global Freedom Struggles”

Matthew B. Karush, George Mason University (VA), “Transnational Routes: Argentine Encounters with Jazz, 1959–1972”

COMMENT: John Gennari, University of Vermont (VT)

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INDIVIDUAL PAPERS:

Daphne Lamothe, Smith College (MA), “Trauma, Silence, and the Language of Resistance in Danticat’s Brother, I’m Dying”

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12:00 pm – 1:45 pm

INDIVIDUAL PAPERS:

 Imani D. Owens, Columbia University (NY), “The Politics of Sound: Race, Space, and Cuban Identity in the Poetry of Nicolás Guillén,” Puerto Rico Convention Center 209A

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2:00 pm – 3:45 pm

420. Terrains of Modernity, Aural Research, and Critique

Puerto Rico Convention Center 104C

CHAIR: Michele Hilmes, University of Wisconsin, Madison (WI)

PAPERS: Art Blake, Ryerson University (Canada), “John Cage’s Voice and New York’s Postwar Urban Sensorium”

Derek Vaillant, University of Michigan, Ann Arbor (MI), “The Power of Piaf: Racial Formation and Nostalgia in Postwar U.S.-France Aural Culture”

Jason Loviglio, University of Maryland, Baltimore County (MD), “Radio Localism 2.0”

Benjamin Aslinger, Bentley College (MA), “Listening In to Web 2.0: Subjectivity, Alterity, and Power”

COMMENT: Michele Hilmes, University of Wisconsin, Madison (WI)

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423. Los Nombres: Puerto Rican Popular Music in Lorain, Ohio

Puerto Rico Convention Center 202C

CHAIR: Petra R. Rivera-Rideau, Virginia Polytechnic Institute and State University (VA)

PANELISTS: Petra R. Rivera-Rideau, Virginia Polytechnic Institute and State University (VA)

Eugene Rivera, Jr., Independent Scholar

José Pepe Rivera, Sr., Artist

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INDIVIDUAL PAPERS:

Mike Amezcua, Northwestern University (IL), “Brown Bop: Mexican American Jazzmen, Race, and the Quest for a Transnational Jazz Movement”

San Juan, Puerto Rico, Image courtesy of Ricymar Fine Art Photography

Sound at ASA 2011

This year’s American Studies Association meeting in Baltimore, Maryland (October 19th-23rd) marks a real tipping point for Sound Studies within the interdisciplinary field of American Studies.  First of all, there was the publication of Kara Keeling and Josh Kun’s co-edited special issue for American Quarterly, Sound Clash: Listening to American Studies, this past September 2011. Packed with 17 cutting-edge essays—culled from a record breaking 80+ submissions—this must-read issue is, according to Keeling and Kun’s introduction, “a sign not only of sound’s quantitative currency but the promise of its future as a field of ongoing inquiry, and its importance and relevance to the future of American Studies itself” (452).  In addition to its vibrant blend of emerging scholars and senior folk, the issue is notable for its head-on engagement of sound and power in multiple, intersecting dimensions: race, ethnicity, gender, sexuality, and national identity.  The issue’s intervention tracing the aural edge to U.S. citizenship privilege is especially important, and game-changing for both American Studies and Sound Studies. If you have access to Project Muse, you may download the entire issue (or selected essays) through this link here. The issue also kicks off a new audio-visual web interface for American Quarterly, and you can look here to see and hear more from several authors in the issue.

We at Sounding Out! are proud to be mentioned in the introduction to AQ’s Sound Clash and to have five members of Team SO! featured in the issue: yours truly, Editor-in-Chief and Guest Posts Editor Jennifer Stoever-Ackerman, and guest authors, D. Inés Casillas, Nina Eidsheim, Tara Rodgers, and Gayle Wald. Look for Sounding Out! posts in 2012 from more of the AQ special issue’s contributors, including Mack Hagood, D. Travers Scott, and Roshanak Kheshti. If you are headed down to B’more and you’d like to hear from many of these folks in person, American Quarterly is sponsoring a roundtable panel on Saturday, October 22nd, bright and early at 8:00 a.m. at the Hilton Baltimore Holiday Room 5.  It will be moderated by Josh Kun (USC) and will feature Kara Keeling (USC), Asma Naeem (University of Maryland, College Park), Dustin Tahmahkera (Southwestern University), and Roshnak Kheshti (UCSD) as panelists.  Look also for unscheduled guests to appear from the issue, such as Gayle Wald (George Washington) and myself (SUNY Binghamton)—ASA rules do not permit formal participation in more than one panel—and know that, despite the early tip-off time, Keeling and Kun will be taking full advantage of the session to give Sound Clash an enthusiastic and proper send off.  Between now and then, I’ll be frantically figuring out how to clone myself, because a couple of the issue’s contributors, Tara Rodgers (University of Maryland) and Barry Shank (Ohio State), are unfortunately scheduled in two excellent competing sound studies panels that very morning (scroll down for full details)!  Hopefully, when the ASA Sound Studies Caucus gets fully up and running, there will be less tortuously tantalizing research pile-ups like this one.

That’s right, I said the ASA Sound Studies Caucus.  If the publication of the AQ special issue wasn’t awesome enough news, the word on the street is that next year, I may not have to do Sounding Out!’s beloved ASA conference pre-game round-up. Sound Studies is in the process of gaining that all-important indexing in the front of the American Studies Association conference program through the brand-new Sound Studies Caucus.  Through ASA, the caucus is hoping to sponsor specific sound-related panels for forthcoming ASA meetings. This year’s reception is a planning session where interested parties can introduce themselves and become more involved in some of the caucus’s administrative tasks.  The official meet up takes place on Saturday, October 22nd from 4-6 p.m. at the upstairs bar area of the Pratt Street Ale House (206 W. Pratt Street) and Team ASA SSC will be selling limited edition T-Shirts to fund raise for the group. Interested folks can join the Sound Studies Caucus Googlegroup in advance of the meeting and catch the latest breaking news.

The ASA Sound Studies Caucus came out of a 2010 working group of UC faculty called “Sounding Race” generously funded by a UC Humanities Research Institute Grant.  The caucus centralizes race, gender, and sexuality to the study of sound and vice versa; in the words of their grant: “A new direction in sound studies suggests that sound, indeed, racializes, queers, and genders both the speaking subject as well as the listener.”  The grant was authored by Deborah Vargas (UC Irvine), Roshanak Kheshti(UC San Diego), D. Inés Casillas (UC Santa Barbara and frequent Sounding Out! blogger), and Kevin Fellezs (formerly at UC Merced, now at Columbia University). We at Sounding Out! are thankful for their scholarship, enthusiasm, and their critical administrative labor; we look forward to hearing more from this collective both at the caucus meeting and at the sure-to-be-excellent roundtable: “ASA Committee on Ethnic Studies: Sounding Race” on Friday October 21st, at 10:00 a.m. in Hilton Baltimore Peale B. It will be moderated by Herman Grey (UC Santa Cruz) and will also include Kirstie Dorr (UC San Diego). Look for me at both events—I will be the one live-Tweeting furiously with a huge grin on my face, excited to be gathering with so many Sound Studies colleagues from across ASA’s many (inter)disciplines.

Recording for the Baltimore Soundscape Project

In addition, I will be representing Sounding Out! on a panel organized by Nicole Hodges Persley (University of Kansas) and sponsored by the American Studies Women’s Committee called “Digital Displays: Women Imagining Blogospheres as Alternative Public Spheres,” on Saturday, October 22nd from 2:00p.m. to 3:45 p.m. at the Hilton Baltimore Holiday Ballroom 4.  I will be joining Tanya Golash-Boza (University of Kansas, author of the blog  Get a Life, Ph.D), Judy Lubin (Howard University, author of the blog Judy Lubin’s Leading Voices) and Jamie Schmidt Wagman (Saint Louis University) in a conversation about the role and power of blogging in contemporary academic careers.  In particular, my paper, “Sounding Off About Sounding Out!: Emerging Scholars in an Emerging Field” will focus on the mission and history of our blog and its interventions in the problem of access for women, junior scholars, and scholars of color.  Sounding Out! will continue the conversation beyond Saturday afternoon by publishing excerpts from my paper post-ASA.  We hope that you will join us, either in person or by contributing your thoughts and comments when that post eventually goes live.

Below you will find Sounding Out!’s picks for panels, papers, and events of interest to Sound Studies scholars at ASA 2011.  We’d like to thank IASPM (the US branch of the International Association for the Study of Popular Music for compiling the Popular Music Panels a few weeks back and add that our version of course understands “sound” more broadly: you’ll find music panels among work on urban soundscapes, theorizations of listening, research on sound and space, sound and race, sound and citizenship, as well as new research in the digital humanities for those interested in blogging and other audio-visual technologies, methodologies, and pedagogies.  In addition to panels, I have also copiously trolled through the program looking for events of interest to sound studies scholars as well as individual papers housed on panels not ostensibly or exclusively about sound (another important measure of the health, usefulness, and influence of Sound Studies methodology across the board).  If you find that I have missed you—or have placed your paper here in error—drop me a line at jsa@soundingoutblog.com and I will rectify the situation ASAP.

Finally, I want to give a quick shout out to local organizations and research projects in Baltimore that study sound, both as a gambit for Sound Studies scholars at ASA to think about how to foster relationships with site-specific colleagues and professionals at this and future meetings, but also as a way of introduction (or a welcome back) to the city that we will live in and be a part of for a few precious days this week.  Here are links to the Baltimore Soundscape Project, an interactive, collective soundmap facilitated by the private nonprofit group The Hearing and Speech Agency, which began in Baltimore in 1926 and functions as a “direct service provider, information resource center, and advocate for people of all ages and incomes who are deaf, hard of hearing, or have speech-language disabilities”; Baltimore Sounds, a website run by Joe Vaccarino, a local musician, writer, and restaurateur,  “dedicated to the history of past and present pop musicians throughout the Baltimore regional area” that features an extensive “Big List” of all musicians and groups in the area between 1950 and 2000; and the enjoyable Sounds of the Baltimore Oriole for a ornithological taste of “wild” Baltimore beyond the built environment. Take a good listen and I’ll see you all very soon. For the virtual experience, look for my live tweets via our Facebook and Twitter pages or on the official ASA backchannel: #2011asa.



Jennifer Stoever-Ackerman is co-founder, Editor-in-Chief and Guest Posts Editor for Sounding Out! She is also Assistant Professor of English at Binghamton University and a Fellow at the Society for the Humanities at Cornell University. 

Jump to THURSDAY, October 20
Jump to FRIDAY, October 21
Jump to SATURDAY, October 22
Jump to SUNDAY, October 23

Baltimore Sounds

THURSDAY, October, 20

THURSDAY PANELS

2:00 pm – 3:45 pm

African American Soundscapes and Sound Theory, Hilton Baltimore Tubman B

CHAIR: Alexander Weheliye, Northwestern University (IL)

PAPERS: Anthony Reed, Yale University (CT), “Some Echo of Haunting Melody”: W.E.B. Du Bois’ Musical Modernity

Noelle Morrissette, University of North Carolina, Greensboro (NC), James Weldon Johnson’s Soundscape of Modernity: Black Manhattan

Benjamin S. Glaser, Cornell University (NY), “They require(d) of us a song”: Psalm 137 and the Negro Renaissance

Carter Mathes, Rutgers University, Newark (NJ), Narrative Acoustics: “Free” Writing Black Consciousness

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Towards a Sensual Politics: Nation, Race, and Sense Perception, Hilton Baltimore Peale B

CHAIR: Todd Carmody, University of California, Berkeley (CA)

PAPERS: Britt Rusert, Temple University (PA), Fugitive Senses: Race and Empiricism in the Early Republic

Erica Fretwell, Duke University (NC), Sensitive Citizenship, Passing, and Other Nervous Conditions

Patrick Jagoda, University of Chicago (IL), How Videogames Think

COMMENT: Nihad Farooq, Georgia Institute of Technology (GA)

 

4:00 pm – 5:45 pm

Folk, Pop, and Indie Rock: Race and Ethnicity in American Music, Hilton Baltimore Carroll B

CHAIR: Ulrich Adelt, University of Wyoming (WY)

PAPERS: Lorena Alvarado, University of California, Los Angeles (CA), Ambiguous Anthems: Narratives of the Immigrant Subject and Popular Music

Nicholas Francisco Centino, University of California, Santa Barbara (CA), Raza Rockabilly: Reclaimed Space, History, and Identity in Contemporary Los Angeles

Matthew Mace Barbee, Siena Heights University (MI), The Unseen Power of the Picket Fence: How Black Nationalism Created Indie Rock

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Voicing a Riff: The Village Voice Music Section and Its Critical Legacy, Hilton Baltimore Johnson B

CHAIR: Eric Weisbard, University of Alabama, Tuscaloosa (AL)

PANELISTS: Joshua Clover, University of California, Davis (CA), Ann Powers, Independent Scholar, Greg Tate, Independent Scholar, Eric Weisbard, University of Alabama, Tuscaloosa (AL)

 

INDIVIDUAL PAPERS

12:00 pm – 1:45 pm

Nijah N. Cunningham, Columbia University (NY), Strident Light, Radiant Sound: Reparation and Redress in a Flyer for a Forsaken Life, Reparative Justice and the Failures of Government, Hilton Baltimore Brent

4:00 pm – 5:45 pm

Patricia Herrera, University of Richmond (VA), Sonic Memorials to Roberto Clemente, The Nuyorican Movement, Aesthetics, and Feminism, Hilton Baltimore Peale B

Invisible Sound Studio in Baltimore

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FRIDAY, October 21

FRIDAY PANELS

10:00 am – 11:45 am

Performative Black Christianity and the Logics of Religious Representation, Hilton Baltimore Holiday Ballroom 4

CHAIR: Daphne A. Brooks, Princeton University (NJ)

PAPERS: Ashon T. Crawley, Duke University (NC), Arthur, Crunch, and the Sound of Blackness in Baldwin’s Just Above My Head

Ronald Neal, Wake Forest University (NC), Spike Lee Can Go to Hell! Tyler Perry, Religion, and Southern Masculinity

Terrion L. Williamson, Michigan State University (MI), Juanita Bynum: Black Religiosity and the Making of a Good Christian Girl

COMMENT: Fred Moten, Duke University (NC)

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Affective Histories, Critical Transformations: A Roundtable Discussion, Hilton Baltimore Latrobe

CHAIR: Jasbir K. Puar, Rutgers University, New Brunswick/Piscataway (NJ)

PANELISTS: Mel Y. Chen, University of California, Berkeley (CA), Dana Luciano, Georgetown University (DC), Robert McRuer, George Washington University (DC), Karen Tongson, University of Southern California (CA)

 

ASA Committee on Ethnic Studies I: Sounding Race, Hilton Baltimore Peale B

CHAIR: Herman S. Gray, University of California, Santa Cruz (CA)

PANELISTS: Deborah R. Vargas, University of California, Irvine (CA), Kirstie A. Dorr, University of California, San Diego (CA), Kevin Fellezs, Columbia University (NY), Dolores InÈs Casillas, University of California, Santa Barbara (CA), Herman S. Gray, University of California, Santa Cruz (CA)

 

12:00 pm – 1:45 pm

Musical Migrations, Political Transformations: Reassembling Caribbean Musics in the Post-War United States, Hilton Baltimore Johnson B

CHAIR:  Brent Hayes Edwards, Columbia University (NY)

PAPERS: Alexandra Vazquez, Princeton University (NJ), Listening in the Cold War Years

Nadia Ellis, University of California, Berkeley (CA), From a Broken Bottle, Traces: Haunt and the Poetics of Diasporic Repair

Shane Vogel, Indiana University–Bloomington (IN), Madam Zajj and U.S. Steel: Duke Ellington’s Calypso Theatre

COMMENT:  Brent Hayes Edwards, Columbia University (NY)

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Transforming Scholarly Research in the Digital Age (Sponsored by the Digital Humanities Caucus), Hilton Baltimore Key Ballroom 09

CHAIR:  Wendy Chun, Brown University (RI)

PANELISTS: A. Joan Saab, University of Rochester (NY), Gwendolyn DuBois Shaw, University of Pennsylvania (PA), Tara McPherson, University of Southern California (CA), Mark Williams, Dartmouth College (NH)

 

2:00 pm – 3:45 pm

The Musical Imaginary: Race, Class, and Authenticity, Hilton Baltimore Paca A

CHAIR:  Aldon Lynn Nielsen, Pennsylvania State University, University Park Main Campus (PA)

PAPERS: William Fulton, City University of New York, Graduate School (NY), Re-inventing Authenticity: Big Brother and the  Holding Company’s Cheap Thrills as Haight-Ashbury Counterculture Statement

Sonnet Retman, University of Washington, Seattle (WA), Muddy the Waters: Other Stories of Love and Theft in the Making of the Delta Blues

Elizabeth Yeager, University of Kansas (KS), “Find[ing] myself a city to live in”: Middle Class American Imagination and Phish Scene Identity

Jack Hamilton, Harvard University (MA), Being Good Isn’t Always Easy: Aretha Franklin, Dusty Springfield and Janis Joplin in the 1960s

COMMENT:  Danielle Heard, University of California, Davis (CA)

 

INDIVIDUAL PAPERS

 2:00 pm – 3:45 pm

Daylanne English, Macalester College (MN), ArchAndroids and Their Antecedents: The Roots of Janelle Monae’s Afrofuturistic Post-human, Afrofuturism, Hilton Baltimore Peale A

 4:00 pm – 5:45 pm

Marisol Negron, University of Massachusetts, Boston (MA), From Mambo to Hip Hop: (Re)Imagining ìNuyoricanî with HÈctor LaVoe and La Bruja, Imagining Latinidad and Citizenship in Popular Cultures, Hilton Baltimore Brent

THE SOUND GARDEN RECORD STORE, FELLS POINT, BALTIMORE MD, FLICKR USER EARL

EVENTS

9:30 p.m.

Book Release Party for Karen Tongson (USC): Relocations: Queer Suburban Imaginaries (NYU Press), 9:30 p.m. at Red Maple, 930 N. Charles Street, Baltimore, 21201


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Saturday, October 22

SATURDAY PANELS

8:00 am – 9:45 am

American Quarterly Theme Session I: Sound in American Studies, Hilton Baltimore Holiday Ballroom 5

CHAIR:  Josh Kun, University of Southern California (CA)

PANELISTS: Kara Keeling, University of Southern California (CA), Asma Naeem, University of Maryland, College Park (MD), Dustin Tahmahkera, Southwestern University (TX), Roshanak Kheshti, University of California, San Diego (CA)

**Other scholars appearing in the issue are invited to attend and participate. Confirmed attendance as of this posting: Jennifer Stoever-Ackerman, SUNY Binghamton (NY), Gayle Wald, George Washington University (DC)

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Sounds of Response in the Age of Communicative Capitalism, Hilton Baltimore Key Ballroom 07

CHAIR: Travis Jackson, University of Chicago (IL)

PAPERS: Ruby Tapia, Ohio State University, Columbus (OH), Sonic Architectures of Memory: Digital Re-mixes and Structured Mournings at the Virtual WTC

Barry Shank, Ohio State University, Columbus (OH), Imagination and Transformation in Alarm Will Sound’s 1969

Shana Redmond, University of Southern California (CA), Manifold Music: On Markets and the Limits of Racial Exchange

COMMENT: Travis Jackson, University of Chicago (IL)

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Automation or Imagination? Aesthetics and Politics in the History of Electrical Communication, Hilton Baltimore Holiday Ballroom 4

CHAIR:  Patricia Ticineto Clough, City University of New York, Queens College (NY)

PAPERS: Mara Mills, New York University (NY), The Politics of Reading Machines, 1912–1971

Drew Daniel, Johns Hopkins University (MD), What Is a Digital Sound Object?

Tara Rodgers, University of Maryland, College Park (MD), The Liveliness of Synthesized Sound: From Helmholtz and Darwin to the Cybernetic Imagination

Orit Halpern, New School University (NY), The Autonomous Eye: Cybernetics, Perception, and Bio-politics

COMMENT:  Patricia Ticineto Clough, City University of New York, Queens College (NY)

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10:00 am – 11:45 am

Musical Lives and Imaginaries in B’More and the Chocolate City, Hilton Baltimore Carroll B

CHAIR:  Lester Kenyatta Spence, Johns Hopkins University (MD)

PAPERS: Natalie Hopkinson, Independent Scholar, Go-Go Live: The Musical Life and Death of a Chocolate City

Al Shipley, Independent Scholar, Tough Breaks: The Story of Baltimore Club Music

Gavin Mueller, George Mason University (VA), The Ecology of Go-Go’s Informal Markets

COMMENT:  Lester Kenyatta Spence, Johns Hopkins University (MD)

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2:00 pm – 3:45 pm

ASA Women’s Committee: Digital Displays: Women Imagining Blogospheres as Alternative Public Spheres, Hilton Baltimore Holiday Ballroom 4

CHAIR:  Nicole Hodges Persley, University of Kansas (KS)

PAPERS: Tanya Golash-Boza, University of Kansas (KS), How Academics Can Benefit from Blogging and How to Get Started

Judy Lubin, Howard University (DC), Reframing Shirley Sherrod: Black Women Bloggers and the Intersection of Race, Class and Gender

Jamie Schmidt Wagman, Saint Louis University (MO), A Woman’s Sphere: The Pill, The Net, and What’s Next

Jennifer Stoever-Ackerman, State University of New York, Binghamton (NY), Sounding off about Sounding Out!: Emerging Scholars in an Emerging Field

COMMENT:  Nicole Hodges Persley, University of Kansas (KS)

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4:00 pm – 5:45 pm

Transforming Sound(s): A Reading and Discussion, Hilton Baltimore Tubman B

CHAIR:  Jonathan Peter Moore, Duke University (NC)

PANELISTS: Mark McMorris, Georgetown University (DC), Nathaniel Mackey, Duke University (NC), Evie Shockley, Rutgers University, New Brunswick (NJ)

INDIVIDUAL PAPERS

8:00 am – 9:45 am

Allison Perlman, New Jersey Institute of Technology (NJ),  Regulating the Color Line: Univision, Spanish Language Broadcasting, and Latino Speech Rights, Regulation, Citizenship, and Communication Technologies,Hilton Baltimore Armistead

10:00 am – 11:45 am

Jason William Loviglio, University of Maryland, Baltimore County (MD), Radio Free Baltimore: Neoliberal Transformation on the Local Public Airwaves, Behind The Wire, Hilton Baltimore Holiday Ballroom 6

Fran McDonald, Duke University (NC), Supreme Laughter: The Reparative Function of Laughter in the American Courtroom, Humor Studies Caucus: Humor as Reparation and Representation, Hilton Baltimore Key Ballroom 09

Lerone Martin, Eden Theological Seminary (MO), Play It Again!: The Phonograph and the Re-imagination, Reparation, and Transformation of Black Protestantism, 1925–1941, The Arts of African American Faith: Social Transformation and the Black Religious Imagination, Hilton Baltimore Peale B

12:00 pm – 1:45 pm

Felicidad Bliss Cua Lim, University of California, Irvine (CA), Audible/Visible: Racialized Stardom and Language in Philippine Cinema, American Quarterly Theme Session III: Visuality and Race, Hilton Baltimore Holiday Ballroom 5

2:00 pm – 3:45 pm

Clare Corbould, Monash University, Australia, Performance and the Oral History of Slavery: The WPA Ex-Slave Narratives of the Interwar Years, Imagined Spaces and Reparative Performances: Constructing Public Memory in the Americas, Hilton Baltimore Johnson B

James Deutsch, Smithsonian Institution, Hark the Noisy Streets: The Nineteenth-Century Sounds of Baltimore, The City and Its Spaces, Hilton Baltimore Peale C

4:00 pm – 5:45 pm

Hishaam Aidi, Columbia University (NY), Hip Hop, Public Diplomacy and Indigenous Islam, Islamophobia: 10 Years after September 11, 2001, Hilton Baltimore Johnson A

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EVENTS

8:00 am – 9:45 am

Business Meeting of the Science and Technology Caucus, Hilton Baltimore Chase

12:00 pm – 1:45 pm

Business Meeting of the Digital Humanities Caucus, Hilton Baltimore Stone

4:00 pm – 5:45 pm

Business Meeting of the ASA Women’s Committee, Hilton Baltimore Chase

4:00-6:00 p.m.

ASA Sound Studies Caucus MeetingPratt Street Ale House, 206. W. Pratt Street, Baltimore, 21201

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SUNDAY, October, 23

SUNDAY PANELS

10:00 am – 11:45 am

The Golden Years: Fifties TV and Radio, Hilton Baltimore Key Ballroom 07

CHAIR:  Candace Moore, University of Michigan, Ann Arbor (MI)

PAPERS: Benjamin Min Han, New York University (NY), Cold War Talent: Ethnic Performers, Music, and Variety Shows in 50s America

Susan Murray, New York University (NY), Colortown: NBC’s Investment in Color, 1950–1959

Christina Abreu, University of Michigan, Ann Arbor (MI), From the Bronx to I Love Lucy: Lived and Televised Latinidad at the Tropicana Club in the 1950s

Patrick Roberts, National-Louis University (IL), Soul Machine: Agency and the Art of the Gimmick on Chicago R&B Radio, 1955–1963

COMMENT:  Joel Dinerstein, Tulane University (LA)

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Reparative Warhol, Hilton Baltimore Peale A

CHAIR:  Eric Lott, University of Virginia (VA)

PAPERS: Jonathan Flatley, Wayne State University (MI), Liking and Likeness: Across the Color Line in Warhol

Homay King, Bryn Mawr College (PA), Moving On: Andy Warhol and the Exploding Plastic Inevitable

Gustavus Stadler, Haverford College in Pennsylvania (PA), Andy’s Wife: Fidelity and Faith in Warhol’s Aural Practices

COMMENT:  Eric Lott, University of Virginia (VA)

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INDIVIDUAL PAPERS

10:00 am – 11:45 am

Albert Sergio Laguna, Columbia College (IL), Listening to Change: Radio, Humor, and the Future of Cuban Miami, Humor Studies Caucus: Ethnic Humor: Pleasures and Problems, Hilton Baltimore Key Ballroom 10

10:00 am – 11:45 am

Grace Wang, University of California, Davis (CA), Tiger Moms and Music Moms: On “Asian” Parenting; and Tamar Barzel, Wellesley College (MA), …pater le Punkeoisie—No Wave’s Queer and Jewish Interventions into Punk Rock’s Semiotic Terrain, Disciplining Gendered Bodies: The Strategic Performance of Ethnic Identity in Musical, Literary, and Visual Culture, Hilton Baltimore Peale C

VISUALIZING THE BALTIMORE SOUND: JASMINE SARP'S SENIOT THESIS, BY FLICKR USER KROOOOOP



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